Max and Ada, ten-year-old neighbours, are engrossed in composing a book of spells in a tree house in Paris when the Nazis arrive to occupy the city. Max, the child of a rape and abandoned by his mother, is in foster care; Ada is Jewish.
Almost fifty years later Max, the black sheep of the family, summons his grandson to tell him the story of those years in Paris and reveal a guilty secret that has eaten away at him. His mind is now set on digging up the past and he wants Mark to accompany him across the English Channel. His dying wish is to shed light on the two missing women in his life: Ada and his mother. Mark though is struggling with his own existential crisis. There is a missing woman in his life too.
A deftly accomplished tightrope act of pathos and humour, The Tree House is a bewitching novel of loss and restitution, heritage and the hereafter.
From the award-winning “heir to the mantle of Stephen King”: A supernatural entity draws a woman into a terrifying nightmare (The National Post). Some little girls have imaginary friends. Ann LeSage had the Insect. A violent poltergeist that tore a murderous path through her family, it wasn’t imaginary—and it definitely wasn’t a friend. Now Ann is all grown up—and so is the Insect. And Ann’s upcoming marriage to a mysterious young lawyer is about to open up a whole new world to both of them, rife with secrets and laced with traps. Soon, Ann will find herself in a perverse battle against a group of men who want to wrest control of the Insect from her. What they don’t know is, if you play with the Insect, you’re sure to get stung . . . “Few writers do psychosexual horror as well as Toronto’s David Nickle, and with The ’Geisters he’s back with another tale of voluptuous terror and the supernatural.” —Toronto Star “This is a book that buzzes in your ears, climbs your crawling skin with multiple barbed feet, feeling with exquisitely sensitive antennae for the next new and terrible revelation.” —The National Post “[The ’Geisters] doesn’t just explore the attractiveness of terror—it embodies it in a narrative that demands (excites even as it repels) your attention. It’s a(nother) strong novel by one of the best, most interesting horror writers working today.” —Bookgasm
In 1970s New York, a woman finds professional success and personal disillusionment: “Sparkling . . . Looks back on the heyday of glossy magazine publishing.” —Publishers Weekly One of the many Ivy League graduates with literary ambitions who flock to New York City every year, twenty-five-year-old Melissa Fleischer has the great fortune to be hired as the assistant to high-profile magazine editor Austin Bloch. But after she begins her career with the prestigious publication, Mel learns the extravagantly long lunches her boss often indulges in are actually disguising his affairs with a stream of young women. Mel is left in the distressing position of lying about these never-ending betrayals to Austin’s wife, Hillarie, who often calls while he is out of the office. Then, unexpectedly, the New Yorker begins printing Mel’s short stories, offering a spectacular start to what she hopes will be a long and fruitful writing career. Unfortunately, the exhilaration of being published by the magazine she reveres most is soon diminished—by both Mel’s deeply painful discovery that her own relationship, like Austin’s, is far from idyllic, and her continuing complicity in Austin’s betrayals. And nothing seems more difficult than the effort it will take to keep her marriage from falling apart in this novel by an author who “writes so brilliantly of the battle of the sexes” (The New York Times Book Review).
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her. As Laughing Boy and Slim Girl settle away from traditional villages—their different upbringings clashing within both their relationship and the ever-encroaching culture around them—each of their worlds are thrown into a heart-wrenching turmoil of love, honor, hope, and heritage. “Compelling in its strength and simplicity, and its fidelity to the deepest impulses of human nature,” Laughing Boy is an unprecedented look at both the Navajo culture and the enduring legacy of tradition and loss that all Americans share (The New York Times).
“The action is quick-paced and interesting . . . fans of both fantasy and steampunk will find this is a great introduction to a promising series.” &mdashInD’taleA war is brewing between the worlds of fey and man . . . but only one can prevail. Find out which in this fantasy featuring nefarious plots, dashing knaves, and militant gnomes. When Sir Walter Conrad discovers a new energy source, one that could topple nations and revolutionize society, the race to dominate its ownership begins. But the excavation of this energy will have dire consequences for both humans and fey. For an ancient enemy stirs, awakened by Sir Walter’s discovery. Outcast half-fey Effie of Glen Coe is the empire’s only hope at averting the oncoming disaster. But she finds herself embroiled in the conflict, investigating the eldritch evil spreading throughout the Highlands. As she struggles against the greed of mighty lords and to escape the clutches of the queen’s minions, her comfortable world is shattered. Racing to thwart the growing menace, she realizes the only thing that can save them all is a truce no one wants.“Well-developed characters and plot make this historical fantasy a true pleasure to read and become lost in . . . A very unique and fascinating story. I definitely can’t wait for this series to continue!” —Cecily Wolfe, author of Throne of Grace“I really enjoyed this book. It’s unique . . . The writing was excellent, and the details the author added in didn’t just make the time period, but the whole world come to life.” —I Heart Reading
Lilly Millbank is the new Mother Nature, the newly married young mum must now figure out how to navigate the minefield of intrigue and backstabbing that is part and parcel with the smooth transitioning of the four seasons, the eight petulant Kings and Queens that lord over them and the all-pervading destructive force of humanity. But with the constant menace of attack from the rogue elves she must learn quickly as a maniacal plot by the king of the summer elves has placed her family in danger and threatens to end millions of innocent lives.
Handpicked works from the greatest Argentinian writer of the twentieth century. “Without Borges the modern Latin American novel simply would not exist” (Carlos Fuentes, author and diplomat). After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant “sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their “sympathies and differences.” A Personal Anthology, therefore, is not merely a collection, but a new composition. “An important work, by far the best yet available to the reader . . . who seeks a representative sampling of the great Argentine writer . . . the standard introduction to Borges in England and the United States.” —Saturday Review
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