Outros livros que poderiam interessá-lo

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  Pre-Approved for Haunting - And...

  Patrick Barb

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  In this new collection, Patrick Barb explores themes of family found and lost, media consumption and the dangers of runaway nostalgia, the supernatural in our lives, and the impact of violence in both the long- and short-term. -A young couple is reunited with their lost son whose favorite fuzzy bear suit connects him to the ghost of a vengeful mama bear while he's alone in the forest. -A jaded screenwriter can’t escape the haunted screenplay that’s ruined his career. -A man returns to his small hometown, where the people are gone and the trees have taken over. -A Slasher and Final Girl brother-sister duo match wits and blades against a sentient, dimension-hopping apocalypse at a never-ending summer camp. From rural backwoods to Park Slope brownstones, Barb's characters face impossible, awful situations, testing their inner strength and understanding of reality. Covering quiet horror, weird fiction, supernatural horror, slasher horror, topical dark fiction, and more, these stories spotlight supposedly familiar terrors and fears in new and unexpected ways..

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  The Upper Berth - A sailor...

  F. Marion Crawford

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  Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’.  
   
  Crawford was educated at St Paul's School, Concord, New Hampshire and then on to Cambridge University, the University of Heidelberg and the University of Rome.  
   
  In 1879 he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881 he returned to America to continue his Sanskrit studies at Harvard University. 
   
  His family became increasingly concerned about his employment prospects.  After an attempt at a singing career as a baritone was ruled out, he was encouraged to write.  
   
  In December 1882 his first novel, ‘Mr Isaacs’, was published and was an immediate hit as was his second novel ‘Dr Claudius’ in 1883.  
   
  In October 1884 he married Elizabeth Berdan and encouraged by his excellent start to a literary career they returned to Sant Agnello, Italy to make a permanent home, buying the Villa Renzi that then became Villa Crawford.  
   
  In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature.  
   
  Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.   
   
  In 1908 came his classic ‘The Screaming Skull’. Without doubt its unsettling nature is heightened as the reader/listener is drawn into to the story by its narrator.  Everything is explained and plausible until, of course, it isn’t. 
   
  Francis Marion Crawford died at Sorrento on Good Friday 1909 at Villa Crawford of a heart attack.  
   
  In this classic supernatural story by F Marion Crawford a man takes a room on a liner and discovers that its previous occupants have all committed suicide.  When his room mate on the Upper Berth also disappears the evidence points to some unearthly sequence of happenings.

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  Richard Middleton - A Short...

  Richard Middleton

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  Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. 
   
  His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London.  There he struggled with constraints and boundaries and by night he took to a bohemian lifestyle.   
   
  Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew. 
   
  He became an editor at Vanity Fair where he told a fellow editor, the notorious Frank Harris, that he wanted to pursue a career as a poet.  Shortly afterwards Harris published Middleton’s poem ‘The Bathing Boy’. 
   
  As an author he is most remembered for his short ghost stories. 
   
  Richard Middleton died on 1st December 1911.  He was 29.

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  Top 10 Short Stories The - The...

  James Fenimore Cooper, Honoré de...

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  Within this decade are writers of incredible ability who are able to fashion gem-like stories that astonish our ears and brains across many genres; a literary culture that seems to endlessly build and create new paths for the restless human imagination to tread. 
   
  1 - The Top Ten - The 1830's 
   
  2 - The Eclipse by James Fenimore Cooper 
   
  3 - A  Passion In The Desert by Honoré de Balzac 
   
  4 - The Shot by Alexander Pushkin 
   
  5 - The Fall of the House of Usher by Edgar Allan Poe 
   
  6 - Young Goodman Brown by Nathaniel Hawthorne 
   
  7 - The Dream by Mary Shelley 
   
  8 - Claude Gueux by Victor Hugo 
   
  9 - The Nose by Nikolai Gogol 
   
  10 - The White Pigeon by Maria Edgeworth  
   
  11 - Napolean and the Spectre by Charlotte Bronte

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  Lessford's Rabbits

  D H Lawrence

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  'Lessford's Rabbits' was written by D H Lawrence in 1908. It was the second of his sixty-seven short stories, all of which will be published individually in audio format by the Blackthorn Press. The story is set in a local school and gives an insight into the poverty and spirit of working class children as well as a glimpse of Lawrence's time as a teacher.

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  The Moth

  H. G. Wells

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  In H. G. Wells’s haunting tale The Moth, scientific rivalry turns to psychological horror in a chilling study of obsession and guilt. 
   When the proud entomologist Hapley destroys the reputation of his longtime nemesis, Professor Pawkins, the victory proves fatal — Pawkins dies shortly after the public humiliation. But Hapley’s triumph curdles into torment when a strange moth begins to appear in his study… a moth no one else can see. 
  Is it the ghost of his rival returned for revenge, or the unraveling of a fevered mind? 
   Set in the dim lamplight of Victorian science, The Moth is a masterful descent into madness — part ghost story, part psychological dissection — from one of the founding fathers of modern speculative fiction. 
  Narrated by Myriam Berger, this performance brings eerie intimacy to Wells’s portrait of intellectual pride, guilt, and the thin line between reason and insanity.

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