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  Memories of Madison County - The...

  Jana St. James

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  In 1992, a novel by university professor Robert James Waller was published to less than glowing reviews. Despite the critical reception, The Bridges of Madison County became a publishing phenomenon, spending two years on the New York Times bestseller list and selling more than 50 million copies. Decades before, Waller had met 18-year-old Jana St. James at an Indiana University coffeehouse. Their innocent friendship blossomed into love— despite Waller's seven-year marriage. Years later, as St. James read the newly published book of her dear friend, it wasn't long before she experienced a shortness of breath and a relentless ache. Why were there so many similarities about her experiences with Waller in the novel— were the memories still alive for him, too? In Memories of Madison County, Jana tells her side of the impossible love story— from the innocent phases of friendship through gentle afternoons as lovers, and ultimately to the heart-wrenching yet inevitable end of their relationship.

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  Blacksound - Making Race and...

  Matthew D. Morrison

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  A new concept for understanding the history of the American popular music industry. 
   
   
    
  Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. 
   
   
    
  Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.

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  Lovers Dreamers Fighters

  Lo Carmen

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  A beautiful and moving memoir about passion, creativity and fearlessness from one of Australia's true creatives, singer/songwriter Lo Carmen, inspired by the lives and careers of other remarkable Australian women - such as Renee Geyer, Chrissy Amphlett, Robyn Archer and Wendy Saddington. 
    
  'If you don't know Lo, you don't know sh*t. This is the best music book of the year, a dream-like celebration of women and song. A triumph.' Noah Taylor 
  'We've all got them, the lighters of the way, those mythological wonders who glow in our dark. These are the ones I got to be close to, whether in a real or allusive sense; these are the ones that got to me in a way that still flows through my veins. I think you'll understand why soon...' 
  Lo Carmen was discovered at sixteen working in a Kings Cross pizza bar and cast as in the seminal Australian film The Year My Voice Broke, for which she was nominated for an AFI award. But even before that, Lo has lived a bigger life than most. From being backstage at Rolling Stones concerts when she was a baby to writing her first song at eight; performing an original song onstage at nine; having a baby while barely out of her teens; forming her first band at twenty one; touring Europe without a manager, funds or a safety net; and all the while making music her life and her art. In all this, Lo has been inspired by a handful of women - all icons, one way or another, of modern Australian life. 
  Lo Carmen weaves her own remarkable story as a critically acclaimed singer/songwriter together with compelling portraits of the women who have influenced her life and career: bold creative visionaries, trailblazers, provocateurs, pioneers, feminists and activists such as Renee Geyer, Chrissy Amphlett, Robyn Archer and Sallie-Anne Huckstepp, exploring the often complex lives of these fascinating women as a way of understanding her own life and choices. 
  A tender, joyous, messy, vibrant and wholly inspiring investigation of creativity, passion, purpose, art and music. 
  'A hard won account of the mess, glory and risk of making art. Lo tells her story by telling the stories of all those who've lit and tended her flame. She knows that worship is at the heart of creation. And she writes like a river.' Paul Kelly 
  'Loene has always been unique. Lovers Dreamers Fighters is beautifully written.' Don Walker 
  'There is an electricity and trueness to Loene's voice you can't fake. It involves her passion for art and music, but also a love for outsiders who have something special to give. Her intense humanity and feel for unexpected intimate detail goes to your core.' Mark Mordue, Boy on Fire 
  'A little bit country, a little bit rock n roll, Loene Carmen's writing is vivid, sassy and intimate. From the studios of Nashville to the grimy bars of the Cross, Lovers Dreamers Fighters is a memoir about the power of song, family and spiritual connection, but most of all a love letter to the soul-sisters who have shaped Lo's creative spirit, and Australia's cultural history, through the generations.' Kirsten Krauth, Almost a Mirror 
    
  HarperCollins Australia 2022

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  The American Film Institute's 5...

  Editors Charles River

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  In 1999, the American Film Institute released its list of the 50 greatest Hollywood stars of the 20th century, and selecting the best actors out of the bunch was certainly a tall task. The competition was so stacked that men like Gary Cooper and John Wayne were not even among the Top 10. So who were the Top 5 men selected by the AFI? 
  One man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart’s screen image has resonated with viewers more than perhaps any other actor. His persona as a tough guy who manages to maintain his sense of virtue no matter how compromising the situation features in some of the most famous films ever made, including Casablanca (1942), The Maltese Falcon (1941), and Key Largo (1949). 
  Movie stars are revered for their ability to captivate audiences, and perhaps no actor has done it as well as Cary Grant, the epitome of the suave, debonair actor who may have been rivaled only by dancer extraordinaire Fred Astaire. The films in which Astaire acted may not be especially famous in their own right, but Astaire’s dancing prowess left a lasting impact. 
  If the list was reconstructed today, it is entirely possible that Jimmy Stewart would rank first. Not only have movies such as It’s a Wonderful Life (1946) and Vertigo (1958) continued to gain in popularity even into the 21st century, but Stewart has come to embody an accessible image of American values that is easy for everyone to embrace. 
  Over the course of his long, prolific career, Marlon Brando was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale.

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  A Year of Ebola

  David Brett-Major

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  Who should read this book? Someone on their way out the door for their first or an early career health emergency and disaster risk management (HEDRM) experience, regardless of role, or someone who is trying to support one who is, or who does it all of the time and wants to know that they are not alone 
  What does this book tell the reader? It provides the shock of jumping into the cold water of health emergency and disaster risk management (HEDRM), without the risk of drowning; it focuses on practical aspects of the experience of doing the work that guidelines and playbooks (as important as they are) do not address 
  Who else might be interested in this book? People keen to understand how HEDRM happens in the context of highly communicable diseases, or about how global public health, emergencies, aid, and development mix, or medical history... the technical and contextual curious 
  Who should NOT read this book? Anyone who is looking for gory details 
  What is the main strength of this book? It is a raw view of the experience of conducting such responses at the clinical: public health interface, with some lessons durable across emergencies 
  What is the main weakness of this book? It carries all of the biases of such experiences. There is a lot not said; the book has snapshots and cannot relate the 10,000,000 events during the year not described 
  What is new in the 2024 edition? In print and e-book, overdue editing without loss of content, a forward that reflects on the COVID-19 pandemic in the context of themes in the book, and in the print edition available on www.amazon.com, a series of essays stepping back and exploring the ways in which people interact with the threat of infectious diseases that defines our willingness and readiness to meet them

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  The Worst Thing We've Ever Done...

  Carol Menaker

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  In May of 1976, twenty-four-year-old Carol Menaker was impaneled with eleven others on a jury in the trial of Freddy Burton, a young Black prison inmate charged with the grisly murders of two white wardens inside Philadelphia's Holmesburg Prison. After being sequestered for twenty-one days, the jury voted to convict Mr. Burton, who was then sentenced to life in prison without parole. 
   
   
   
  For more than forty years, Menaker did what she could to put the intensely emotional experience of the sequestration and trial behind her, rarely speaking of it to others and avoiding jury service when at all possible. But the arrival of a jury summons at her home in Northern California in 2017 set her on a path to unravel the painful experience of sequestration and finally ask the question: What ever happened to Freddy Burton—and is it possible that my youth and white privilege were what led me to convict him of murder? 
   
   
   
  The Worst Thing We've Ever Done is Menaker's inspirational account of journeying back in time to uncover the personal bias that may have led her to judge someone whose shoes she never could have walked in.

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