Publisher: Good Press
Dive into a world of romance, adventure, and intrigue with "A Bid for Fortune." Set in the 1890s, this novel by Boothby weaves a tale of love, danger, and the lengths one would go to for fortune. With its rich cultural undertones and gripping narrative, it's a testament to the literary brilliance of the era and the timeless allure of adventure and romance.
One of the Village Voice's Top 25 Books of 2003. Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital, Careful, Dracula: Pages from a Virgin's Diary and the forthcoming The Saddest Music in the World. Few know, however, that he is just as gifted a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight. From the Atelier Tovar gathers, in one volume, the best of Maddin's writing: his journalism (originally published in the Village Voice, Cinema Scope, Film Comment and points beyond), unpublished short stories and film treatments (including the riotous Child Without Qualities), and selections, both lurid and illuminating, from the filmmaker's personal journals. Here are Maddin's feverish musings on hockey, the Osmonds, divas of the Italian silent cinema, Bollywood, his own twisted biography, and much, much more. What emerges finally is both a fragrant potpourri and a treasure trove, a singular portrait of this very unique artist.Show book
The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.Show book
The acclaimed interior designer combines rich tradition with modern sensibilities in this beautifully photographed book of homes across the deep South. James Farmer’s design firm works with clients across the South who want to turn their houses into homes. Now Farmer takes readers on a guided tour of eleven home projects—from makeovers to remodels and new construction—as he brings together a cultivated mix of high and low, storied and new, collected and found; presenting them all as a thoughtfully exhibited array of taste, style, good architecture, and interior comfort. Woven alongside beautiful photography of interiors and exteriors are personal stories James shares about living in the South, the people in his life, and how he fell in love with home design. A Place to Call Home is a beautiful book to inspire Southern style at home―infusing the new with antique, vintage, and heirloom pieces.Show book
This film producer’s honest, hilarious behind-the-scenes memoir “details the planning, handholding and power games involved in making movies” (Publishers Weekly). Art Linson has had a hand in producing some of the most unforgettable films of the past half-century—Fast Times at Ridgemont High, The Untouchables, Fight Club—and has worked with some of America’s finest actors and directors. In what the Los Angeles Times calls “a breezy anatomy of ritual humiliation,” his memoir gives us a brutally honest, funny, and comprehensive tour through the horrors of Hollywood. “Art Linson puts a film freak exactly where he or she wants to be: in the Fox screening room during the studio brass’s horrified first look at Fight Club…Linson gives readers a glimpse into a bizarre world where ‘It’s good’ is the absolute worst thing you can say about a movie.” —Entertainment Weekly “A hoot.”—The Philadelphia Inquirer Includes a new interview of Art Linson by Peter Biskind and the screenplay of the film versionShow book
With generous splashes of popular culture and human interest, the NPR Road Trips series introduces you not only to far-off locations and unusual destinations, but to the people who inhabit them—and seek them out. Each story focuses on real locations, real people, and real history in the thought-provoking, imaginative and entertaining way you’ve come to expect from NPR.Prairie Dog Town in western Kansas. The Elvis Is Alive Museum in Wright City, Missouri. The Velvet Museum (“Velveteria”) in Portland, Oregon. A 13-foot Styrofoam scale model of Stonehenge. The Largest Ball of Twine in Cawker City, Kansas . . . or is it in Darwin, Minnesota? Roadside attractions are the staples of the American road trip. Many are slowly disappearing from our highways and byways. Are they culture or kitsch? Are their creators artists or innovators? Listeners are invited along for the ride to decide for themselves.Show book
In the US alone, the arts are a $763 billion sector whose 100,000+ organizations serve almost every community in the nation. There's no reason arts organizations should struggle to make ends meet. Running your arts organization like a business is your path forward to:● Grow audiences and keep them coming back again● Make our organizations more inclusive● Get younger attendees in the seats and on the donor rolls● Continue to create the art we love—without the stress of figuring out how to afford itJust because arts organizations are non-profits doesn't mean they shouldn't make money; it means the money they make goes back to fund the mission—whether that's music, visual arts, theatre, dance, or one of many other mediums that enrich our lives.The for-profit world knows how to achieve success across customer engagement, user experience, company culture, the subscription economy, technology and media, new revenue streams, and brand relevance. Run It Like a Business provides a powerful, proven framework to help all arts organizations revitalize their economic engines and ultimately serve the arts and its patrons.Show book
