Outros livros que poderiam interessá-lo

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  The Witch from the Sea

  Philippa Carr

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  In Tudor England, a dark mystery threatens a marriage. “Carr is a master at creating and sustaining suspense . . . a story that will draw you in” (Regan Romance Review).  Linnet Pennlyon, proud daughter of a sea captain, finds herself in a vicious trap: Pregnancy has forced her to marry the cunning Squire Colum Casvellyn. Once their baby is born, she devotes herself to their son. Yet, little by little, against her will, Linnet finds herself drawn to her passionate, mercurial husband. Dark secrets lurk in their castle: The squire’s first wife died amid rumors of foul play. When a beautiful stranger washes up on the shore, Linnet suddenly finds she’s no longer in control of her family—or her life. It falls to Linnet’s daughter, Tamsyn, to uncover the truth about a long-ago night . . . and put to rest the rumors about her beloved mother. Her discovery sets in motion an unstoppable chain of events that will reverberate for decades to come.  

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  Piece-A-Way Crossroads

  Gloria Gipson Suggs

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  Piece-A-Way Crossroads is a work of fiction used on the life of a couple, Peter and Rhea, who lived in Marshall County, Mississippi, from the 1930s through the 1960s. It is written from the perspective of Jeannie, one of their daughters, who invites the readers to come piece-a-way with her as she tells their story. Jeannie introduces some of the people, places, and events her parents encountered during beautiful, difficult, and sometimes turbulent times-the Great Depression, Desegregation issues.    
  Jeannie integrates stories, poetry, and art into the storytelling format, providing the reader with a link to the past by exploring how her parents dealt with these difficult and sensitive situations and issues. 
  A lesson can be learned from their hard work, perseverance, and foresight in preparing their children for the future through education in a time when it was not the popular path.

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  Forgotten Authors The - Volume 8...

  Catherine Wells

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  Luigi Pirandello - A Short Story...

  Luigi Pirandello

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  Luigi Pirandello was born on 28th June 1867 into an upper-class family in Agrigento, in Sicily. 
   
  In 1880, the family moved to Palermo and there he completed high school and thence to the University of Palermo, at that time the centre of what became the Fasci Siciliani movement.  Although not an active member he had close friendships with many of its leading ideologists.  Pirandello then completed his university studies in Rome and Bonn, receiving his Doctorate in March, 1891. 
   
  His time in Rome had provided him with the opportunity to visit its many theatres. "Oh the dramatic theatre! I will conquer it. I cannot enter into one without experiencing a strange sensation, an excitement of the blood through all my veins..." 
   
  1894 brought marriage, at his father's suggestion, to a shy, withdrawn girl: Mara Antonietta Portulano.  The marriage encouraged his studies and writings and, the following year, the first part of the ‘Dialoghi tra Il Gran Me e Il Piccolo Me’ was published. 
   
  In 1903 the flooding of the sulphur mines in which his father had invested the family capital and Antonietta's dowry, brought financial catastrophe.  She, on hearing the news, was mentally broken.  Pirandello would now work a full day and then watch over his troubled wife at night. Somehow he found time to write ‘The Late Mattia Pascal’.  It was an immediate and resounding success.  
   
  In 1909, Pirandello began his collaboration with the prestigious Corriere della Sera.  Whilst his fame as a writer was increasing his private life was poisoned by the suspicion and jealousy of Antonietta who now turned physically violent.  His plays were now being regularly performed but, within a decade, Antonietta had to be placed into an asylum from which she never left. 
   
  In 1921, in Rome his play, ‘Six Characters in Search of an Author’ debuted.  It was a failure.  However, when presented in Milan it was a great success, as it also was in London and New York. 
   
  In 1925, Pirandello, with Mussolini’s help, assumed the artistic direction and ownership of the Teatro d'Arte di Roma.  He now described himself both as ‘a Fascist because I am Italian’ and ‘I'm apolitical, I'm only a man in the world...’  However his later conflicts with fascist leaders meant he fell under close surveillance by the OVRA, the secret police. 
   
  In 1934 he won the Nobel Prize but asked that the medal be melted down for Italy’s occupation of Abyssinia Campaign to which he had given his support.  
   
  Pirandello's canon stretches across novels, short stories, poetry, essays and some 40 plays.  His tragic farces are often cited as forerunners of the Theatre of the Absurd. 
   
  Luigi Pirandello died on the 10th December 1936 at his home at Via Bosio, Rome, Italy.  He was 69.

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  Looking After Your Own

  Evelyn Hood

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  Not Yet Available

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  Iron Curtain - A Love Story

  Vesna Goldsworthy

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  East and West collide in a "timely" and "bittersweet tale of loyalty, love, and the siren call of freedom" (Rebecca Abrams, Financial Times). 
   
   
   
  Milena Urbanska is a red princess living in a Soviet satellite state in the 1980s. She enjoys limitless luxury and limited freedom; the end of the Cold War seems unimaginable. When she meets Jason, a confident but politically naïve British poet, they fall into bed together. Before long, Milena is planning her escape. She follows Jason to London, where she's shocked to find herself living in bohemian poverty. The rented apartment is dingy, the food disgusting, and Jason's family withholding, but at least there are no hidden cameras recording her every move. As she adjusts to her new life, however, Milena discovers the dark side of Jason's idea of freedom. 
   
   
   
  With cool wit and tender precision, Vesna Goldsworthy delivers a razor-sharp vision of two worlds on the brink of change, amidst the failures of family and state. Iron Curtain is a sly, elegant comedy of manners that challenges the myths we tell ourselves.

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