Outros livros que poderiam interessá-lo

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  The Earth Shaker - London Style

  Mike Blake

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  The Earth Shaker :: London Style. 
   The Earth Shaker is about 2 office staff people, David and Helen caught up in a freak Earth Quake with the epicenter to the west end side of London. 
   How they find themselves in a new light with each other and how love and passion blossoms. 
   It's a straightforward and simple tale with a few novel twists on location in London around the Lambeth Bridge area. 
   To see the other Short Stories in the Series, follow these links to Amazon. (Only written versions) 
   1/ Gold Taps Nice House : 
   https://www.amazon.com/gp/product/B00FM4FTF0 
   2/ Hurricane Higgins Forceful Gale; 
   https://www.amazon.com/gp/product/B00GOWRBTG 
   4/ Johns Traitor : Baptised: 
   https://www.amazon.com/gp/product/B00H4K8GDM

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  Ovarium - Poems

  Joanna Ingham

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  Tender, loving and visceral, Ovarium is a pamphlet of poems about a giant ovarian cyst. The poet charts her journey with the cyst, from diagnosis to surgery to recovery, via a landscape of scanner rooms and hospital wards.
  
  The poems explore the impact of illness, and the body as a site of disgust and shame but also healing and endurance. Ingham's poems are forensic as she looks at the disorientating and sometimes patriarchal language of anatomy and medicine, and the way illness can change the relationship we have with our own bodies.
  I tried to think of you as fruit, growing
  against the sun-warm wall of my gut.
  Melon-headed, you nudged the leafy organs,
  dug out a place for yourself in the plot.
  I never guessed. I was only bloody earth
  to you, a coldframe full of light.
  
  - from 'Cyst'

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  To My Most Dearly Beloved Friend...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed.  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle.  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing.  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages.  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt.  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces.  Drayton last published in 1630 with The Muses' Elizium.  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson.

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  Don't Leave Me With Her - Short...

  Dr. Amr Mounir

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  How technological development and artificial intelligence can affect our human relationships. Can machines replace human connections?

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  Rhyme A Dozen A - Music - 12...

  Percy Bysshe Shelley, Rainer...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  01 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Music - An Introduction 
  02 - Music's Empire by Andrew Marvell 
  03 - Music When Soft Voices Die by Percy Bysshe Shelley 
  04 - If Music Be the Food of Love by William Shakespeare 
  05 - Power of Music by William Wordsworth 
  06 - The Strange Music by G K Chesterton 
  07 - For Music by Lord Byron 
  08 - To Music by Rainer Maria Rilke 
  09 - On Music by Thomas Moore 
  10 - Music by Wilfred Owen 
  11 - To Music, To Becalm His Fever by Robert Herrick 
  12 - The Musicians by Ella Wheeler Wilcox 
  13 - I Hear America Singing by Walt Whitman

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  Muses and Muscle Memory: The...

  Chris-Ann Miche

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  This is a specially curated, abridged edition. The full, unabridged edition will be available soon. 
  In a world where we can feel so disconnected, bogged down by the motions and minutes that steal dreams and tuck the self out of sight, Muses and Muscle Memory: The Audio Experience invites you to sneak away and reconnect. There are moments — beautiful, chaotic, and in-between — that make us who we are; they're as ingrained as the bones beneath our skin. And there are muses — bursts or bodies — that inspire us to feel, to explore, to change, or to appreciate. But we need the space: to think, to remember, to create, or just to be. 
  Narrated by the author, Chris-Ann Miche, and sound designed by Joel Young, each poem pulls you into a vivid landscape of words, with sounds from everyday life, that ask you to sit, listen, breathe, and contemplate. 
  Touching on complicated themes like memory, grief, desire, love, fear, freedom, and more, Chris-Ann comes out of intellectual hiding to lead you through glimpses of her past and present, to give you a safe place to get lost, a secure place to feel, to linger in nostalgia, to explore longing and warmth, while considering what’s to come, away from the noise of the world. 
  In the words of RaeChelle-Faith Hamilton, "Chris-Ann truly has a gift. Her uncanny ability to pull you into her world, while evoking treasured moments from your own experiences, reflects empathy, and true craftsmanship. Her collection not only narrates her own life's questions, but beautifully and effectively reflects how we may also perceive the world, but are unable to find the words. Chris-Ann has not only found her voice but has managed to help us find our own.”

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