Outros livros que poderiam interessá-lo

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  Cockroach (NHB Modern Plays)

  Sam Holcroft

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  A dark and compelling vision of a world infected by violence.
  A seemingly normal detention in a seemingly normal modern-day comprehensive school. A teacher valiantly battles on with biology revision. She believes only education will set her pupils free. For outside the classroom, the world is in the middle of a long and bloody war.
  Despite her best efforts, the tide of conflict is soon lapping at the school gates and, one by one, pupils and teacher are pulled under as their hopes and dreams float away from them.
  'Sam Holcroft is uncompromising in her ideas and deeply ambitious for the power of theatre. It's a long time since a young writer has thrilled me this much' - Vicky Featherstone, director of the National Theatre of Scotland's production of Cockroach
  'hauntingly powerful... a playwright brave enough to do battle with the big ideas' - Guardian

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  Mustafa (NHB Modern Plays)

  Naylah Ahmed

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  A vivid and compelling thriller about belief and retribution.
  Mustafa is in prison for the death of a teenage boy during an exorcism. Racked with guilt at the loss of an innocent life and isolated in a world where his beliefs are constantly challenged, he's trying to avoid trouble. But when prisoners who taunt him suffer mysterious injuries and prison officers start behaving strangely, Mustafa realises the spirit he tried to banish is still with him, and he must confront it once again.
  Naylah Ahmed's play Mustafa was first performed at Soho Theatre, London, in 2012 in a co-production by Kali Theatre and Birmingham Rep.
  'Compelling and engaging' - Whatsonstage.com
  'Manages to combine such explosive themes as power, violence, notions of guilt, psychological torture and the competing loyalties of faith and family with a persuasive and surprising theatricality... A sensitive and shocking piece of work' - www.onestoparts.com
  'Weaves a cool and cunning story… delivers a good few cold shivers' - Time Out
  'Naylah Ahmed uses the ideas of possession and haunting as a tantalising way of exploring perceptions of (and prejudices towards) 'otherness'' - Metro (London)

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  No One Leaves the World Unhurt

  John Foy

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  John Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. While moments in No One Leaves the World Unhurt may appear absurd or even funny on the surface—such as a psychological exploration of the Lord of the Rings character Gollum—beneath this lightheartedness lies a tone that is grim and foreboding. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying “It is what it is. / It’s not what it might have been.” Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy’s vibrant collection is simultaneously philosophical, whimsical, serious, and searching.

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  Croak

  Jenny Sampirisi

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  Croak  is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song. It parades, mutilates and reacquaints Kermit the Frog with Girl 00010111, Michigan J. with Aristophanes, and biblical plagues with caged canaries in a vaudevillian play of time, culture, gender and narrative. Combining vivisection and classical literature, empirical observation and philosophical speculations, Sampirisi's grotesque characters splash and sparkle before moving toward their inevitable narrative end.
  
   
  
  
   
  In conversation with Samuel Beckett's  Words & Music ,  Croak  presents a negotiation between the doom and gloom of a species in crisis and the many empirical markers we attach to such creatures. Sampirisi reminds us that we are all porous in the mud of language.

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  Favour (NHB Modern Plays)

  Ambreen Razia

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  Leila is happy living at home with Noor, her loving but traditional grandmother. But when Aleena, her fiercely independent mother, returns home from prison determined to deliver a new world of fun and excitement, their calm lives are upended in a blur of nail varnish and sweet treats.
  Family secrets come tumbling into the light, and Leila finds the task of deciding on her future more difficult than she first thought.
  Ambreen Razia's play Favour is a touching and hopeful family drama about a working-class Muslim family, tackling duty, addiction and the challenge of pulling yourself back together after it all falls apart. It was a Bush Theatre and Clean Break co-production and premiered at the Bush, London, in 2022, directed by Róisín McBrinn and Sophie Dillon Moniram.

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  Very Close to Pleasure There's a...

  Shakti Chattopadhyay

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  In the early 1960s, the Hungry Generation revitalized Bengali poetry in Calcutta, liberating it from the fetters of scholarship and the fog of punditry and freeing it to explore new forms, language, and subjects. Shakti Chattopadhyay was a cofounder of the movement, and his poems remain vibrant and surprising more than a half century later. In his 'urban pastoral' lines, we encounter street colloquialisms alongside high diction, a combination that at the time was unprecedented. Loneliness, anxiety, and dislocation trouble this verse, but they are balanced by a compelling belief in the redemptive power of beauty.This book presents more than one hundred of Chattopadhyay's poems, introducing an international audience to one of the most prominent and important Bengali poets of the twentieth century.

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