Editora: Wildside Press
The old man dallied with evil magic, and sought to double his span of life at his nephew’s expense, but the world ended for him at the Towers of Silence in a Persian cemetery
A ghost story and supernatural tales based on actual events. A school in England is haunted by the apparition of a former Headmaster, who had died on stage while giving his retirement speech to the end-of-term assembly, just before Christmas 1944. Since then, his spectre, wearing a traditional academic gown and mortar board, has been sighted many times patrolling the eerie, cloistered corridors. A member of the teaching staff develops a fixation with the ghost and an obsession with the paranormal. Be prepared to experience a wide range of emotions as he strives to unveil the ghost of Gerald Dowse.Ver livro
Story 1 The Picture of Death Aureus Argent aka Gabriel Drac, (the former Masked Chicken) a Magician paints a picture of Blake as a human magician he is the emperor of the magicians, and as a birthday present for Blake, it ends up in his afterlife office, where he is to have a reporter doing an article on him by order of Fate, his boss. How bad can this go? Really bad! But how bad? Story 2 The Rise of Death Blue Midnight aka Blake has a new name, Dark Midnight, the King of Death he struggles to live in the open as Mortimer, king of the grim reapers. He tries to hit the ground running. But everyone is treating him differently, most are scared of him or see him as a usurper for his stealing the empire as they see it. Others want him to do miracles he can't do, to his annoyance. The Necromancer, his son, isn't helping either.Ver livro
"Monsters aren't real." That's what sixteen-year-old Lucy Brannigan has always believed, until, broke and desperate, she and her father move to an isolated farmhouse in the small Scottish town of Helsbridge. It's their last chance, and they have to make it work. For Lucy, life appears to be over. With no friends, and surrounded by miles of thick woodland, there's nothing to do. But why did the previous occupants leave their belongings behind? And why is their new home surrounded by dozens of scarecrows? And worst of all . . . what is the cause of the horrifying screams that wake her in the night? This summer, Lucy will be forced to learn the dark secret of Helsbridge. And as the bodies pile up, and the blood flows in rivers, she makes a shocking discovery that will change the course of her life forever. Monsters are real . . . and no amount of flesh can sate their diabolical hunger. Summer of the Monsters is a tender and brutal coming-of-age horror story from the savage mind of David Sodergren, author of Maggie's Grave and The Haar. Contains mature themes.Ver livro
A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class." Rosemary meets Ash at the farmers' market. Ash—precise, pretty, and practically perfect—sells bars of soap in delicate pastel colors, sprinkle-spackled cupcakes stacked on scalloped stands, beeswax candles, jelly jars of honey, and glossy green plants. Ro has never felt this way about another woman; with Ash, she wants to be her and have her in equal measure. But as her obsession with Ash consumes her, she may find she's not the one doing the devouring . . . Told in lush, delectable prose, this is a deliciously dark tale of passion taking an unsavory turn . . . Contains mature themes.Ver livro
"Pickman's Model" is a short story by H. P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales. It was adapted for television in a 1971 episode of the Night Gallery anthology series, starring Bradford Dillman. The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in the revocation of his membership in the Boston Art Club and he is shunned by his fellow artists. The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city. As the two delved deeper into Pickman's mind and art, the rooms seemed to grow ever more evil and the paintings ever more horrific, ending with a final enormous painting of an unearthly, red-eyed and vaguely canine humanoid balefully chewing on a human victim. A noise sent Pickman running outside the room with a gun while the narrator reached out to unfold what looked like a small piece of rolled paper attached to the monstrous painting. The narrator heard some shots and Pickman walked back in with the smoking gun, telling a story of shooting some rats, and the two men departed. Afterwards the narrator realized that he had nervously grabbed and put the rolled paper in his pocket when the shots were fired. He unrolled the paper to reveal that it is a photograph not of the background of the painting, but of the subject. Pickman drew his inspirations not from a diseased imagination, but from monsters that were very much real.Ver livro
Five spooky stories of bone chilling tales of missing people, strangers on the bus, monsters hiding in the dark and world ending events.Ver livro
