Otros libros que te pueden interesar

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  Christian Hymns & Chorals 5 -...

  Viktor Dick

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  Christian Hymns & Chorals 5
  Twenty known Christian Songs
  Sheet Music for String Quartet
  Instrumentation: Double Violin, Viola & Cello
  Difficulty Level: Advanced
  Arranged and Produced by Viktor Dick

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  This Is Jerusalem Calling -...

  Andrea L. Stanton

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  “Stanton’s analysis of radio as a new tool of the colonial state contributes a great deal to studies of Mandate Palestine and imperialism.” –Journal of Palestinian Studies   Modeled after the BBC, the Palestine Broadcasting Service was launched in 1936 to serve as the national radio station of Mandate Palestine, playing a pivotal role in shaping the culture of the emerging middle class in the region. Despite its significance, the PBS has become nearly forgotten by scholars of twentieth-century Middle Eastern studies. Drawn extensively from British and Israeli archival sources, “This Is Jerusalem Calling” traces the compelling history of the PBS’s twelve years of operation, illuminating crucial aspects of a period when Jewish and Arab national movements simultaneously took form.   Andrea L. Stanton describes the ways in which the mandate government used broadcasting to cater to varied audiences, including rural Arab listeners, in an attempt to promote a “modern” vision of Arab Palestine as an urbane, politically sophisticated region. In addition to programming designed for the education of the peasantry, religious broadcasting was created to appeal to all three main faith communities in Palestine, which ultimately may have had a disintegrating, separatist effect. Stanton’s research brings to light the manifestation of Britain’s attempts to prepare its mandate state for self-governance while supporting the aims of Zionists. While the PBS did not create the conflict between Arab Palestinians and Zionists, the service reflected, articulated, and magnified such tensions during an era when radio broadcasting was becoming a key communication tool for emerging national identities around the globe.

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  James Douglas - An Opera

  Obediya Jones-Darrell, Wayde...

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  "Imagine it is the mid 1800’s, Western Canada. Also known as ""the father of British Columbia"", James Douglas is the governor of the colonies of Vancouver Island and British Columbia. Governor Douglas was born in British Guiana into a ""Scotch West Indian"" family with a Scottish father and a Caribbean mother. At Fort St. James he married Amelia Connolly, of Métis ancestry. In 1864 Douglas stepped down as governor and was knighted as a reward for his services. Inspired by extensive historical research and community consultation, this is the untold story that spans the life of the founder of British Columbia. 
  Original music and story produced & composed by award winning Radio Dramatist and Music Composer Obediya Jones-Darrell, with libretto by award winning authors Wayde Compton and Jónína Kirton." 
  This Radio Drama was performed with a full cast in Vancouver, British Columbia, Canada for a live studio audience. Now this production is available as an Audio Book. 
  Carlos Joe Costa as “James Douglas”Hector Johnson as “Willis Bond” Broadus Mattison as “Fortune Richard” Taryn Laronge and Jonina Kirton as “Cecilia Douglas”Patrick Gerber as “Dr. John HelmckenAdam Henderson as “Amor De Cosmos”Zofia Rose Musiej as “Zulth-Nolly’s unborn daughter”Voice of History - Roger B. Jones 
  Choir director & Mezzo-soprano - Janelle Reid Soprano - Krystle Dos SantosSoprano - Naomi CromwellTenor - Aadin Church Tenor Tenor - Zachary Saunders  
  Violin: Marie-Noelle WhartonPiano: Heeeun Kim, John EdwardsPortrait of James Douglas: Shallom JohnsonLibretto: Wayde Compton & Jonina Kirton 
  Executive Producer & Music Composer: Obediya Jones-Darrell

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  Actress Nora Dunn

  Carl Amari

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  Hollywood 360 interviews actress and comedianne Nora Dunn about her upcoming one-woman show. We've also have some great classic radio, including the Saint, The Jack Benny Program, and Gangbusters, along with the latest Hollywood news, trivia and more!A Falcon Picture Group audio production.

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  Spotify Profits - How I Got...

  Chris Greenwood

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  This book shows artists and musicians how to get more streams on Spotify plus featured in Spotify Editorial playlists. 
  Billboard charting rock and hip hop artists Manafest shows you the new way artists everywhere are getting more fans without a record label. 
  Spotify Profits will help you get more streams and followers: 
  - How I hit 400,000 monthly listeners without a record label and no touring 
  - How to make a ruckus with every song you put out 
  - Secrets to getting on Spotify editorial playlists 
  - The right way to run Facebook ads to promote your music on Spotify 
  - How to profit from the new singles economy  
  The Spotify Book is A Shortcut: 
  Fans are the lifeblood of an artists career. If you don't get fans, you won't survive the new music economy. Up to this point, getting fans using old school publicists, radio and endless touring is a dying model. You've tried it all, probably got burnt by a marketing company or label in the process. 
  Well, that's about to change. This book shows you a new way to get more fans streaming and buying your music, and teaches you step-by-step how to use it.  
  Imagine being on the cutting-edge music marketing instead of behind. 
  Inside of this book, you'll find the exact strategies we use to get 10x more fans and streams for independent artists without a label or having to tour. 
  Here's What You Will Learn From This Amazing Book: 
  - Latest music marketing and business strategies to grow your Spotify 
  - Why you need to start collaborating and stop competing with other artists. pg. 6 
  - How to submit your songs to playlists and get accepted! 
  - Using Facebook Messenger Bots to your Spotify Streams! pg.36 
  - How to sell merchandise and tickets using Spotify Ads 
  - How To Win In The NEW singles economy

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  Requiem

  Kristina Stanké, Alexandre Stanké

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  Requiem, écrit en 2010 par Alexandre avec la précieuse collaboration de Kristina, interprété par de multiples chorales à travers le monde, connaît un énorme succès et fait déjà l'objet de plusieurs enregistrements sonores mémorables. La version proposée cette fois est celle que les auteurs/interprètes qualifient de plus personnelle et de plus intime. Une interprétation qui passe de la musique dite " Classique " comme il a été interprété jusqu'à maintenant, à ce que nous pourrions qualifier de " Musique du monde ".Written in 2010 by Alexandre with the invaluable collaboration of Kristina, the Requiem, has known huge success, having been performed by choirs around the world, and is already the subject of several memorable sound recordings. This version, by the singer-songwriters themselves, is one they describe as more personal and intimate. It departs from the "classical" genre, as it has been interpreted until now, to what could be qualified as "world music". Written in honor of the dear ones who have left us, Kristina and Alexandre's Requiem is an homage to those we loved and whose memory will be etched in us for eternity.Music | MusiqueAlexandre StankéVocals | Voix et ChœursKristina & Alexandre StankéKeyboards | ClaviersAlexandre StankéGuitar & Bass | Guitares et bassesJean-Maurice LebreuxRecorded by | Enregistré ParAlexandre Stanké, Studio Stanké (Carignan)Manuel Brault, Studio le fantôme de John (Grande-Vallée)Mixing | MixageWilliam Szawlowski, Studio Ventura (Brossard)Photos | PhotosKristina & Alexandre StankéDesign | GraphismeKristinaProduced & directed by | Production & RéalisationKristina & Alexandre Stanké

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