Publisher: Goliath
An erotic journey in the company of a harem of stunning beauties. Hot Nylon Parade exposes the intimate secrets of these most sensual starlets. Erotic and daring, with a pinch of fetishism, for extra spice.
The daughter of the Grand Ole Opry’s official photographer reminisces about witnessing country music history alongside her father in this memoir. Like many little girls, Libby Leverett-Crew’s father, Les Leverett, often had to work nights and weekends. But unlike many girls, Libby’s father took her along to his job—where he was the official photographer for the Grand Ole Opry for more than thirty years. First at the historic Ryman Auditorium, and later at the Grand Ole Opry House, Libby Leverett-Crew was a witness to country music history. And now some forty years later, she pays tribute to the wonderful people who touched the lives of her entire family while at the same time hearing witness to the powerful impact a loving father can have on his child’s life. In Saturday Nights with Daddy at the Opry, Libby Leverett-Crew shares not only her remarkable memories of those Saturday nights with Dolly Parton, Minnie Pearl, Roy Acuff, Bill Monroe, and countless others, including assorted Muppets, astronauts, ballet dancers, actors, Andy Warhol, and k.d. lang, but also a beautiful father-daughter relationship. The book also includes more than 100 photographs from her father. Praise for Saturday Nights with Daddy at the Opry “Les Leverett has added so much class and talent to our world; I’m not surprised that his daughter, Libby, has done this book. Yeah, Libby good for you. I’m proud to have baby-sat you from time to time backstage. You were always a joy.” —Dolly Parton “There’s an old song, “I Was There When It Happened So I Guess I Oughta Know.” That’s [Libby’s] story inside the world of country music. I knew her first as Les Leverett’s kid. It must be in the water at their house because she’s come into her own as a masterful photographer. She also wields a pen that has a detailed memory for great storytelling.” —Marty StuartShow book
Songs move people. They create visuals in our minds and stoke fires in our hearts. They lift us up, take us down, and allow our minds to soar. Chris Greenwood is the man behind Manafest: the globally successful rock and rap musician who’s sold millions of singles and albums world-wide. With over 20 years experience in the industry, both as a signed artist and an independent musician, Chris shares his incredible experience as a song writer and hit-maker on the pages of this book. The modern music industry has undergone a revolution in recent years. The traditional gate-keepers have ebbed away, and now more than ever new artists can find audiences without the backing of a music label. But it’s hard going it alone, and even harder to know what it takes to achieve the level of success that will sustain you both artistically and financially for years to come. Chris has lived and learned through this remarkable time, forging his own path away from a record label, racking up hit after hit and continuing to reach new fans every day. Practical, honest, and generous: this book is the ultimate guide to writing, recording, releasing and marketing your first song to a global stage. You have the power to write your own destiny with your songs. Now is the time for you to take the first step. Write the song lyrics and message that only you can write, and cause revolutions and revelations in the hearts of your listeners.Show book
Do you want to influence your destiny with an Ancient and Powerful magic that really works and you can learn and use even if you are a complete Beginner? Have you ever thought how great it can be to influence something in your life or someone else’s life or to attract someone or something to you? Know that with Hoodoo you could get it. Hoodoo is an old North American folk magic, spiritual practices, traditions, and beliefs conjured by enslaved Africans to protect them. It combined Native American and European religions and practices coupled with elements of indigenous botanical knowledge, over the years, including of course Voodoo. You'll learn:What is Hoodoo, the story and correlation with VoodooHow to Practice Hoodoo25+ Spells and RitualsMagical power of CrossroadsHow to do Spiritual CleansingHow to Work with your AncestorsHow to use Candles and Incense and their importanceHow to make Mojo Bags to carry magic with youHow to do Bone ReadingAbout RootworkingEasy and powerful Spells for Money, Luck, Love, Success, Health, attract People and more ...and much more Even if you've never practiced Hoodoo, thanks to Amina Waynes with her "Hoodoo for Beginners" you can discover this hidden practice and many of its spells and rituals! Then get your copy NOW!Show book
In Breaking van Gogh, James Grundvig investigates the history and authenticity of van Gogh's iconic Wheat Field with Cypresses, currently on display at the Metropolitan Museum of Art in New York. Relying on a vast array of techniques from the study of the painter's biography and personal correspondence to the examination of the painting's style and technical characteristics, Grundvig proves that ?the "most expensive purchase" housed in the Met is a fake. The Wheat Field with Cypresses is traditionally considered to date to the time of van Gogh's stay in the Saint-Rémy mental asylum, where the artist produced many of his masterpieces. After his suicide, these paintings languished for a decade, until his sister-in-law took them to a family friend for restoration. The restorer had other ideas. In the course of his investigation, Grundvig traces the incredible story of this piece from the artist's brushstrokes in sunlit southern France to a forger's den in Paris, the art collections of a prominent Jewish banking family and a Nazi-sympathizing Swiss arms dealer, and finally the walls of the Met. The riveting narrative weaves its way through the turbulent history of twentieth-century Europe, as the painting's fate is intimately bound with some of its major players.Show book
An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.Show book
As the killer whistles, Comin' Through The Rye, a husband and wife are shot after being blackmailed. Evidence points to the neer-do-well son of a banker. The Stuarts’ Butler told Philo Vance and DA Markham that he heard someone whistle and then shots. He was on the third floor and by the time he came down to the library Mr. Stuart was dead and Mrs. Stuart lived only long enough to say that the killer wanted $100,000.Show book
