¡Acompáñanos a viajar por el mundo de los libros!
Añadir este libro a la estantería
Grey
Escribe un nuevo comentario Default profile 50px
Grey
Suscríbete para leer el libro completo o lee las primeras páginas gratis.
All characters reduced
Dutch Art in the Nineteenth Century - cover

Dutch Art in the Nineteenth Century

Gerharda Hermina Marius

Traductor Alexander Teixeira de Mattos

Editorial: Good Press

  • 0
  • 0
  • 0

Sinopsis

The author was a respected art critic in Holland and was also a painter herself. In this book, she traces the origins and development of nineteenth-century painters back to the late eighteenth-century painters. She argues that their painting skills had been adapted to suit the needs of their time but not altogether lost and that from them new styles and talents were born.
Disponible desde: 10/04/2021.
Longitud de impresión: 152 páginas.

Otros libros que te pueden interesar

  • Graham Ibbeson The People's Sculptor - Bronze Clay and Life - cover

    Graham Ibbeson The People's...

    John Trelkeld, Graham Ibbeson

    • 0
    • 0
    • 0
    Just William. The name conjures memories of Richmal Cromptons favourite character. No childhood was complete without the outrageous exploits of William and his constant companions, The Outlaws. Sculptor Graham Ibbeson was beguiled by the words in the bestselling books and by the portrait of William on the front covers, a cheeky boy with tousled hair and a catapult sticking out of a pocket. Decades later Graham produced his own version of William, immortalized in fibre glass for the Bethnal Green Museum of Childhood, to mark the centenary of Cromptons birth. The Daily Mirror was so impressed by this tribute to one of fictions wonderful characters that one of its staff men photographed Graham walking with the statue up one of the last remaining cobbled streets in Barnsley. Much of Grahams work has revolved around childhood. His early years figure in much of his amusing fibre glass work and characters such as George and Eric are based on Graham and his cousin, Paul. His own humour responds to the distant sounds of boyhood and in a way this book is a celebration of childhood and laughter. It also traces the setbacks and triumphs of an artist who was born in a mining village and who produced a national icon, the Eric Morecambe statue, which helped to turn the economic tide in the Lancashire resort of Morecambe. The book outlines the stories behind other notable public statues, including Laurel and Hardy, Les Dawson, Dickie Bird and Cary Grant. It is both an informative and entertaining book about the life and times of the peoples sculptor, a man whose craftsmanship has left an elegant and permanent mark on more than 30 of the countrys townscapes
    Ver libro
  • Politics and Performance - Theater in the 20th Century - cover

    Politics and Performance -...

    Megan Lewis

    • 0
    • 0
    • 0
    For most theatregoers today, Realism is the standard. We are accustomed to seeing characters on stage who walk, talk, and sound just like real people. Everyday speech is commonplace in theatrical scripts, as are stage sets that look and feel and smell like real places - complete with running water and electric lights that work exactly as if we were in a real apartment, or office, or kitchen. But it wasn’t always this way. In fact, Realism was once an Avant-garde movement, a cutting edge revolutionary idea that disrupted the way theatre had always been done up until the dawn of the 20th century. It was at this time that a number of social, political, and artistic movements began to influence theater artists and lead them to create the theater most of us recognize today.  
    In this enlightening series of lectures, Professor Megan Lewis of the University of Massachusetts, Amherst, takes us on an engaging journey through the history of theater in the 20th century. She explores some of the century's early movements such as Symbolism, Expressionism, and Dada, which arose amid political turmoil and quickly began to fuel rapid change in the way playwrights, directors, and actors where approaching theater. In subsequent lectures, Professor Lewis also explores how currents such as politics, race relations, and the women’s movement also began to influence theater and use it as a force for social change. Her analysis takes us to the dawn of the 21st century as theatre artists continue to re-envision and expand the definition of theatre itself. She discusses topics such as Performance Studies, which expands the idea of performance beyond the theater; Sports as Theatre, which radically reimagines the role of the audience; creative ways of trying to reach underrepresented audiences; and new ways of making theatre for a new century.
    Ver libro
  • Steam on the Eastern & Midland - A New Glimpse of the 1950s & 1960s - cover

    Steam on the Eastern & Midland -...

    David Knapman

    • 0
    • 0
    • 0
    The author and railway photographer presents a stunning collection of original images showing steam locomotives in action in the mid-20th century.   This is the second book from David Knapman’s personal record of railway views that were captured on black and white film in the late 1950’s and 1960’s, until the demise of steam on British Railways. Using the same format as its companion volume, Steam on the Southern and Western, this book presents chapters covering different locations in the Eastern and London Midland regions.   Knapman captures branch and mainline trains as well as locations of interest and historical infrastructure. Where preservation starts to overlap with the still active steam scene, some historic photographs are also included. Each chapter begins with an overview of the station it depicts, providing local and historical context. Each photograph is paired with a detailed caption describing the specific trains at work.
    Ver libro
  • The New Philistines - (Provocations) - cover

    The New Philistines -...

    Sohrab Ahmari

    • 0
    • 0
    • 0
    Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege.
    The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism.
    
    Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics.
    The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.
    Ver libro
  • This Is a Book About the Kids in the Hall - cover

    This Is a Book About the Kids in...

    John Semley

    • 0
    • 0
    • 0
    The first book to explore their history, legacy, and influence
     
    This is a book about the Kids in the Hall — the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall — told by the people who were there, namely the Kids themselves. John Semley’s thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the Kids’ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a critic’s eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly.
     
    The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, they’re always better when they’re together. This is a book about friendship, collaboration, and comedy — and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.
    Ver libro
  • Hello Sunshine - cover

    Hello Sunshine

    Ryan Adams

    • 0
    • 0
    • 0
    Poetry from “one of America’s most consistently interesting singer/songwriters” (Stephen King).   Fans who have enjoyed the lyrics and music on such albums as Cardinology, Easy Tiger, and Prisoner, or hit songs including “When the Stars Go Blue,” know that Ryan Adams is a poet at heart. In this follow-up to his first collection of poems, Infinity Blues—praised by Stephen King as “a passionate, arresting, and entertaining book of verse”—readers will discover new ideas, deeper insights, and graceful, sensual compositions that reveal another side of Ryan Adams.   “Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.” —Mary-Louise Parker
    Ver libro