Otros libros que te pueden interesar

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  A Modest Proposal (Hero Classics)

  Jonathan Swift

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  A child will make two dishes at an entertainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish, and seasoned with a little pepper or salt will be very good boiled on the fourth day, especially in winter.

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  On Bette Midler - An Opionated...

  Kevin Winkler

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  For more than fifty years, Bette Midler has been at the center of the entertainment world as a uniquely talented singer, actress, and comedienne. Starting in the unlikely venue of a gay bathhouse in New York City--where she developed her Divine Miss M persona--this book takes a deep dive into her successes, from movies to million-selling records, from sell-out concert tours to her memorable farewell to Johnny Carson as his last guest on The Tonight Show. 
   
  On Bette Midler features performance analysis and deeply researched background information, all of it supporting informed--and divinely opinionated--consideration of Midler the artist. It judges her work by the highest standards: those she established for herself.

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  Schaeffer on the Christian Life...

  William Edgar

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  Francis Schaeffer was one of the most influential apologists of the twentieth century. Through his speaking, writing, and filmmaking, Schaeffer successfully transformed the way people thought of the Christian faith, from a rather private kind of piety to a worldview that addresses every sphere of life. This volume―written by a man converted from agnosticism within days of meeting Schaeffer―is the first book devoted to exploring the heart and soul of Schaeffer’s approach to the Christian life, and will help readers strive after the same kind of marriage of thought and life, of orthodoxy and love.  Part of the Theologians on the Christian Life series.

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  Witness at the Cross - A...

  Amy-Jill Levine

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  Experience Holy Friday from the perspective of those who watched Jesus die: Mary his mother; the Beloved Disciple from the Gospel of John; Mary Magdalene and the other women from Galilee; the two men, usually identified as thieves, crucified with Jesus; the centurion and the soldiers; Joseph of Arimathea and Nicodemus. Jews and Romans, friends and strangers, the powerful and the powerless, the hopeful and the despairing. 
   
   
   
  The story of Jesus's death is not something we just read: we think about it, and we experience it. 
   
   
   
  In Witness at the Cross, Amy-Jill Levine shows how the people at the cross each have distinct roles to play. Each Evangelist presents a distinct picture of the death of Jesus. Each portrays different individuals and groups of people at the cross, each offers different images and dialogues, and so from each, we learn how those meanings and messages cross the centuries to any who would come to the cross today. 
   
   
   
  Each Gospel has its own story to tell, all the witnesses have their own memories, and every reader comes away with a new insight. The witnesses at the Crucifixion watch Jesus die, and we watch with them, and we watch them. And we come away transformed.

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  Charlie Watts Rhythm King -...

  Geoffrey Giuliano

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  Charlie Watts June 2, 1941- August 24, 2021 
  LIFE ON THE BACKBEAT 
   
  A TRIBUTE FROM THE AUTHOR OF 'PAINT IT BLACK THE MURDER OF BRIAN JONES' 
  AND 'THE ROLLING STONES ALBUM', SQUID GAME STAR & PEOPLE'S CHOICE AWARD WINNER GEOFFREY GIULIANO 
   
  "I wanted to play drums because I fell in love with the glitter and the lights, but it wasn't about adulation. It was being up there playing." 
   
  "I hate leaving home. I love what I do, but I'd love to go home every night." 
   
  "It's been years and years and years I've been playing the drums, and they're still a challenge." 
   
  "I never had lessons. Used to try to play to records, which I hated doing. Still can't play to them." 
  Charlie Watts 
   
  Charlie Watts provided the foundation that underpinned the music of the Rolling Stones. The band became a by-word for rock 'n' roll excess but for Watts, playing with the Stones did not become the ego trip that drove Mick Jagger and Keith Richards. A jazz aficionado, Watts vied with Bill Wyman for the title of least charismatic member of the band; he eschewed the limelight and rarely gave interviews. And he famously described life with the Stones as five years of playing, 20 years of hanging around. 
   
  Charles Robert Watts was born on 2 June 1941 at the University College Hospital in London and was raised in Kingsbury, now part of the London Borough of Brent. His father was a lorry driver and Watts was brought up in a prefabricated house to which the family had moved after German bombs destroyed hundreds of houses in the area. A childhood friend once described how Watts had an early interest in jazz and recalled listening to 78s in Charlie's bedroom by artists such as Jelly Roll Morton and Charlie Parker.

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  Billie Holiday and Etta James:...

  Editors Charles River

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  If Billie Holiday wanted to become a jazz singer, she chose the best of all eras in which to attempt it. A wave of great jazz and jazz/pop crossover artists swept over the United States from the 1920s through the 1950s, generating a golden age for the genre. This wondrous jazz era was well represented by both black and white master artists, men, women, vocalists, and instrumentalists, and Billie Holiday has stood the test of time as well as any, despite struggling with an environment that easily could have doomed such aspirations. Holiday “rewrote the rules” of jazz singing by using her voice not to imitate other singers, but by taking on the style of movement and sound common to jazz instruments. On top of that, she took the moderately employed practice of singing off the beat and brought it to the rhythmic forefront of virtually everything she sang. 
  Etta James, the legendary jazz, gospel, rhythm & blues, and soul singer, was perfectly positioned to reign as the supreme artist in the emerging soul genre of the ‘40s and ‘50s in America. No one ever doubted her talent, the highly distinctive and versatile nature of her voice, or her drive to succeed, and yet, she has been “woefully overlooked” in the history of indigenous rock and blues music in the United States. She is famous and recognized for several iconic hits with which she is eternally associated, such as “I’d Rather Go Blind” and “At Last,” but her place in the pantheon of great soul artists is unsteady and not always instantly recognizable by those outside of a knowledgeable group of devotees. For the rest of soul music’s listeners, mention of her name will result in a hasty inclusion into the inner circle of leading artists, as though James had been momentarily forgotten. Once the object of focus, however, she is revered as one of the titans of the genre, and those who had allowed her to slip from their minds are immediately reawakened to her powerful vocal and interpretive gifts.

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