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  The Invisible World Is in...

  Bruce Whiteman

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  The stunning conclusion to a 40-year poetic project
  		 
  In the tradition of earlier modernist long poems like Ezra Pound’s Cantos and bp Nichol’s The Martyrology, The Invisible World Is in Decline: Book IX is full of startling poetic music and imagery while addressing concerns to which every reader will respond: the life of the heart as well as life during COVID-19, love as well as death, philosophy as well as emotion. The poems are deeply responsive to what an epigraph from Virgil calls “vows and prayers,” i.e., those things that we desire and promise. Like previous books of Whiteman’s long poem, Book IX is largely in the form of the prose poem. But the book also contains a moving series of translations in traditional form of texts taken from songs by composers like Schubert and Beethoven, songs that are by turns tragic, meditative, lyrical, and touching. The concluding section focuses on an obsession that poets have had for 2,500 years: inspiration, in the form of the nine Muses. At the heart of this book is what Whiteman calls “the bright articulate world,” something visionary but accessible to every thoughtful reader.

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  11:11 The Master Code

  Justin Wesenberg

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  11:11 is a channeled poetry book about activating your highest potential and timelines.  
  This poetry book is for those who are ready to awaken their soul. 
  11:11 
  Is the master code 
  So that you can receive 
  The next download 
  To step into 
  Your radiant light 
  So that you can allow 
  Your truth to ignite 
  Millions of people 
  All over the world 
  The light will rise 
  The serpent unfurled 
  The kundalini will awaken 
  From the depths of the deep 
  And millions will rise 
  From their dormant sleep 
  Now is the time 
  To awaken the new 
  Let the light shine forth 
  And live what is true 
  This channeled poetry book was inspired by the global planetary awakening happening at this time. 
  If you’re seeing 11:11, you’re on the path of awakening. Allow 11:11 The Master Code to awaken the truth in your soul!

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  The Poetry of John Dryden -...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire and grew up in a nearby village.  In 1644 he was sent to Westminster School as a King's Scholar and then obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden found work with Cromwell's Secretary of State, John Thurloe.  At Cromwell's funeral on November 23rd 1658 he found company with the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. Later that year he published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric and with the re-opening of the theatres he began to also write plays. His first, The Wild Gallant, appeared in 1663 and whilst not successful, he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.    
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London.  This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670) as his talent encompassed many forms; from Poetry to Plays to translations. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Ladies Unleashed

  Amanda Whittington

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  Pearl, Jan and Linda are enjoying a long-awaited break on the Holy Island of Lindisfarne, when a surprise visitor turns up. They haven't seen Shelley for years, and their retreat becomes a reunion – and pretty soon, a riot.
  But a lot has changed since they were last together and, cut off from the mainland, tensions rise with the tide. As the sky darkens, the island grows restless with echoes of the past. Will the four still be friends when dawn breaks?
  Following the smash hits Ladies' Day and Ladies Down Under, Amanda Whittington's Ladies Unleashed is the third play in her Ladies Trilogy. A moving comedy about friendship, growing older and living for today, it was first performed at Hull Truck Theatre in September 2022, directed by Mark Babych.
  The Ladies are back, and amateur theatre companies – as well as their audiences – are sure to delight in their riotous exploits.

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  Poems and Ramblings: of a...

  Jan Esmann

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  These poems offer unique insights into the heart and soul of an enlightened person. The spirit of the poems is contagious and reading them can give rise to a transmission or awakening of Shakti (spiritual energy). The author is an ardent Mother devotee, which shines forth in every poem. The book is divided into two equal parts. 1. the poems. 2. the ramblings which are short prose pieces on spirituality and sadhana (spiritual practices). In the second part, the important practice of Kriya Pranayama is explained.

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  Songbook - The Lyrics and Music...

  Steven Heighton

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  From the award-winning, multi-genre author and musician Steven Heighton, Songbook brings together Heighton’s lyrics and music for the first time in a single volume, including his final songs, which have never been heard or seen until now. When Steven Heighton died suddenly of cancer in 2022, he was in the middle of an intensely creative period of songwriting. He released his first album of original material, The Devil’s Share, in 2021 and was preparing to record his second album. Known first as a poet, Heighton had always held that “music and poetry are two words for the same thing.”
  		 
  As in his songwriting, in Songbook, Heighton moves fluidly between genres and subjects, from political songs like “The Butcher’s Bill,” about the carelessness of nations sending their youth to war, to reimagining the myth of Orpheus (“I'll hold my breath the whole way down / And find your soul in the undertown”), to blues tunes like “Last Living Woman Alive,” and a tribute to the late John Prine, the “Buddha of Song.” With chords accompanying the lyrics, readers and musicians have the ability to bring the songs to life with their own interpretations. The music in Songbook was the final work of Heighton’s life, and it is not only a gift to have his lyrics and chords but an invitation from Heighton himself, challenging his readers to answer the call and keep singing along.

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