Other books that might interest you

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  Fire Season - Field Notes from a...

  Philip Connors

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  “Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau—and I loved it.” 
  —J.R. Moehringer, author of The Tender Bar“[Connors’s] adventures in radical solitude make for profoundly absorbing, restorative reading.” 
  —Walter Kirn, author of Up in the AirPhillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season, is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford’s bestselling Shop Class as Soulcraft, and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.

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  Sisley

  Nathalia Brodskaya

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  A painter of the Impressionist movement, Alfred Sisley was born on October 30th 1839 in Paris but was of British origin. He died on January 29th 1899 in Moret-sur-Loing. Growing up in a musical family, he chose to pursue painting rather than the field of business. In 1862 he enrolled in Gleyre’s studio where he encountered Renoir, Monet, and Bazille. The four friends left their master’s studio in March 1863 to work outdoors, setting their easels to paint the forest scenes of Fontainebleau. 
  Sisley tirelessly chose the sky and water as subjects for his paintings, animated as they were by the changing reflections of light, for his landscapes of the regions surrounding Paris, Louveciennes, and Marly-le-Roi. This was in keeping with the painting styles of Constable, Bonington, and Turnet. Even if he had been influenced by Monet’s work at some point, Sisley drew away from his friend’s style due to his own desire for his work to follow the structure of forms. Sensitive to the changing seasons, he liked to portray spring with its blooming orchards, but it was the wintry and snowy countryside which Sisley was particularly attracted to. His reserved temperament preferred mystery and silence to the splendour of Renoir’s sunny landscapes.

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  It's Time To Clean Up

  Karen Mitzo Hilderbrand, Kim...

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  Kids will love to learn the concept of “cleaning up” with the adorable characters in this engaging story and sing-along song. Simple directions encourage little ones to work together to clean up toys. This sweet story encourages learning through music and introduces children to important early literacy skills they will need for the school years ahead. With this perfect combination of education and entertainment, kids and parents alike will enjoy reading  “It's Time To Clean Up” over and over again.

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  From Dictatorship to Democracy

  Gene Sharp

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  From Dictatorship to Democracy, A Conceptual Framework for Liberation is a book-length essay on the generic problem of how to destroy a dictatorship and to prevent the rise of a new one. The book was written in 1993 by Gene Sharp (b. 1928), a professor of political science at the University of Massachusetts. The book has been published in many countries worldwide and translated into more than 30 languages. Editions in many languages are also published by the Albert Einstein Institution of Boston, Massachusetts. This is the Fourth United States Edition, published in May 2010. The book has been circulated worldwide and cited repeatedly as influencing movements such as the Arab Spring of 2010–2012.

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  No-One Ever Has Sex in the Suburbs

  Tracy Bloom

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  Ben is still desperately trying to forget that Katy had a one-night stand just before she announced she was pregnant. Nine months later a new baby explodes into their lives, creating utter chaos. Being a stay-at-home dad isn’t as simple as it seems, in fact it’s a disaster. Then help arrives, in the most unlikely form: the wife of Katy’s ex-lover. Should Ben tell Katy about his secret rescuer or is it his turn to keep a secret…?

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  Shades of Green - My Life as the...

  John Sayles

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  This book incorporates lessons learned over a quarter of a century of managing, renewing and caring for the gardens of the National Trust; negotiating change with a variety of colourful characters, including former owners, now tenants. It traces the very British way the Trust learned about conserving historic gardens towards an overdue national commitment to leading this unique contribution to European culture.
  By the time John Sales was appointed in 1971, the National Trust had already acquired an eclectic range of gardens and designed landscape parks, more than any independent organisation ever. The Trust was in the process of taking them in hand and beginning to acquire many more, sometimes with great houses and estates but also in their own right as significant documents of history, important plant collections, unsung works of art and reservoirs of disappearing expertise. Before then there was little national interest or understanding of the extraordinary richness and diversity of Britain's historic designed landscape. Neither was it realised that the Trust's assembly of gardens and landscape parks, including those of Lancelot ("Capability") Brown, is the greatest in the world. With fifty of these places John Sales records first-hand experience of the garden's modern history at a crucial time of transition from private to corporate ownership, sometimes smooth, sometimes difficult but always fascinating. This involved grappling with mass garden visiting of a scale never before envisaged, severe fiscal and staffing constraints and the perceived need to accommodate outdoor events which may or may not bear any relationship to the traditions and historic values of the place. In each case he has tried to draw out the specific lessons learned.
  Above all shines through the pleasure of relating routinely to an extraordinary range of people from all walks of life and levels of understanding, including former owners, expert committees and dedicated staff, not least the gardeners, who inevitably have to cope at the sharp end.

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