Other books that might interest you

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  Our Miss Brooks - Volume 11 -...

  Al Lewis

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  Our Miss Brooks was a big radio hit from the get go.  Eve Arden may not have been the original first choice but she made the role her own and gathered individual awards by the armful. 
   
  All the way up until its debut in 1949 women had been, as in much of life, the subordinate gender, supporters and flag-wavers rather than equals or the stars.  
   
  Our Miss Brooks helped change that. Here was a woman, not confined to life as a housewife.  She was confident, funny and layered with sometimes conflicting emotions, trying to gain a boyfriend of her choosing and holding down a job as a high-school teacher.  It was quite a menu.  
   
  Jeff Chandler played her shy biology teacher love interest, Mr Boynton.  And the dynamics and laughs between themselves, the students, their colleagues, and principal, all played by a very fine cast, make this situation comedy one of radios funniest and finest.  
   
  -Let’s go join the fun.

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  The History of Rock & Roll -...

  Ed Ward

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  Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative-from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.In this first volume of a two-part series, Ward shares his endless depth of knowledge and through engrossing storytelling hops seamlessly from Memphis to Chicago, Detroit, England, New York, and everywhere in between. He covers the trajectories of the big name acts like Elvis Presley, Buddy Holly, Chuck Berry, and Ray Charles, while also filling in gaps of knowledge and celebrating forgotten heroes such as the Burnette brothers, the "5" Royales, and Marion Keisker, Sam Phillips's assistant, who played an integral part in launching Elvis's career.

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  Hand-Printing Studio - A Visual...

  Betsy Olmsted

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  This DIY guide to hand-printing lets you put your designs on almost anything—from fabric, glass, and wood to human beings and more! 
   
  Print artist and textile designer Betsy Olmsted shares her love of art through her namesake brand. Now she shares her tips and techniques with 15 colorful projects you can try at home—from a galvanized planter and curtains to a coffee table.  
   
  With this step-by-step visual guide, you will earn to add your own design to nearly any surface with block printing, silk screen, and disperse dye transfer. Betsy gets you started with 12 charming patterns, plus inspiration for creating your own designs!

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  Lucille - The Life of Lucille Ball

  Kathleen Brady

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  Everyone loved Lucy, the scheming, madcap redhead who ruled television for more than twenty years. In life, however, Lucille Ball presented a far more complex and contradictory personality than was ever embodied by the television Lucy. In Lucille: The Life of Lucille Ball Kathleen Brady presents the actress as a fully rounded human being, often at odds with the image she presented as an entertainment icon. Brady has gone far beyond the typical celebrity biography to present a funny, unflinching and ultimately moving portrait of Lucille Ball as a performing artist, daughter, mother, friend, colleague, and television mogul. Many think they know the story of Lucille Ball’s life, but Brady provides new details and a fresh perspective on this complex woman through a wealth of anecdotes and firsthand accounts.   Lucille Ball is revealed not only as a television archetype and influential icon of postwar American culture, but as a driven yet fragile human being who spent her life struggling to create of life of normalcy, but ultimately failed—even as she succeeded in bringing laughter of millions of fans.   In researching Lucille, Brady interviewed more than 150 people from her hometown to Hollywood. She spoke with her grade school classmates, and those like Katherine Hepburn and Ginger Rodgers who met her when she arrived in Hollywood in the 1930s. She gained insights from those who knew her before her fame and from those she loved throughout her life. Film, radio and television history come to life with the appearances on these pages of such greats as The Marx Brothers, Buster Keaton, Louis B. Mayer, and of course Desi Arnaz, who march and pratfall through the pages of this outstanding biography.

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  Romeo and Juliet (version 3)

  William Shakespeare

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  Romeo and Juliet is an early tragedy by William Shakespeare about two teenage "star-cross'd lovers" whose "untimely deaths" ultimately unite their feuding households. The play has been highly praised by literary critics for its language and dramatic effect. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Its influence is still seen today, with the two main characters being widely represented as archetypal young lovers.  
  (Summary from Wikipedia)

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  Why Should the Devil Have All...

  Gregory Alan Thornbury

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  In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus. 
  Billboard called Norman "the most important songwriter since Paul Simon," and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns 'N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend—spinning songs about one's eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma. 
  In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman's personal papers and archives to narrate the conflicts that defined the singer's life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture—friction that continues to this day.

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