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Publisher: HarperTeen
A celebration of girls and women in a three part poetry collection that is powerful, hopeful, authentic, and universal.
The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. Strindberg's Miss Julie is perhaps his most famous play. Bored with her sheltered existence, Miss Julie attempts to seduce the footman, but gets far more than she bargained for. This Drama Classics edition is translated and introduced by Kenneth McLeish, and also includes the author's Preface to the play.Show book
Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power.Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality—the dangers experienced in skin and body and blood—and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once."Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America—"Dear White America"—where every day is too often a funeral and not often enough a miracle.Show book
In Neat, Obie Award-Winning writer/performer Charlayne Woodard shares her memories of growing up black in America in the 60’s and 70’s. Weaving magic, Woodard takes us from Savannah, Georgia to Albany, New York with engaging humor and sharp insight. Neat is the second play of a trilogy that began with Pretty Fire, and ended with In Real Life. An L.A. Theatre Works performance featuring Charlayne Woodard.Show book
“A miraculous text of narrative and speech fragments . . . to raise up Mother Ann Lee, founder of the Shakers, her ecstatic voice, energy, and vision.” —Hilda Raz, award-winning author of Letter from a Place I’ve Never Been Seamlessly bridging the material and spiritual worlds, Seedlip and Sweet Apple takes the reader into the mind of a true visionary: Mother Ann Lee, the founder of the Shaker religion in colonial America. With astonishingly original poems inspired by extensive historical research, Arra Lynn Ross creates a collection linked thematically through the voice and story of the woman who was believed by her followers to be Christ incarnate. Broadly and inclusively spiritual, this remarkable debut captures the ineffable experience of ecstatic vision, activating the progression from literal reality to heightened perception. Simultaneously, this journey delves into the manifold issues of gender and religion, public image, and charismatic leadership, as well as the line between cult and commune and the tenuous bond between faith and behavior. Written in an impressive cornucopia of forms—including iambic quatrains, free verse, and prose poems—Seedlip and Sweet Apple honors a complex figure startlingly relevant to contemporary life, pointing to a revolutionary way to work at living—and to live in working—that promises simplicity, peace, and joy. “Situated between glossary and glossolalia, word and vision, the communal act of language and the singularity of inspiration, Seedlip and Sweet Apple reaffirms the tradition of American visionaries, even while reshaping that tradition into an innovative and dynamic lyric. Arra Lynn Ross raises the roof with her convocation of tongues. A pioneering collection of poems.” —D. A. Powell, National Book Critics Circle Award–winning poet “A work powerful in voice and craft.” —Feminist ReviewShow book
Following the sudden loss of her mother, poet K.B. Marie explores the meaning of life and love after great loss. Nature and zen themes featured throughout.Show book
An extraordinary play that asks a simple question: is it ever possible to move on? Poison by Dutch writer Lot Vekemans had a critically acclaimed run in New York in 2016, and was premiered in the UK at the Orange Tree Theatre, Richmond, in November 2017, directed by Paul Miller. 'An absorbing dance around the truth, in which tenderness and starkness alternate and the awkward cadences of debate are chasteningly authentic… considers the effects of grief, but instead of making pain appear poetic it portrays with sober precision the essential ordinariness of its two characters' - Evening Standard 'Painful, powerful… a minutely realistic look at the oddly colourless nature of grieving, and the grim concrete structures that 21st-century secular society builds around it' - Time Out 'Quietly unflinching… an almost forensic exploration of the hard, sharp edges of grief and loss… [has a] bruising truthfulness' - The Stage 'searing... a tear-jerker' - New York Times 'truly astounding' - Broadway WorldShow book
