Outros livros que poderiam interessá-lo

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  Samuel Anoints Saul

  Paul A. Lynch

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  In the tribe of Benjamin, there was a man named Kish whose father was Abiel, and he had a son named Saul. And the donkeys of Kish were lost, and he said to his son, “Take one of the servants and go and see if you can find the donkeys that are lost.” 
           And Saul and the servant passed through Ephraim, and they found no donkeys. 
           And when they had reached the land called Zuph, Saul said to the servant, “Come let us return home because my father will start to worry about us.” 
           And the servant replied, “Now in this city lives a man of God; a prophet. Perhaps he can tell us the way we must go.” 

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  A Good Long Drive - Fifty Years...

  Bob Phillips

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  In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on "ordinary people doing extraordinary things." And at the center of it is Bob Phillips, the show's creator and host—an erstwhile poor kid from Dallas who ended up with a job that allowed him to rub elbows with sports figures, entertainers, and politicians but who preferred to spend his time on the back roads, listening to less-famous Texans tell their stories. 
   
   
   
  In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced television show in American television history. As we travel with Phillips on his journey, we meet Willie Nelson and former Dallas Cowboys coach Tom Landry; reflect on memorable, unusual, and challenging show segments; experience the behind-the-scenes drama that goes on in local television; witness the launching of an annual festival; and discover the unbelievable allure of Texas, its culture, and, especially, its people. Spanning generations, A Good Long Drive is proof that life's journey really is a destination unto itself.

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  Russian Short Story The - Volume...

  Leonid Andreyev, Mikhail...

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  The Russian novel has a reputation that is immense, both in narrative and in length.  Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. 
   
  Perhaps an easier way to enjoy a wider selection of the Russian heritage, with its varied and glorious literary talents, is with the short story.  These gems sparkle and beguile the mind with their characters and narrative, exploring facets of society and the human condition that more Western authors somehow find more difficult to navigate, or to explore, explain and relate to.   
   
  The Russian short story is, in many respects, in a genre of its own.  It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity. 
   
  In a land so vast it is unsurprising that it is a world almost unto itself. Cultures and landscapes of differing hues are packed together bound only by the wilful bonds and force of Empire. 
   
  The stories in this collection traverse the decades where one might be a serf under an absolute monarch, and the reality of that was pretty near to slavery, into an emancipation of sorts in the fields, or towns under the despotic will of landowners and the rich into the upheavals of Empire and then the overthrow of the ruling class and its replacement by the communists, who promised equality for all and delivered a society where the down-trodden remained the lowest yet vital cog of the state machine and its will.  
   
  Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced. 
   
  01 - The Russian Short Story - Volume 6 - An Introduction 
  02 - Cain by Alexander Kuprin 
  03 - Anathema by Alexander Kuprin 
  04 - An Evening Guest by Alexander Kuprin 
  05 - Silence by Leonid Andreyev 
  06 - Lazarus by Leonid Andreyev 
  07 - The Lie by Leonid Andreyev 
  08 - The City by Leonid Andreyev 
  09 - The Republic of the Southern Cross by Valery Bryusov 
  10 - The Revolutionist by Mikhail Petrovich Artzybashev 
  11 - Light by Achmed Abdullah 
  12 - Morphine by Mikhail Bulgakov 
  13 - The Murderer by Mikhail Bulgakov 
  14 - The Blind Ones by Isaac Babel

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  20th Century’s Most Influential...

  Editors Charles River

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  In their biography of Pablo Picasso, Hans Ludwig and Chris Jaffe note that “for him, art was always adventure: ‘To find is the thing.’” Indeed, there is perhaps no artist who produced more art than Picasso, whose enormous oeuvre (which spanned most of his 91-year life) contained a countless number of paintings and drawings. Picasso also worked in other mediums as well, notably sculpture and lithography, and his constant experimentation with form makes him a useful case study through which to chart the growth of Modernism as an artistic movement and many of the artistic trends that would dominate the 20th century. At the same time, one of the challenges involved in examining Picasso’s body of work is the sheer breadth of it all.  
  	In his review of Salvador Dali’s first autobiography, George Orwell declared that “One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being.” Whether or not one agrees with the famous author’s assessment, Orwell captures the polarizing nature of Salvador Dali, and the extent to which his undeniable technical virtuosity often brushed against his penchant for provoking his audiences (not to mention provoking long-entrenched standards of “proper” taste).  
  	To truly grasp the significance of Jackson Pollock in 20th century art, it’s necessary to understand the dramatic departure he initiated away from the straightforward compositions associated with the social realist art of the 1930s, a Depression-era period in which political art offered readily comprehensible narratives that were grasped by viewers with little artistic training.  
  Few artists of the 20th century were as enigmatic as Andy Warhol, who once remarked, “If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, there I am. There’s nothing behind it.” This statement is hardly out of character for the famous artist.

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  Philosophies of Language and...

  Hector Davidson

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  This book bundle contains the following three titles:  
  - Derrida: Jacques Derrida, one of the most influential philosophers of the 20th century, revolutionized the way we think about language, meaning, and interpretation. His development of the concept of deconstruction has left a profound impact on philosophy, literary theory, and critical thought. To understand Derrida's legacy, it is essential to explore the key elements of his intellectual journey and how his ideas continue to shape contemporary discourse. 
  - Deconstructionism: Deconstructionism emerged in the late 20th century as a philosophical and literary movement that fundamentally questioned the nature of meaning, language, and interpretation. It is primarily associated with the work of French philosopher Jacques Derrida, who, in the 1960s and 1970s, began to develop ideas that would challenge long-held assumptions in philosophy, literary theory, and critical thought. The movement was a response to structuralism, which sought to uncover the underlying structures that govern language and society. In contrast, deconstruction aimed to show that meaning is inherently unstable and that texts and concepts can never be fully fixed or understood in a singular, unchanging way. 
  - Michel Foucault: Michel Foucault, a French philosopher, historian, and social theorist, is renowned for his critical exploration of power, knowledge, and social institutions. Born in 1926, Foucault’s work spans a range of disciplines, from philosophy to sociology, psychology, and political science. His intellectual journey reflects a unique approach to understanding human societies, focusing not on abstract metaphysical systems but on the structures that shape human behavior, knowledge, and institutions.

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  Man Overboard - A horror tale...

  F. Marion Crawford

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  Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’.  
   
  Crawford was educated at St Paul's School, Concord, New Hampshire and then on to Cambridge University, the University of Heidelberg and the University of Rome.  
   
  In 1879 he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881 he returned to America to continue his Sanskrit studies at Harvard University. 
   
  His family became increasingly concerned about his employment prospects.  After an attempt at a singing career as a baritone was ruled out, he was encouraged to write.  
   
  In December 1882 his first novel, ‘Mr Isaacs’, was published and was an immediate hit as was his second novel ‘Dr Claudius’ in 1883.  
   
  In October 1884 he married Elizabeth Berdan and encouraged by his excellent start to a literary career they returned to Sant Agnello, Italy to make a permanent home, buying the Villa Renzi that then became Villa Crawford.  
   
  In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature.  
   
  Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.   
   
  In 1908 came his classic ‘The Screaming Skull’. Without doubt its unsettling nature is heightened as the reader/listener is drawn into to the story by its narrator.  Everything is explained and plausible until, of course, it isn’t. 
   
  Francis Marion Crawford died at Sorrento on Good Friday 1909 at Villa Crawford of a heart attack.  
   
  In ‘Man Overboard’ Crawford uncovers the story of identical twins.  When one falls overboard it unravels a sequence of events that take years to complete, all with a growing sense of uneasiness that further misery awaits

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