Publisher: e-artnow
Poems on Slavery is a compilation of poems by American poet Henry Wadsworth Longfellow in support of the United States anti-slavery endeavors, taking a firm stance for human rights regardless of skin color.
The city never sleeps. Silence would weaken it. When all else fails it talks to itself seamless thrum of machinery dark undertone. It is 00:00 and the full of the night yet to come. A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. This fragmentary vigil anchors a series of narrative sections in which a dramatic voice — which might well be an interior monologue — gives, first, an account of the man, then addresses him directly. We learn of a conflicted childhood, of love lost to circumstance, of the press of death on the protagonist's waking thoughts. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives. In this powerful sequence, David Harsent's breathtaking formal skills are always in evidence. Intense, lyrical and passionate, Loss makes for enthralling listening.Show book
With so much going on in the world on a daily basis, a passionate artist has enough inventory of ideas to pour out. Yet a canvas doesn't have the capacity to hold all that needs to be expressed in a day. They say a picture is worth a thousand words, so I dedicate myself to creating thousands of words on canvases/pages to make render; meaningful art to share with the public.Show book
Begun in 1904 as the national theatre of Ireland, the Abbey Theatre featured the work of Lady Gregory, JM Synge, and famed poet William Butler Yeats: a home for native Irish writers writing in English and sometimes in Gaelic. The first home they had was a mortuary which they humorously referred to as "The Abbey." CART's tribute program was selected by Peggy Webber McClory from among the earliest plays written and produced by the successful Irish theatre, casting the show with Abbey Theatre alumni, including Abbey Theatre Associate Director, Vincent Dowling, as CART's guest director.Featuring: "The Rising of the Moon" by Lady Gregory; "In the Shadow of the Glen" by JM Synge; and "The Workhouse Ward" by Lady Gregory.Starring: James Lancaster, Helena Carroll, Baibre Dowling, Vincent Dowling, Shay Duffin, Marty Maguire, Tim Byron Owen and John Harlan.Adapted and produced by Peggy Webber.Show book
Embark on a journey to master the distinct New England American accent with our specialized audio course, tailored for actors seeking authenticity in their performances. This course offers an in-depth exploration of the unique phonetic characteristics, intonation patterns, and other nuances that define this iconic American dialect.The course includes practical exercises, focusing on vowel shifts and the distinctive rhythm and melody of the New England speech pattern. The course includes authentic speech examples from multiple sources and time periods, allowing you to hear and practice the accent in realistic scenarios.Our course is designed for ease of use. Whether you're preparing for a specific role or expanding your acting repertoire, this course offers the tools and guidance to authentically embody the New England American accent. Join us and transform your accent skills with confidence and precision.Show book
Aline Murray Kilmer (August 1, 1888 – October 1, 1941), was an American poet, children's book author, and essayist, and the wife and widow of poet and journalist Joyce Kilmer (1886-1918).Aline attended the Rutgers College Preparatory School with her husband, Alfred Joyce Kilmer and married him soon after his graduation from Columbia University in 1908. In their short marriage, lasting 10 years, her husband had achieved fame as a poet, literary critic and among Catholic circles as America's most prominent Catholic writer. After his death in World War I, Aline began publishing her own poetry and a few children's books. Today, her work is largely forgotten. - Summary by WikipediaShow book
A day and a night in the city that never sleeps. A young woman arrives into JFK with time to kill until her departure tomorrow. She looks up an old college friend who lives in the city. With thirty-one hours till she has to leave, she's taken on a whistle-stop tour of the city. Chronicling a night of debauchery and delicate connection followed by a difficult parting in the cold light of day, Gary Duggan's play Stop/Over asks what these little moments mean. First performed as a rehearsed reading at the Abbey Theatre, Dublin, in 2008, this new expanded version premiered at the Dublin Fringe Festival in September 2018, in a production by On The Quays.Show book
