Altri libri che potrebbero interessarti

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  Singing like a Star

  Atiar Lyngdoh

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  “Singing Like a Star” is a helpful book for anyone who wants to get better at singing. It teaches you that every singer’s voice is unique and shows you ways to make your singing stronger. The book covers important singing skills like how to control your breathing, how to use vibrato, and how to sing in different vocal ranges. It also gives tips on finding your own singing style, staying calm during performances, eating right for your voice, and using body language effectively on stage. With exercises and tips, this book helps you feel confident and enjoy singing more. Whether you’re just starting out or have been singing for a while, “Singing Like a Star” is a great guide to improving and showing off your singing skills.

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  The Diatonics Drive To The...

  Julie Kirchhubel

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  The Diatonics Drive To The Musical Dance ClubThe bus trip to the Dance Club is so exciting for this group of friends whoare curious to find out about the dances and the music from differentcountries.Disco, Reggae, Mambo, Fandango, Samba, La Conga, Tango; this isgoing to be one fantastic event! They call themselves the Diatonics, but why?

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  Circumstances Affecting the Heat...

  Amanda Quaid

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  You may not know her name, but Eunice Newton Foote made groundbreaking discoveries about the greenhouse effect in the 1850s. Her experiments showed that different gases, including carbon dioxide, absorb and trap heat, an early milestone in the history of climate science. And even though her findings were published in a leading scientific journal – a rarity in the days of a male-dominated field – her work remained virtually unknown until recently. Now, thanks to playwright Amanda Quaid, we have a dramatized portrait of the scientist’s life at the time she published her pioneering study, which lends its name to the title of the play.
   
  
   
  This play is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.
   
  
   
  Recorded at The Invisible Studios, West Hollywood, in November 2024.
   
  
   
  Directed by Anna Lyse Erikson
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Geoffrey Arend as Elisha Foote
   
  Tara Lynne Barr as Augusta Foote
   
  Scott Brick as the Narrator and Joseph Henry
   
  Jake Green as the Glazier
   
  Monica McSwain as Mary Foote
   
  Emily Swallow as Eunice Newton Foote
   
  
   
  Senior Producer: Anna Lyse Erikson
   
  Prepared for audio by Mark Holden
   
  Recording Engineer and Editor: Neil Wogenson
   
  Mixing Engineer: Charles Carroll
   
  Designed by Mark Holden and Charles Carroll for The Invisible Studios, West Hollywood
   
  Senior Radio Producer: Ronn Lipkin
   
  Foley Artist: Stacey Martinez

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  A Classic Interview with Rock...

  Syd Barrett

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  Roger Keith "Syd" Barrett (January 6, 1946 to July 7, 2006) was an English singer, songwriter, guitarist and co-founder of Pink Floyd. He was the band's frontman and primary songwriter for their debut album, The Piper at the Gates of Dawn (1967), and portions of their second album, A Saucerful of Secrets (1968). In April 1968, Barrett was ousted from Pink Floyd amid speculation of mental illness and his use of psychedelic drugs. In 1972, Barrett retired from public life and guarded his privacy until his death of pancreatic cancer in 2006. The following is from an August 1967 interview.

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  The Thrilling Adventures of...

  Mr Punch

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  Norman Conquest is back! 
   
  In Blonde for Danger, our handsome desperado has to pit his wits against the evil crook Bosworth Field.  But who is the beautiful blonde he finds lying in the middle of the road and who is she hiding from?  And where exactly does J.J. Pace, the famous racing car designer fit into this?  
    
  In Killer Conquest, our dashing hero with a nose for trouble and rake-hell disregard for danger returns in a breathless crime-smashing adventure.  With his trademark ‘1066’ and his resourceful partner Pixie, he keeps up good cheer and marches on while he biffs the baddies.   
    
  In Miss Dynamite, our gentleman adventurer, having met a beautiful young lady in the middle of the night soon finds himself on the trail of a gang of jewel thieves.  Is the pretty girl as innocent as she seems?  Are diamonds really a girl’s best friend? Can ‘1066’ solve the mystery of Miss Dynamite?  
    
  In Conquest Marches On, our fast-talking, hard-hitting adventurer finds himself accused of assaulting a pretty young lady on the underground.  It’s only when our hero “1066” discovers that the young lady is the victim of a mysterious blackmailer known as “The Voice”, that he marches into yet another hell-for-leather action packed adventure in search of the baddies.  
    
    
  Also available as part of the THRILLER PLAYHOUSE BOX SET, eight episodes featuring Max Carrados, Norman Conquest and Ben from the popular BBC Drama series.  
    
  © & ℗ 2022 Mr Punch Audiobooks Ltd

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  The Imaginary Invalid

  Molière Molière, John Wood...

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  France's master comic playwright has a field day with the subjects of hypochondria and our blind obedience to doctors. Molière’s witty attack on the medical profession has more than a little resonance today. Translated by John Wood, adapted by Beth Milles.
   
  
   
  Recorded before a live audience at the Doubletree Guest Suites, Santa Monica in December 1997.
   
  
   
  Directed by Beth Milles
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  The Actor’s Gang Theatre Company:
   
  Molly Bryant as Toinette
   
  Tom Fitzpatrick as Diaforirus
   
  Laurence O’Keefe as Cleante
   
  Dan Parker as Argan
   
  Evie Peck as Louison
   
  Dina Platias as Angelique
   
  Stephen M. Porter as Thomas
   
  Michael Rivkin as Purgon
   
  Dean Robinson as Beralde
   
  Patti Tippo as Berline
   
  Chris Wells as Fleurant
   
  
   
  Technical Director: Raymond Guarna
   
  Foley Artist and Stage Manager: John Lovick
   
  Associate Producer: Susan Raab Simonson
   
  Original Music by Laurence O’Keefe

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