Altri libri che potrebbero interessarti

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  A Coalition of Cheetahs

  Doreen Gurrey

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  Varied in subject matter, these poems are clearly in the control of a singular voice. There is wonderful use of imagery throughout and surprising metaphor in abundance, in gentle and inventive poems that explores ideas of love, home, family and loss.– Hannah Lowe

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  The Comedy of Errors

  William Shakespeare

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  The Comedy of Errors is one of Shakespeare's earliest and shortest plays. This comedy utilizes slapstick humor, word play, and mistaken identities to create a series of farcical accidents. Over time, the play's title has become an idiom used to describe "an event or series of events made ridiculous by the number of errors that were made throughout."
  In Ephesus, the law forbids entry to any merchants from Syracuse, and if they are discovered within the city, they must pay a thousand marks or be put to death. Aegeon, an old Syracusian merchant, is arrested and Solinus, the Duke of Ephesus, listens to his story of coming to the city. Long ago, Aegeon was on a sea voyage. Traveling with him was his wife, his twin sons, and their twin slaves. The family becomes separated during a tempest; Aegeon, one son, and one slave were rescued together, and the others were never to be seen again. Years later his son Antipholus and his slave Dromio left to search for their long lost siblings; after the boys didn't return, Aegeon set out to bring his son back home. Moved by this story, the duke allows Aegeon one day to get the money to pay his fine and to find his family.

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  Nothing vs Everything Vice Versa...

  Keith Barbour

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  This book is all about the poems I have written on the things surrounding me when I'm lonely vs. being around many people. The book will have poems in a sequence to compare having nothing vs having everything. If you are open to new ideas and revelations, this book is specifically for you. Do not let your personal beliefs affect the book's purpose. Just enjoy and be prepared for a rollercoaster of different quality poems. 
  In a world increasingly cluttered with noise and haste, "Nothing vs Everything Vice Versa" emerges as a beacon of clarity and insight, delving into the profound realms of words, the beauty of life, and the essence of patience with purpose. This audiobook, narrated with a compelling voice that weaves through the intricacies of human experiences and philosophical musings, invites listeners on a journey that challenges perceptions, enlightens minds, and soothes souls. The narrative begins by exploring the power of words—seemingly simple symbols that can uplift or destroy, enlighten or obscure. 
  "Nothing vs Everything Vice Versa" eloquently argues that words are not mere communication vehicles, but potent tools that shape our realities, beliefs, and identities. Through captivating stories and thoughtful analyses, the audiobook reveals how the words we choose to use and the narratives we tell ourselves and others construct the edifice of our lives. It emphasizes the responsibility that comes with this power and the transformative potential of mindful communication. 
  As the journey progresses, the audiobook blossoms into celebrating life's beauty. It paints vivid landscapes of the human condition, exploring the depths of sorrow the peaks of joy, and everything in between. 
  "Nothing vs Everything Vice Versa" does not shy away from the complexities and contradictions inherent in living, but instead embraces them as sources of strength and wisdom.

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  Habibti Driver (NHB Modern Plays)

  Shamia Chalabi, Sarah Henley

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  Meet Ashraf and his 'Habibti' – his daughter Shazia. He's an Egyptian, Muslim taxi driver; she's half-Egyptian, half-Wiganese, and more interested in the last call at the bar than the call to prayer.
  Their relationship is put to the test when Ashraf introduces Shazia to his new Egyptian bride, whilst she is attempting to break the news of her own secret engagement. In Ashraf's taxi they must navigate driving lessons, sing karaoke and explore whether, despite their differences, family can win out regardless.
  Habibti Driver is a heartwarming and hilarious play, based on Shamia Chalabi's real-life experiences and co-written with Sarah Henley, exploring the clashes, compromises and comedy that come with living in a mixed-culture family in today's Britain.
  First performed in an earlier version – Burkas and Bacon Butties – at the VAULT Festival, London, this revised, full-length version premiered at the Octagon Theatre Bolton in April 2022, co-produced with Tara Finney Productions.

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  Other People's Lives

  Dermot Bolger

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  Every night during a year spent in lockdown, Dermot Bolger set out on long walks through deserted streets, armed only with a pen and paper. Bolger follows in the footsteps of the great Portuguese poet, Fernando Pessoa, using walks through his native city to allow his imagination free rein to revisit pivotal moments in his own life and speculatively meditate on the lives of others in a series of remarkable poems.
  The book starts with his parents honeymooning in a wartime Wicklow orchard and ends, eight decades later, as the poet dances with his partner in a Wicklow field. In between we encounter Nuala O'Faolain on a bicycle on Brooklyn Bridge; Grace Gifford Plunkett, defiant in her lonely final years; Herbert Simms, Dublin's brilliant, tragically overworked housing architect; and Patricia Lynch, writing The Turf-Cutter's Donkey in one room while her husband wrote communist tracts in the next. Interlaced with such real lives are imagined ones – a hardened criminal detailing prison life in haikus, a doppelganger exploring alternative pasts for the author. Taken together, these poems chart a dazzling constellation of experiences.

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  The Hurting Kind

  Ada Limón

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  An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

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