Publisher: AB Books
Presents horror legend HP Lovecraft's short prose piece Nyarlathotep. This book presents Lovecraft's original poem in its entirety and also features a visual interpretation.
Romeo and Juliet is Shakespeare's famous tragedy of two "star-crossed lovers" from rival houses. Romeo and Juliet meet at a party and fall instantly in love, realizing too late that their families, the Montagues and the Capulets, are mortal enemies. Braving parental opposition, the teenage lovers marry in secret, with the aid of the well-intentioned Friar Lawrence. Yet, as Shakespeare has often observed, the course of true love does not run smoothly, and Romeo and Juliet must risk death to be together. (summary by Elizabeth Klett)Cast:Escalus: David MuncasterParis: mbMontague: Chris HughesCapulet: Andy MinterOld Man and Friar Lawrence: Alan Davis DrakeRomeo: Simon TaylorMercutio: Andrew LebrunBenvolio: David NicolTybalt: Joshua B. ChristensenFriar John: Sean McKinleyBalthasar: Scott D. FarquarSampson: EstherGregory: David O'ConnellPeter and Second Watchman: GesineAbraham and First Watchman: CalibanApothecary: Lucy PerryFirst Musician and Second Citizen: Laurie Anne WaldenSecond Musician: om123Third Musician: Aaron WaldenChorus: ancillaPage: C. J. NowakLady Montague: Christie NowakLady Capulet: Cori SamuelJuliet: Elizabeth KlettNurse: Kristin HughesFirst Servant: Abigail BartelsSecond Servant: Lizzie DriverThird Watchman: bryfeeFirst Citizen: Rhys LawsonNarrator: David LawrenceAudio Edited by: Elizabeth KlettShow book
With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places. Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits. A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.Show book
Michael Fairless is a pseudonym of Margaret Fairless Barber. She was an English Christian writer whose book of meditations, The Roadmender (1902) became a popular classic.The poem is taken from her book, The Grey Brethren, and Other Fragments in Prose and Verse. (Summary from Wikipedia)Show book
Nothing spooky or supernatural, but a very personal gathering of gossip, letters, and fragments of biography of famous people who have lived in Piccadilly (in London, England) ... and of some of the buildings, now long gone."If any part of any city deserves a book to itself, it is Piccadilly. We shall stand before some house in the hours when the traffic is stilled, and I shall tell of its history, of the men and women who dwelt there, and talked and loved and gambled and lived and died. I shall follow the lines of my temperament and tastes rather than those of completeness and impartiality: it is likely that I shall be voluble about Byron and reticent about Macaulay."(From the preface)Show book
Two short fragments: an unfinished and a lost play. A Florentine Tragedy, left in a taxi (not a handbag), is Wilde’s most successful attempt at tragedy – intense and domestic, with surprising depth of characterisation. It was adapted into an opera by the Austrian composer Alexander Zemlinsky in 1917. La Sainte Courtisane, or The Woman Covered in Jewels explores one of Wilde’s great idées fixes: the paradox of religious hedonism, pagan piety. Both plays, Wildean to their core, revel in the profound sadness that is the fruit of the conflict between fidelity and forbidden love. Written towards the end of his tragic life, these fragments give us a glimpse of a genius at his best: visceral, passionate, personal, poetic. (Summary by Simon Larois)A Florentine Tragedy - cast:Narrator: TriciaGGUIDO BARDI, A Florentine prince: mbSIMONE, a merchant: Simon LaroisBIANNA, his wife: Ruth GoldingLa Sainte Courtisane - cast:Narrator: Ruth GoldingFirst man: mbMyrrhina: PhilippaSecond man: L.FrenchHonorius: woggy298Edited by Ruth GoldingShow book
Winner of the Audre Lorde Award for Lesbian Poetry A finalist for the Dorothy Livesay Prize and the Lambda Literary Award In her ambitious follow-up to Hagiography, acclaimed poet Jen Currin continues her unique exploration of the surrealist lyric, constructing a strong case that, in these frightening times, it may be the best poetic mode for capturing the complexities of lived experience. In tongues alternately vulnerable, defiant, resigned, and hopeful, The Inquisition Yours speaks to the atrocities of our time – war, environmental destruction, terrorism, cancer, and the erosion of personal rights – fashioning a tenuous bridge between the political and the personal. Trying to make sense of a world where even language is 'a danger,' Currin’s poems reject the old storylines in favour of a vigilant awareness, and wonder whatmight happen if we 'change the feared penmanship' and embrace a narrative that empowers everyone. 'Jen Currin writes eloquently; she writes fervently – she writes irony and truth with alarming ease … Currin's writing is always surprising and often revelatory, punctuated by epiphanies and linguistic acrobatics … Anyone who wants to write will find this book an absolute joy to read.' – Geist 'Currin's poetry … leaves us dazed and amazed at the jumble of words upon the page that fall together like so much confetti in a celebratory parade of language. We are to emerge … with the sense that we have taken a journey to an exotic land.’ – Prairie Fire Reivew of Books 'Currin updates longstanding surrealist tropes – dreamscapes, disjointed images – with lines that would have been unthinkable to André Breton … This is a new poetry for a new century.' – Xtra! 'The pieces are minimalist and sharp, with a dark sense of humour … Though Currin’s surreal style invites multiple interpretations, her vivid imagery and intense storytelling make it easy for the reader to connect with these poems.' – Shameless MagazineShow book
