Otros libros que te pueden interesar

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  The Clash's Sandinista!

  Micajah Henley

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  Following the success of their instantly iconic double LP, London Calling, The Clash set out to do something “triply outrageous.” Named after the Nicaraguan rebels who successfully overthrew an authoritarian dictator, Sandinista! consists of 36 songs across six sides of vinyl. Produced by the band, it showcases their politics as well as their ability to adopt a multitude of genres ranging from punk, reggae, jazz, gospel, calypso, and hip hop. Free from the influence of their Machiavellian manager, Bernie Rhodes, The Clash still battled their record label to release the triple LP on their terms: three for the price of one.Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. This book entertains that idea and considers what is lost or gained in the process. To do so, the book delves into the politics of The Clash, the spliff bunkers constructed for the production of the album, and the sacrifices made upon its release. It examines the album's 36 tracks and considers the significance of the record's dissection on behalf of fans who curate their own versions of the album in the mixtape, CD, and playlist eras.

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  Looking Out - Welsh Painting...

  Peter Lord

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  The six sequential essays in this collection provide a narrative of a century and a half of Welsh painting, written with an emphasis on issues of social class and national identity. Through his earlier writing, Peter Lord has contributed to the establishment of an historical tradition of Welsh painting, but because it does not feature in the wider story of Western art history as presently told, the work revealed continues to be perceived as marginal, existing in isolation from ideas and movements in other countries. These essays break new ground by discussing the concerns of Welsh painters not only in domestic terms but also in the context of the ways in which artists in other parts of Europe and in the United States reacted to the common underlying causes of those concerns. The author challenges the idea that the work of Welsh painters is relevant only to the evolution of their own communities and, through confident and detailed analysis, validates their pictures also in terms of the arts of other Western cultures.

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  Karma's Child - The Story of...

  Subhash Ghai, Suveen Sinha

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  Subhash Ghai is the man behind some of Hindi cinema's most iconic movies. Of the sixteen films he made between 1976 and 2008, twelve-Kalicharan, Karz, Vidhaata, Hero, Karma, Ram Lakhan, Meri Jung, Saudagar, Khal Nayak, Pardes, Taal and Yaadein-were blockbusters, and the others were critically acclaimed. Known for the strong stories, the memorable music and the grandeur of his films, Ghai not only helmed dream-cast multi-starrers but also signed on rank newcomers who went on to become established names in Bollywood. With his innovative thinking, he brought the crowds flocking back to the theatres when video piracy was at its peak, was the first in India to release the music of a film on audio CD and was a pioneer in taking Hindi cinema to global markets. 
  A self-made man who rose to dizzying heights, Ghai proved the adage that destinies are created-and destroyed-every day in the Mumbai film industry. Today he runs Whistling Woods, the country's foremost film institute: his legacy to future generations of filmmakers.  
  Karma's Child, his memoir, written with Suveen Sinha, tells the story of a man who believed he was destined to direct his own future, no less dramatically than a Subhash Ghai film-and did so.

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  A Classic Interview with Music...

  Buddy Holly

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  Charles Hardin Holley (September 7, 1936 - February 3, 1959), known as Buddy Holly, was an American singer, songwriter, and musician who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his two siblings. In 1956 Holly created the band, The Crickets, with drummer Jerry Allison, bassist Joe B. Mauldin, and, from 1956 to 1958, rhythm guitarist Niki Sullivan. On February 3, 1959, Holly, Ritchie Valens, and "The Big Bopper" J. P. Richardson were all killed in a plane crash near Clear Lake, Iowa, together with pilot Roger Peterson. The event became known as "The Day the Music Died" after singer-songwriter Don McLean referred to it as such in his 1971 song "American Pie." The following audio includes several brief interviews Holly made in the late 1950s.

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  Hollywood Stage - Death Takes A...

  Various Authors

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  Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades.  When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood Ringmaster himself, Cecil B DeMille unveils the treasures and the stars for you right here…..

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  The Legendary Toad's Place -...

  Randall Beach, Brian Phelps

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  Anyone who has lived near New Haven, Connecticut, in the past forty-plus years has surely heard of Toad's Place. With a capacity of 750, Toad's has served as the perfect spot for musicians who prefer smaller venues. U2 played one of their first US concerts there, on their Boy tour. In 1978, Bruce Springsteen was in New Haven and arrived at Toad's unannounced, and got up and played. The surprises kept coming and the club was attracting big names, as well as up-and-comers. In 1989, the Rolling Stones played a surprise show on a Saturday night, giving 700 fans the night of their dreams. Nothing could have been better—the Rolling Stones in downtown New Haven was unimaginable! That is only a taste of the stories that are uncovered in this book. Randall Beach and Toad's owner Brian Phelps recall the legendary shows and behind-the-scenes stories.

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