Other books that might interest you

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  The Wizard of Oz - The Official...

  William Stillman, Jay Scarfone

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  The Wizard of Oz: The Official 75th Anniversary Companion celebrates the timeless classic musical film starring Judy Garland. 
   
  “Jump over the rainbow with inside stories from the classic film.” —Entertainment Weekly 
   
  Delivering an interactive experience, this essential volume detailing the making of the film that has captured the imagination of generations transports readers over the rainbow and into the Land of Oz with its host of unpublished artwork, behind-the-scenes stories from the stars, and removable special features. 
   
  Open the door to the Land of Oz and travel down the Yellow Brick Road with Dorothy and her companions on the journey of a lifetime. Learn the filmmaking tricks and techniques behind the film's realistic tornado, why Dorothy's shoes were ruby-colored, and how the filmmakers got a fleet of Winged Monkeys to fly.  
   
  Authors Jay Scarfone and William Stillman reveal filmmaking secrets and information on everything from the film's pre- and postproduction to early reviews and publicity to never-before-published stories from the cast and crew, making it the definitive book on the subject. Beautifully designed with an array of film stills, Technicolor™ test frames, rare artwork and photography, and costume and set illustrations, this collectible edition provides an unrivaled glimpse at the land where dreams come true.

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  Adrian Lester on Henry V...

  Adrian Lester

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  In each volume of the Shakespeare on Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeare's major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare - and fascinating for audiences of the play.
  In this volume, Adrian Lester discusses playing the title role in Henry V in a modern-dress production at the National Theatre, staged during the invasion of Iraq in 2003.
  This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Jude Law), is also available in the collection Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.
  'absorbing and original... Curry's actors are often thinking and talking as that other professional performer, Shakespeare himself, might have done' TLS

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  Finding the Raga - An...

  Amit Chaudhuri

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  Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family's native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.

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  Egon Schiele and artworks

  Jeanette Zwingenberger, Esther...

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  Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating that it is clear he was examining an anatomy more psychological, spiritual and emotional than physical. He painted many townscapes, landscapes, formal portraits and allegorical subjects, but it was his extremely candid works on paper, which are sometimes overtly erotic, together with his penchant for using under-age models that made Schiele vulnerable to censorious morality. In 1912, he was imprisoned on suspicion of a series of offences including kidnapping, rape and public immorality. The most serious charges (all but that of public immorality) were dropped, but Schiele spent around three despairing weeks in prison. Expressionist circles in Germany gave a lukewarm reception to Schiele’s work. His compatriot, Kokoschka, fared much better there. While he admired the Munich artists of Der Blaue Reiter, for example, they rebuffed him. Later, during the First World War, his work became better known and in 1916 he was featured in an issue of the left-wing, Berlin-based Expressionist magazine Die Aktion. Schiele was an acquired taste. From an early stage he was regarded as a genius. This won him the support of a small group of long-suffering collectors and admirers but, nonetheless, for several years of his life his finances were precarious. He was often in debt and sometimes he was forced to use cheap materials, painting on brown wrapping paper or cardboard instead of artists’ paper or canvas. It was only in 1918 that he enjoyed his first substantial public success in Vienna. Tragically, a short time later, he and his wife Edith were struck down by the massive influenza epidemic of 1918 that had just killed Klimt and millions of other victims, and they died within days of one another. Schiele was just twenty-eight years old.

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  Dressed in Dreams - A Black...

  Tanisha C. Ford

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  This program is read by the author.From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet 
  In this highly engaging audiobook, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. 
  The history of these garments is deeply intertwined with Ford's story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses.  
  Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of "ghetto fabulous" full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion's power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.

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  The Gateway Arch

  Tracy Campbell

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  This “fascinating, engaging” history of St. Louis’s monument to American expansion reveals a story of greed, discrimination, and community displacement (NextSTL.com).    Rising to a triumphant height of 630 feet, the Gateway Arch is one of the world’s most widely recognized structures and attracts millions of tourists to St. Louis every year. Envisioned in 1947 but not completed until the mid-1960s, its story is one of innovation and greed; civic pride and backroom deals. Weaving together social, political, and cultural perspectives, historian Tracy Campbell uncovers the complicated and troubling history of this iconic symbol.   In this revealing account, Campbell shows that the so-called Gateway to the West was the scheme of shrewd city leaders who were willing to steal an election, destroy historic buildings, and drive out communities in order to make downtown St. Louis more profitable. Campbell also tells the human story of the architect Eero Saarinen, whose prize-winning design brought him acclaim but also charges of plagiarism, and who didn’t live to see the completion of his vision.

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