Outros livros que poderiam interessá-lo

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  The Comedy of Errors

  William Shakespeare

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  The Comedy of Errors is one of Shakespeare's earliest and shortest plays. This comedy utilizes slapstick humor, word play, and mistaken identities to create a series of farcical accidents. Over time, the play's title has become an idiom used to describe "an event or series of events made ridiculous by the number of errors that were made throughout."
  In Ephesus, the law forbids entry to any merchants from Syracuse, and if they are discovered within the city, they must pay a thousand marks or be put to death. Aegeon, an old Syracusian merchant, is arrested and Solinus, the Duke of Ephesus, listens to his story of coming to the city. Long ago, Aegeon was on a sea voyage. Traveling with him was his wife, his twin sons, and their twin slaves. The family becomes separated during a tempest; Aegeon, one son, and one slave were rescued together, and the others were never to be seen again. Years later his son Antipholus and his slave Dromio left to search for their long lost siblings; after the boys didn't return, Aegeon set out to bring his son back home. Moved by this story, the duke allows Aegeon one day to get the money to pay his fine and to find his family.

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  Tuesday - With a Welsh-language...

  Alison Carr

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  'I've been waiting for something like this to happen. I'm surprised it's taken so long. The signs have been building up for a while.'
  An ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open. Pupils and teachers are sucked up to a parallel universe, whilst a new set of people start raining down from above. 'Us' and 'Them' must come together to work out what is going on, and how they can get things back to how they were.
  Alison Carr's play Tuesday is funny and playful, with a little bit of sci-fi and a lot of big themes: friendship, family, identity, grief, responsibility – and what happens when an unexpected event literally turns the world upside-down.
  Written specifically for young people, the play formed part of the 2020, 2021 and 2023 National Theatre Connections Festivals and was premiered by youth theatres across the UK. It offers opportunities for a large, flexible cast of any size, age and mix of genders.
  This bilingual edition includes the original English play with a Welsh-language translation, Un Bore Mawrth, by playwright Daf James.
  Set Text >> Tuesday is a set play on WJEC's GCSE Drama specification.
  Un Bore Mawrth
  ''Wi 'di bod yn aros i rywbeth fel hyn ddigwydd. 'Wi'n synnu'i fod e 'di cymryd mor hir. Ma'r arwyddion 'di bod 'ma ers sbel.'
  Dydd Mawrth digon cyffredin yw hi, ond yn sydyn mae'n troi'n ddiwrnod rhyfedd iawn pan mae'r awyr uwch ben yr ysgol yn rhwygo'n agored. Caiff disgyblion ac athrawon eu sugno i fyny i fydysawd cyfochrog wrth i garfan newydd o bobl arllwys i lawr oddi uchod. Rhaid i 'Ni' a 'Nhw' ddod ynghyd i ddeall beth sy'n digwydd ac i ddatrys sut i gael pethau'n ôl fel yr oedden nhw.
  Mae'r ddrama wreiddiol hon gan Alison Carr, Tuesday, yn ddoniol ac yn chwareus, gyda phinsiad o ffugwyddoniaeth a thomen o themâu mawr: cyfeillgarwch, teulu, hunaniaeth, galar, cyfrifoldeb – a beth sy'n digwydd pan fydd digwyddiad annisgwyl yn llythrennol yn troi'r byd wyneb i waered.
  Wedi'i hysgrifennu ar gyfer pobl ifanc, roedd y ddrama'n rhan o Ŵyl National Theatre Connections yn 2020 a 2021, a chafodd ei llwyfannu am y tro cyntaf gan theatrau ieuenctid ar draws y DU.
  Mae'n cynnig cyfleoedd i gastiau mawr, hyblyg o unrhyw faint, oedran a rhywedd.
  Mae Tuesday yn waith gosod ar fanyleb TGAU Drama CBAC. Yn y gyfrol ddwyieithog hon, fe welwch y ddrama wreiddiol Saesneg ynghyd â chyfieithiad Cymraeg y dramodydd Daf James, Un Bore Mawrth.

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  Intruder

  Jerrold Yam

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  At home with loneliness and passing encounters, can we be familiar with another or even ourselves? Does love outweigh the uncertainty of its memory? In his third and latest collection, award-winning poet Jerrold Yam ushers us into a traveller's world through sensitive and enquiring eyes, navigating a landscape of flitting figures, thoughts and emotions. 
   
   
  Informed by expansive travel across Asia and Europe, Yam's poetry is as varied as his journey, exploring geysers, horse riding and Picasso, while building on his preoccupations with family, sensuality and displacement. His poems make fresh the contradictions of young adulthood, its heady mix of determined restlessness, bold insecurities, desire for intimacy and fear of commitment. In his unflinchingly honest treatment of these themes, Yam exhibits new range and complexity as he describes a shifting terrain, where moving on is as difficult as letting go. 
   
   
  Above all, Intruder is an attempt to make sense of the impermanent structures that hold up one's life. Home, like love, may be a fiction that we must resist claiming for our own. After all, can we--and should we--be more than intruders? 
   
  "Jerrold Yam writes with an old voice and the youthful abandon of a poet out of his safe shell; a strong conviction of his depthless solitude yet weak in the presence of love and desire. His poems are lamentable etudes of one-word titles so vocal of absence and longing they are heartrending to those in the thick throes of love's discovery, loss and reconciliation." 
  -Grace Chia, author of Cordelia and womango

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  The Ballad Of The White Horse -...

  Gilbert Keith Chesterton

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  "The Last Great Epic Poem in the English Language"- Dale Ahlquist"The ending is absurd. The brilliant smash and glitter of the words and phrases (when they come off, and are not mere loud colours) cannot disguise the fact that G. K. C. knew nothing whatever about the 'North', heathen or Christian."- JRR TolkienThe tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun. Chesterton says "This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. That is the use of tradition: it telescopes history."Named after the chalk horses carved into English hills (and partly set at Uffington), it begins with an exhortation to true Christianity in the face of despair and defeat, and ends with a prediction of more barbarian invasions. It focuses on the nature of faith in times of despair, and on the true strength of local kings in the face of empires."... you and all the kind of ChristAre ignorant and brave,And you have wars you hardly winAnd souls you hardly save...."In some far century, sad and slow,I have a vision, and I knowThe heathen shall return...."They shall come mild as monkish clerks,With many a scroll and pen;And backward shall ye turn and gaze,Desiring one of Alfred's days,When pagans still were men."

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  Born in the USA - The New York...

  Herman Melville, George Arnold,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in one of the most famous cities in the World: New York. Within its five boroughs are a small universe of wonder and magic, a kaleidoscope of almost everything the planet has to offer.  In past times New York was a gateway to a new land and a new future whatever the misery and tragedy of your former life.  Of course, this golden vision was not attained by everyone.  But our local poets, including such luminaries as Emma Lazarus, Herman Melville, Edith Wharton, Alice Duer Miller, and Alan Seeger bring vision and truth to this unrivalled city and its hallowed status in the world of verse. 
   
   
  1 - Born in the USA. The New York City Poets.  Exploring American Poetry - An Introduction 
  2 - September by George Arnold 
  3 - October by George Arnold 
  4 - A Chant of Love for England by Helen Gray Cone 
  5 - Rheims Cathedral, 1914 by Grace Hazard Conkling 
  6 - To the Dead in the Graveyard Underneath My Window by Adelaide Crapsey 
  7 - Keats by Adelaide Crapsey 
  8 - The Revolt of Mother by Alice Duer Miller 
  9 - To the Night Breeze by Alice & Caroline Duer 
  10 - Nathan Hale by Francis Miles Finch 
  11 - The Wild Honey Suckle by Phillip Freneau 
  12 - A Political Litany by Philip Freneau 
  13 - To the Memory of the Americans Who Fell at Eutaw by Philip Freneau 
  14 - Mother's Day Proclamation by Julia Ward Howe 
  15 - Battle Hymn of the Republic by Julia Ward Howe 
  16 - This Curse by Henry James 
  17 - Old Manuscript by Alfred Kreymborg 
  18 - Cradle by Alfred Kreymborg 
  19 - The New Colossus by Emma Lazarus 
  20 - A June Night by Emma Lazarus 
  21 - Assurance by Emma Lazarus 
  22 - Evil In Design by Emma Lazarus 
  23 - America by Herman Melville 
  24 - Dupont's Round Fight (November 1861) by Herman Melville 
  25 - Look-Out Mountain by Herman Melville 
  26 - Shiloh by Herman Melville 
  27 - The Portent by Herman Melville 
  28 - A Visit From St Nicholas (T'Was The Night Before Christmas) by Clement Moore 
  29 - Aspiration by Henrietta Cordelia Ray 
  30 - Life by Henrietta Cordelia Ray 
  31 - Silent Thoughts by Charles Lewis Reason 
  32 - The Spirit Voice or Liberty Call to The Disfranchised by Charles Lewis Reason 
  33 - I Have a Rendezvous with Death by Alan Seeger 
  34 - Resurgam by Alan Seeger 
  35 - Sonnet 12 by Alan Seeger 
  36 - At the Tomb of Napoleon by Alan Seeger 
  37 - Battle Sleep by Edith Wharton 
  38 - Survival by Edith Wharton 
  39 - Non Dolet by Edith Wharton 
  40 - Terminus by E

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  Easter - A Drama in Three Acts

  August Strindberg

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  Set against the backdrop of a small college town, the Heyst's familial tensions converge during the holiday weekend; not only is the family's livelihood at stake, but the debt collector has just come into town, the youngest daughter has returned from an institution unprompted, and there's even a question of fidelity to boot. However, against the simplicity of communal gatherings and the warmth of familial bonds, the worries that once seemed insurmountable begin to fade. And through the lens of Easter's promise of renewal, Strindberg suggests that life's burdens may be lighter than they appear, offering a glimpse of hope amidst the chaos of everyday existence.

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