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  Collected works of Benjamin...

  Benjamin Franklin

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  Benjamin Franklin is the only one of America's founding fathers to have signed all three of their foundational documents: The Declaration of Independence, the U.S. Constitution, and the 1783 Treaty of Paris. These documents underpinned the establishment of the United States of America as a sovereign country. In addition to being a prominent politician, Benjamin Franklin was a prolific writer, fervent naturalist, and determined inventor. This collection of writing reflects Franklin's varied activities and manifold talents.Contents:The Autobiography Of Benjamin FranklinAdvice To A Young Man On The Choice Of A MistressThe Speech Of Polly BakerElectrical KiteThe Way To WealthAn Edict By The King Of PrussiaMorals Of ChessInformation To Those Who Would Remove To AmericaAn Address To The Public

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  Dead As Doornails

  Anthony Cronin

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  Dead as Doornails, first published in 1976, brings back into print a true classic of Irish memoir. Anthony Cronin's account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin's years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

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  My Secret Life Vol 6 Chapter 11

  Dominic Crawford Collins

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  My Secret Life is the longest autobiography ever written. Penned anonymously during the 1800s by a wealthy and sex obsessed English gentleman who refers to himself simply as 'Walter', it offers an eye and thigh opening account of life behind closed doors in the Victorian era. Banned from publication for its extreme and explicit content for nearly a century, My Secret Life is now being released as a fully scored immersive audiobook, with narration and music by film composer Dominic Crawford Collins.
  
  Volume 6 Chapter 11
  
  At Cremorne. • Amelia German. • A fair-haired beauty. • A voluptuous bed-fellow. • Tongues and lips. • Small entrance, large interior. • Her house and her captain. • Mrs. A*t*n the house-keeper. • The house-keeper alone. • Why does she sleep with Amelia. • Reasons suggested. • Mrs. A., on the sofa. • Hesitation and consummation. • Regrets after fucking. • Mrs. A's history. • On Sapphic tasts. • Mrs. A*t*n at a brothel. • A telltale belly. • Amelia with child. • A*t*n's produce. • Still-born or murdered? • House-keeper departs. • Gamahuching in a new attitude. • Repetition. • Liking and disliking. • Amelia's accouchement. • She disappears.

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  Open Door An - A True Story of...

  Maud Kells, Jean Gibson

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  'I was aware of a slight unease. In all my years at the hospital, I had never had a hoax call. Suddenly out of the darkness ran two masked figures in camouflage clothing pointing something shaped like a gun, covered in leaves. "You won't scare me. You won't get the better of me." flashed through my mind as I reached out to grab the weapon . . .' 
   
   
   
  When twenty-five-year-old Maud Kells gave up her home in Ireland to replace martyred missionaries in Congo, she was acutely aware of the risk she was taking. Despite the state of the war-torn country, her own reserved nature and the objections of her family, she chose to follow the God who promised, 'I am with you. That is all you need.' This is the remarkable story of an ordinary woman who decided to walk through the door God opened for her, whatever the cost.

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  How to Be a Sister - A Love...

  Eileen Garvin

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  Eileen Garvin’s older sister, Margaret, was diagnosed with severe autism at age three. Growing up alongside Margaret wasn’t easy: Eileen often found herself in situations that were simultaneously awkward, hilarious, and heartbreaking. For example, losing a blue plastic hairbrush could leave Margaret inconsolable for hours, and a quiet Sunday Mass might provoke an outburst of laughter, swearing, or dancing. How to Be a Sister begins when Eileen, after several years in New Mexico, has just moved back to the Pacific Northwest, where she grew up. Being 1,600 miles away allowed Eileen to avoid the question that has dogged her since birth: What is she going to do about Margaret? Now, Eileen must grapple with this question once again as she tentatively tries to reconnect with Margaret. How can she have a relationship with someone who can’t drive, send an email, or use a telephone? What role will Eileen play in Margaret’s life as their parents age, and after they die? Will she remain in Margaret’s life, or will she walk away? A deeply felt, impeccably written memoir, How to Be a Sister will speak to siblings, parents, friends, and teachers of people with autism—and to anyone who sometimes struggles to connect with someone difficult or different.

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  Look at the Lights My Love

  Annie Ernaux

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  A revelatory meditation on class and consumer culture, from 2022 Nobel laureate Annie Ernaux 
    
  “A dryly charming look at the way the French live now, through the sharp eyes of its most acclaimed chronicler.”—Kirkus Reviews 
   
  For half a century, the French writer Annie Ernaux has transgressed the boundaries of what stories are considered worth telling, what subjects worth exploring. In this probing meditation, Ernaux turns her attention to the phenomenon of the big-box superstore, a ubiquitous feature of modern life that has received scant attention in literature. 
   
  Recording her visits to a store near Paris for over a year, she captures the world that exists within its massive walls. Through Ernaux’s eyes, the superstore emerges as “a great human meeting place, a spectacle”—a flashy, technologically advanced incarnation of the ancient marketplace where capitalism, cultural production, and class converge, dictating our rhythms of desire. With her relentless powers of observation, Ernaux takes the measure of a place we thought we knew, calling us to question the experiences we overlook and to gaze more deeply into ordinary life.

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