Publisher: Clink Street Publishing
A collection of poetry and musings by the writer Gillian Kay. Observations on life, political moments, and the desperate route through lockdown. With illustrations by Mary Patrick.
In 2021, Nine Arches Press launched their nationwide Primers scheme for a sixth time, in search of exciting new voices in poetry, with Rishi Dastidar and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Kym Deyn, Estelle Price and Fathima Zahra. Primers: Volume Six now brings together a showcase from each of the three poets. Startling, original and packed with flair, Deyn, Price and Zahra explore everything from magic and mourning, cross-examinations of power and patriarchy, and the intimate secrets and 'Parent cuts' of growing up. These are poems of becoming and being, of difference and defiance, of other worlds, hard lessons and leaps of faith. Primers is proud to present these bold and dynamic poems from three of contemporary poetry's most exciting new voices. Praise for Primers: Volume Six "There is of course nothing more exciting in reading poetry than finding a voice new to you, and feeling that feeling – where the brain says 'oh hello, what have we here?', as the skin responds with a tingle and your face starts smiling as you realise, there is something special in these words. That, roughly described, was our initial sensation on seeing the work of Kym Deyn, Estelle Price and Fathima Zahra. Each, in their unique ways, have that uncanny ability to recast what you thought you knew, as they make you look then look again at who we are, how we live, and what we might be." – Rishi DastidarShow book
In a Vulnerable Place is a monologue documenting the playwright's journey from the Norfolk Broads to the steppes of Mongolia to explore, first hand, what is happening to the natural world and the human heart. This play is taken from Steve Waters: Shorts, five short plays from acclaimed playwright Steve Waters, all of them deeply personal accounts of his attempts to make sense of twenty-first-century Britain and an ever-changing world.Show book
The author of The Stuntman melds myths ancient and contemporary among the raspberries, wolves, and taconite mines of Minnesota’s Iron Range. Songwriter and poet Brian Laidlaw follows up The Stuntman with another collection that fuses the stories of two fabled couples: the mythical Narcissus and Echo, and Bob Dylan and Echo Star Helstrom, subject of the song “Girl from the North Country.” But where The Stuntman focused on Narcissus, The Mirrormaker takes its primary inspiration from Echo, drawing on ecocritical readings of American history and interrogating the masculine logic of resource extraction. In these poems, Laidlaw explores themes of history and celebrity, love and longing, myth and meaning, in a landscape both ravaged and redemptive. He pits romantic obsession against self-obsession—”The first time I saw the moon / I thought it was my idea” —and asks whether a meaningful distinction can ever be drawn between the two. These themes are explored further in a companion song suite, written by Laidlaw and recorded with a longtime collaborator from the Iron Range, that accompanies this book via download. Sharp, searching, and ecstatically musical, The Mirrormaker is a genre-expanding exploration of boom and bust—in mining economies and in young love. “Laidlaw is a futuristic country poet-singer in the other side of the century’s mirror, where consumption, celebritifying, and commodification rule as the earth rots from the inside out . . . living proof that the bard is still with us.” —Gillian ConoleyShow book
LibriVox volunteers bring you 12 different recordings of The Road Builders, by Voltairine de Cleyre. This was the weekly poetry project for the week of June 29th, 2008.Show book
LibriVox’s Short Poetry Collection 030: a collection of 20 public-domain poems.Show book
I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity—of thought, imagination, and sentence-making—while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.Show book
