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  Works and Days

  Hesiod

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  Works and Days by Hesiod is a timeless piece of ancient Greek literature that blends moral instruction, practical guidance, and mythological storytelling into a deeply reflective poetic work. Written in the 8th century BCE, this didactic poem offers insight into the values, struggles, and daily realities of early agrarian society, while delivering enduring lessons on justice, labor, and human conduct.
  
  Addressed to Hesiod's brother Perses, the poem unfolds as both a personal admonition and a universal guide for living a virtuous and productive life. Through a combination of advice and allegory, Hesiod emphasizes the dignity of honest work, the importance of fairness, and the consequences of idleness and greed. His words reflect a worldview in which human effort, guided by moral integrity, is essential to survival and prosperity.
  
  Interwoven with practical farming instructions and seasonal guidance, Works and Days also presents powerful myths, including the tale of Prometheus and Pandora, which explore the origins of human suffering and the necessity of toil. These stories serve not only as cultural touchstones but also as moral frameworks that reinforce the poem's central themes.
  
  Hesiod's voice is both personal and authoritative, offering wisdom that transcends time. His reflections on justice, hardship, and perseverance continue to resonate with readers across generations. Works and Days stands as a foundational text that bridges mythology and everyday life, inviting readers to reflect on the value of discipline, the rhythms of nature, and the enduring pursuit of a just and meaningful existence.

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  Ghosts (version 2)

  Henrik Ibsen

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  A Family-drama in three acts. Like many of Ibsen's better-known plays, Ghosts is a scathing commentary on 19th century morality. (Summary by Kristingj) 
   
  Cast:Mrs. Helen Alving, widow of Captain Alving: Rhonda FedermanOswald Alving, her son, a painter: Chris MarcellusPastor Manders: Algy PugJacob Engstrand, a carpenter: John TrevithickRegine Engstrand, Mrs. Alving's maid: KristingjNarrator: Amanda Friday

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  A Century of Roundels

  Algernon Charles Swinburne

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  A roundel (not to be confused with the rondel) is a form of verse used in English language poetry devised by Algernon Charles Swinburne (1837–1909). It is a variation of the French rondeau form. It makes use of refrains, repeated according to a certain stylized pattern. A roundel consists of nine lines each having the same number of syllables, plus a refrain after the third line and after the last line. The refrain must be identical with the beginning of the first line: it may be a half-line, and rhymes with the second line. It has three stanzas and its rhyme scheme is as follows: A B A R ; B A B ; A B A R ; where R is the refrain. Swinburne had published a book A Century of Roundels. He dedicated these poems to his friend Christina Rossetti, who then started writing roundels herself, as evidenced by the following examples from her anthology of poetry: Wife to Husband; A Better Resurrection; A Life's Parallels; Today for me; It is finished; From Metastasio. (Summary by wikipedia)

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  Saved to Cloud

  Kate Foley

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  The algorithm
  of my own life, faded
  and spidery,
  is written,
  not keyed in.
  From bombsites used as childhood playgrounds to lockdown FaceTime calls, Kate Foley looks back on almost nine decades of life – a life characterised by curiosity, resistance and a strong connection with the natural world.
  Appreciation and concern for the planet runs through this frank and moving collection, which muses on the notions of faith and belief, ultimately rejecting both Whitehall politics and traditional religion as inadequate to deal with environmental crisis.
  Simultaneously nostalgic and highly concerned with the future, Kate Foley's candid reminiscence and simple use of language draw us softly into consideration of life's big questions: What's it all for? How will we be remembered?
  Will it build again, our earth?

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  The Timeless Love of Billy B for...

  David Moore

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  Balthazar dreams of the perfect woman, one he can summon or dismiss at will on his computer screen. But as time passes, he becomes ensnared in his own creation, consumed by an obsession with this non-existent figure. As Balthazar spirals downward, losing everything from his identity to the use of his body, reduced to just his mind and the fingers tapping at the keyboard, she, in contrast, rises. She transforms into a modern-day 
  Scheherazade, learning to command her prince.
   
  Baltha B was unaware,No more sits he upon the chair.The relics of his body’s ruin,Are the one last bastionOf his undoing.Death beckons when the hands they clap,To say, ‘Enough! Your time is up’

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  The Merchant of Venice

  William Shakespeare

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  Hugh Griffin, Harry Andrews, Ian Holm and Roy Dotrice perform Shakespeare's tragic comedy.

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