Other books that might interest you

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  Ghost in a Coach - A Short Story...

  Amelia Edwards

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  Men and women have many wild fears that are very unlikely to ever come true except perhaps in a dream that lurches into a nightmare that seems so real that it must be real. 
   
  Perhaps being a fellow traveller in a coach or a train carriage and realising, whether in a sudden jolt or a slowly rising uneasy feeling of horror, that your fellow occupants might not actually be from this world, but more probably from the next, would be such a situation. 
   
  We delighted to now put you in such good company!  Indeed Amelia Edwards, E F Benson, Violet Hunt, Rudyard Kipling and the incisive talents of many others would definitely like you along for the ride.

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  You've Got Some Nerve

  Derryen Plante

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  Derryen Plante knew her destination in life long before she reached it: she was going to be a special investigator for the federal government working on high-level crimes. Every step she took was in preparation for one day achieving that dream.Then, without warning, her dream was shattered.While completing a unit check at the juvenile prison where she worked, Derryen was violently attacked by one of the inmates. She suffered a traumatic brain injury that sent her into a spiral of PTSD, depression, and multiple medical interventions. As she navigated her life after the attack, Derryen struggled to accept her new reality. She’d built her entire life around a dream that no longer seemed possible. Without that, who was she?You've Got Some Nerve is Derryen’s real, raw, and honest account of how she redefined her life, navigated the challenges unique to brain injury recovery, and found support in unexpected places. Her journey offers keen insight into how each of us can support those suffering with the long-term effects of an invisible injury.

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  The Blackridge House - A Memoir

  Julia Martin

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  A quest is never what you expect it to be. 
  Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branches of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’ 
  Julia resolves to find the Blackridge house: with her mother unsettled, lonely and confused, would this, perhaps, bring some measure of closure? So begins a journey that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live. Taken as one, The Blackridge House is a meditation on belonging, on the stories we tell of home and family, on the precarious footprint of life.

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  The Markets of Paris

  Émile Zola

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  The Markets of Paris is a remarkable work, and is the one which Zola calls his very best novel, and of which he is far more proud than of any others in his Rougon-Marquart series – prouder than of L'Assommoir. It must have been in his early manhood, when poor and friendless, he lived among the people, that much of the information which makes these pages so startlingly vivid, was acquired. How many mornings, long before dawn, must he have visited these markets – how many hours and days must he have spent there, to have mastered the habits, manners and ways of these people, who are a class by themselves, and of whom we do not lose sight, from the beginning to the end of the book. He introduces us to the Parisian charcutier – the cook shop – and in La Belle Lina, the mistress of the establishment, we find the sister of Gervaise, the woman who stirred the depths of our hearts with pity, in L'Assommoir. In truth The Markets of Paris stands as utterly alone in modern French literature, as it is distinct and apart, from any other work even by Zola himself. It is a book for all to read

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  Getting Life - An Innocent Man's...

  Michael Morton

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  On August 13, 1986, just one day after his thirty-second birthday, Michael Morton went to work at his usual time. By the end of the day, his wife Christine had been savagely bludgeoned to death in the couple's bed-and the Williamson County Sherriff's office in Texas wasted no time in pinning her murder on Michael, despite an absolute lack of physical evidence. Michael was swiftly sentenced to life in prison for a crime he had not committed.Drawing on twenty-five years of recollections, court transcripts, and more than one thousand pages of personal journals he wrote in prison, Michael recounts the hidden police reports about an unidentified van parked near his house that were never pursued; the treasure trove of evidence, including a bandana with the killer's DNA on it, that was never introduced in court; the call from a neighboring county reporting the attempted use of his wife's credit card that was given to local police; and, ultimately, how Michael battled his way through the darkness to become a free man once again.

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  Passing By - Selected Essays...

  Jerzy Kosinski

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  A collection of writings offers a revealing and provocative self-portrait of an author whose life was shrouded in enigma.   Jerzy Kosinski was one of the most important and original writers of his time. Passing By serves as his legacy. This collection of essays by the late author features pieces about polo and skiing, levitation, the streets of New York, present-day Poland, the Cannes film festival, celebrities, and more. The man who emerges here has a passion for sport, a quirky sense of fun, an idiosyncratic range of acquaintances stretching from Pope John Paul II to Warren Beatty, and an abiding love of secrets, conundrums, and fantasies. But first and foremost, as he demonstrates in major essays on his novels The Painted Bird and Steps, Kosinski is a powerful, incomparable literary artist.   “Kosinski’s vibrant, sexy, questioning voice is fully present.” —The Boston Globe

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