Otros libros que te pueden interesar

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  Before jane eyre

  R.Q. Bell

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  A NEGLECTED SECOND SON, Edward Rochester struggles in the shadow of his elder brother, whose jealous intrigues poison everything he touches. When Edward's long-cherished love and hopes for happiness with a childhood sweetheart are crushed by those intrigues, he is devastated. To blot out the bitter failure, Edward takes the unwelcome path laid out by his father and flees England. Certain he will never return, he embarks upon what becomes a fifteen year odyssey driven by the hope he might one day find such a love again. But when one disappointment after another weighs him down until he is resigned to a loveless existence, Edward finds himself returning to the family home he had once forsaken, never imagining that what awaits him will change his life--forever.

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  Flatland

  Edwin A. Abbott

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  "Flatland: A Romance of Many Dimensions" is a satirical novella by Edwin A. Abbott, first published in 1884. The story takes place in a two-dimensional world and follows the experiences of A. Square, a mathematician and resident of Flatland. As A. Square discovers the existence of a third dimension, the book delves into themes of dimensionality, hierarchy, and social constraints. Though it might seem like a straightforward mathematical or geometric allegory, "Flatland" also offers insightful commentary on the social and cultural mores of Victorian England.

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  Our Mutual Friend

  Charles Dickens

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  A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap's expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights "Noddy" Boffin, a low-born but kindly clerk who becomes "the Golden Dustman." Charles Dickens's last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens's most complex—and satisfying—novels

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  The Essential Robert Louis...

  Robert Louis Stevenson

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  Two historical adventure novels from the author of Treasure Island, as well as a rare travel memoir of his experiences in the Pacific Islands.The Master of Ballantrae: In this tragic tale of a family divided by the eighteenth-century Jacobite rising, two brothers join opposing sides of the conflict. The story follows their epic rivalry from Scotland to the high seas and the American wilderness.Kidnapped: This adventure novel, inspired by true events in eighteenth-century Scotland, tells the tale of young David Balfour—who is betrayed by his uncle and kidnapped onto a ship, and survives shipwreck with his friend, the famous Jacobite Alan Breck Stewart.In the South Seas: In the 1890s, Robert Louis Stevenson chartered a ship to the Pacific Islands and recorded his experiences and observations. This autobiography of his journey offers a rare window into the author’s real, adventurous life.

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  Mysterious Portrait The...

  Nikolai Gogol

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  Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore.THE MYSTERIOUS PORTRAIT: Nowhere did so many people pause as before the little picture-shop in the Shtchukinui Dvor. This little shop contained, indeed, the most varied collection of curiosities. The pictures were chiefly oil-paintings covered with dark varnish, in frames of dingy yellow.

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  The Best of Benedict Kiely - A...

  Benedict Kiely

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  The Best of Benedict Kiely is a treasure trove of his best and most acclaimed stories, published to mark the centenary of the birth of this great twentieth-century Irish writer. Many of these stories were originally published in The New Yorker before appearing in four collections over a 24-year period during the writer's lifetime. They are quintessential Kiely; superbly crafted, mingling song, anecdote, myth, history and a powerful sense of place into an allusive storyline. They show Kiely's supreme gift in recording the feeling of lived life, pulsing with joys, disappointments and the accidental and deliberate digressions along the way.
  Colum McCann has observed in Kiely's work that '… there is really no such thing as an end, because the stories keep unfolding and influencing' and these classic Kiely stories, published together for the first time, will linger with the reader, young or old, long after the final sentence.

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