Altri libri che potrebbero interessarti

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  Beloved Poison - Jem Flockhart...

  E S Thomson

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  A dark and richly atmospheric thriller, perfect for fans of Laura Purcell and Sarah Perry. 
  London, 1846. 
  Ramshackle and crumbling, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. 
  Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing. 
  And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences . . . 
  “It's rare that a book is Gothic enough for me, but Beloved Poison is killing it. The blood, the bones...” - Laura Purcell

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  Killing Gilda

  Yahya Gharagozlou

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  A beautiful nineteen-year-old named Gilda becomes the mistress of Mohammad Reza Shah Pahlavi, the last Shah of Iran. She dreams of becoming his wife. The narrator, in love with Gilda, follows clues about her death two years after the affair. 
  During an assassination attempt on the Shah, he gets shot on the steps of the Marble Palace. As he puts it, "I took a bullet for my king up the ass and got a jester's seat, the best seat, to watch the fall of the Persian Empire." 
  Killing Gilda is infused with intrigue, but at its heart, it's a love story that follows the best traditions of classics like The Beauty and the Beast. We enter the rarified atmosphere of the court, the young woman's life, and the reasons for her death. We follow the characters through the Paris of Madame Claude, the Shah's ski resort at St. Moritz, and Doctor Pitanguy's plastic surgery clinic in Baden Baden. 
  The story, with its scheming characters and rare glimpses into Shah's private life, eschews easy labels. The Shah's sexual adventurism didn't stop his liberal policies for women's rights.

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  Lunatics - Last Men on the Moon

  Brian d'Eon

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  Wernher von Braun, reluctant Nazi, personal friend of President Lyndon Johnson, and master builder of the Saturn V rocket, is on the verge of seeing his lifelong dream fulfilled as he joins to the crew of Apollo XX on mankind’s last visit to the Moon. All his life has been a struggle to get to this moment: surviving Allied bombing, uncomfortable accommodations with the SS, anti-German sentiment in post-war America, and the march of time itself—is he finally just too old to join the astronaut corps? On the moon, von Braun will reach the pinnacle of his professional life but there he also desperately hopes to exorcise demons from his past. 
  Landing men on the moon? Why bother? And, precariously, inside the bowels of Copernicus crater? Crazy? Impossible? And the men and women dedicated to this exploit? What to call them but Lunatics. 
  Two other voices play large roles in telling von Braun’s story: Mission Commander, Alan Bean, the only artist among the corps who hopes to capture the true essence of what it means to step on the moon. What it really looks like, feels like. Because if he doesn’t do it, who ever will? 
    
  The final voice belongs to fellow astronaut, Deke Slayton, a no-nonsense test pilot interested in neither science nor art. His mantra during the mission will be “don’t screw up”.

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  What Am I

  J.J. Zerr

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  Eighty-year-old Eddie Walsh receives an email asking if he ever volunteered for something no one else wanted to do. He answers the question in one hundred words, but then he thinks about a number of extraordinary occurrences that led to that opportunity to volunter. He starts writing about those and produces a novella length answer to the original question

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  The Cameo Keeper - A Novel of...

  Deborah Swift

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  Rome 1644 
  Remember tonight... for it is the beginning of always ― Dante Alighieri 
  In the heart of Rome, the conclave is choosing a new Pope, and whoever wins will determine the fate of the Eternal City. 
  Astrologer Mia and her fiancé Jacopo, a physician at the Santo Spirito Hospital, plan to marry, but the election result is a shock and changes everything.. 
  As Pope Innocent X takes the throne, he brings along his sister-in-law, the formidable Donna Olimpia Maidalchini, known as La Papessa – the female Pope. When Mia is offered a position as her personal astrologer, she and Jacopo find themselves on opposite sides of the most powerful family in Rome. 
  Mia is determined to protect her mother, Giulia Tofana, a renowned poisoner. But with La Papessa obsessed with bringing Giulia to justice, Mia and Jacopo's love is put to the ultimate test. 
  As the new dawn of Renaissance medicine emerges, Mia must navigate the dangerous political landscape of Rome while trying to protect her family and her heart. Will she be able to save her mother, or will she lose everything she holds dear? 
  For fans of "The Borgias" and "The Crown," this gripping tale of love, power, and poison will keep you on the edge of your seat until the very end. 
  'historical fiction that is brisk, fresh and bristling with intrigue' – Bookmarked Reviews ★★★★★ 
  'A vividly written story of power, politics and love ... thoroughly captivating' - The Wishing Shelf ★★★★★

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  Jude and Diana

  Sharon Robart-Johnson

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  The only mention of Jude in Nova Scotia’s official history relates to her death: a slave-owning family was brought to trial for her murder in 1801. They were acquitted despite overwhelming evidence that they were guilty. Sharon Robart-Johnson pays tribute to such archival glimpses of enslaved people by re-creating the fullness of sisters Jude and Diana’s survival, emphasizing their joys alongside their hardship. She stories their movements through the U.S. to Nova Scotia, Canada, with the arrival of the United Empire Loyalists in 1783. As a child, Jude is sold away and then, by a lucky turn of fate, reunited with her fiercely loving family. Jude’s experiences harden her into a rebel who resists injustice without heeding consequences, and after her death, Diana is left alone to deal with racist and sexual violence.
  		 
  Through Robart-Johnson’s research, we experience nineteenth-century Nova Scotia, when political debates about abolishing slavery were just beginning to emerge. Through Robart-Johnson’s creativity, we enter the historical fiction of Jude and Diana and their strong familial bonds, each character developed with nuance and care. While chronicling the cruelty they endured, Robart-Johnson’s storytelling powerfully honours their humour, strength, and shining dignity.

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