Editora: Good Press
Jimmie Dale is a fictitious character created by Packard, and he appears in many mystery stories. By day Dale is a playboy, but at night he morphs into a master safecracker and wears the costume of a Grey seal.
"I recommend this book wholeheartedly to new music lovers" Sir Charles Groves CBE Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.Ver livro
At Last the 1948 Show is a classic satirical TV series that prided and inspired Monty Python. Featuring Cambridge footlighters John Cleese, Tim Brooke-Taylor and Graham Chapman, this is arguably the finest sketch comedy series ever produced, and certainly something you do not want to miss... This volume features a compilation of classic sketches from the second series of the show, including: -Reluctant Choir (Intro)-Psychiatrist-Secret Service Cleaner-Deadly Architectural Model-Chartered Accountants Dance-Four YorkshiremenVer livro
OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all. Greatest Mystery Shows Before TV’s The Twilight Zone, there was radio’s The Inner Sanctum Mystery, Lights Out!, The Weird Circle, and so many other great mysteries starring Orson Welles, Jane Wyman, Dana Andrews, Edmond O’Brien, James Cagney and more. 100 great Mystery classics in ten volumes. Volume 8 The Sealed Book 6-10-45 The Ghost Maker with Philip ClarkeThe Sealed Book 7-29-45 Beware of Tomorrow with Philip ClarkeSomebody Knows 8-3-50 The Unsolved Murder of Paula Kohler EubanksSomebody Knows 8-10-50 The Unsolved Murder of Samuel I. ParisSuspense 1-20-44 A World of Darkness with Paul LukasSuspense 8-5-48 An Honest Man with Charles LaughtonSuspense 9-9-48 Big Shot with Burt LancasterSuspense 9-16-48 Hitchhike Poker with Gregory PeckSuspense 10-14-48 A Little Piece of Rope with Lucille BallSuspense 11-4-48 Death Sentence with John GarfieldVer livro
Feeling stifled by "shoulds" and yearning to find your authentic voice? Uncork your creativity with Brenda Ueland's timeless classic, "If You Want to Write." Originally published in 1938, this inspiring guide is more than just craft tips; it's a passionate manifesto for artistic independence. Ueland, a mentor to writers like Anaïs Nin and Flannery O'Connor, believes everyone has a unique story to tell and urges you to silence self-doubt and embrace the inherent joy of writing. With warmth, humor, and practical wisdom, she encourages you to:Ditch the rules: Forget rigid structures and find your own rhythm.Mine your experiences: Everyday life is a treasure trove of inspiration.Write for yourself first: Prioritize your genuine voice over external expectations.Embrace imperfection: Don't let fear paralyze you; write freely and learn as you go.Celebrate the journey: Find joy in the process, not just the outcome.Whether you're a budding writer or a seasoned storyteller seeking a spark, "If You Want to Write" is your invitation to unleash your creative spirit and embark on a journey of self-discovery through the power of words.Ver livro
The FBI reports that hate crime violence in the U.S. is at a 16-year high. The U.S. Commission on Civil Rights, meanwhile, says the highest percentage of hate incidents since the 2016 election occurred in elementary and secondary schools. Special correspondent Charlayne Hunter-Gault takes a look at how this problem has manifest in northwest Oregon -- and what tool teachers are using to intervene.Ver livro
Rembrandt is completely mysterious in his spirit, his character, his life, his work and his method of painting. What we can divine of his essential nature comes through his painting and the trivial or tragic incidents of his unfortunate life; his penchant for ostentatious living forced him to declare bankruptcy. His misfortunes are not entirely explicable, and his oeuvre reflects disturbing notions and contradictory impulses emerging from the depths of his being, like the light and shade of his pictures. In spite of this, nothing perhaps in the history of art gives a more profound impression of unity than his paintings, composed though they are of such different elements, full of complex significations. One feels as if his intellect, that genial, great, free mind, bold and ignorant of all servitude and which led him to the loftiest meditations and the most sublime reveries, derived from the same source as his emotions. From this comes the tragic element he imprinted on everything he painted, irrespective of subject; there was inequality in his work as well as the sublime, which may be seen as the inevitable consequence of such a tumultuous existence. It seems as though this singular, strange, attractive and almost enigmatic personality was slow in developing, or at least in attaining its complete expansion. Rembrandt showed talent and an original vision of the world early, as evidenced in his youthful etchings and his first self-portraits of about 1630. In painting, however, he did not immediately find the method he needed to express the still incomprehensible things he had to say, that audacious, broad and personal method which we admire in the masterpieces of his maturity and old age. In spite of its subtlety, it was adjudged brutal in his day and certainly contributed to alienate his public. From the time of his beginnings and of his successes, however, lighting played a major part in his conception of painting and he made it the principal instrument of his investigations into the arcana of interior life. It already revealed to him the poetry of human physiognomy when he painted The Philosopher in Meditation or the Holy Family, so deliciously absorbed in its modest intimacy, or, for example, in The Angel Raphael leaving Tobias. Soon he asked for something more. The Night Watch marks at once the apotheosis of his reputation. He had a universal curiosity and he lived, meditated, dreamed and painted thrown back on himself. He thought of the great Venetians, borrowing their subjects and making of them an art out of the inner life of profound emotion. Mythological and religious subjects were treated as he treated his portraits. For all that he took from reality and even from the works of others, he transmuted it instantly into his own substance.Ver livro
