Outros livros que poderiam interessá-lo

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  The Way Old Friends Do (NHB...

  Ian Hallard

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  In 1988, two Birmingham school friends tentatively come out to one another: Edward as gay; Peter, even more daringly, as an ABBA fan.
  Nearly thirty years later, they meet again – and take a chance by forming the world's first ABBA tribute band in drag. It's a riot of platform boots and dodgy beards, 'Waterloos' and 'Chiquititas', and they couldn't escape if they wanted to. But can Edward and Peter's friendship survive the tribulations of a life on the road?
  Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens. It premiered at Birmingham Rep in 2023, directed by Mark Gatiss, before touring the UK, including a run at Park Theatre, London.
  The play offers every theatre company and drama group all the ingredients to give their audience the time of its life.
  'Camp, funny and jolly good fun' - Sunday Times
  'A super-trouper of a show that reminds us all of the part music can play in our lives and our friendships… Hallard's script is keen-edged and perceptive, rapidly creating characters and imbuing them with life views that make the audience both laugh and feel a tinge of sadness' - WhatsOnStage
  'Hilariously funny… a positive joy to watch from start to finish… bang on the Money, Money, Money' - Reviews Hub
  'Side-splittingly funny… the easy comedy of the first act gives way to a dramatic series of genuinely surprising twists in the second ahead of a touchingly sentimental conclusion… a genuine love letter to ABBA with plenty for the die-hard enthusiasts to enjoy, but when all is said and done it is ultimately a story about enduring friendship' - Broadway World
  'With a script this funny and charming, you won't want to miss it' - West End Best Friend

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  Richard Diamond Private...

  Black Eye Entertainment

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  Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). Its theme “Leave it to Love” was whistled by Powell at the beginning of each episode. Powell’s company (Four Star Television) produced a TV version of Richard Diamond, Private Detective for CBS in 1957. David Janssen, who would later gain fame as Dr. Richard Kimble on The Fugitive was cast as TV’s Richard Diamond. Sam, Diamond’s beautiful secretary in the TV series, was only shown from the waist down. Those beautiful legs belonged to Mary Tyler Moore, as well as other actresses. 
  8/23/50 “The Farmer-Evans Murders Case”9/6/50 “The Misplaced Laundry Case”2/2/51 “The Caspary Case”2/16/51 “The Grey Man”2/23/51 “The Lady in Distress”12/28/51 “The Plaid Overcoat Case”1/25/52 “The Al Brenners Case”2/1/52 “The Garrabaldi Case”2/8/52 “The Eddie Burke Case”4/4/52 “The Enigma of Big Ed”6/7/53 “The Cover-Up Murders”6/28/53 “The Rifle Case”

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  Evening

  Archibald Lampman

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  LibriVox volunteers bring you 9 different recordings of Evening by Archibald Lampman. This was the weekly poetry project for the week of August 3rd, 2008.

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  Ladies' Day (NHB Modern Plays)

  Amanda Whittington

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  An exuberant comedy about four likely lasses from the Hull fish docks on a day trip to the races, from the author of Be My Baby.
  Work, love and life are just one long, hard slog for the fish-filleting foursome Pearl, Jan, Shelley and Linda. But their fortunes are set to change when Linda finds tickets to Ladies' Day at Royal Ascot the year it relocated to York.
  Out go the hairnets, overalls and wellies as the four ditch work, do themselves up to the nines and head off to the races for a drink, a flirt and a flutter. If their luck holds, they could hit the jackpot - and more besides...
  'With its Yorkshire heart and soul it has all the warmth of a Calendar Girls or a Full Monty' - Yorkshire Post
  'Hull Truck Theatre Company clearly has a hit on its hands' - Hull Daily Mail
  'Exuberantly up-to-the-minute comedy' - Guardian

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  Peter Pan And Wendy

  James M. Barrie

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  Adapted from James Barrie's original book, CART takes us on a whimsical, comedic, and moving journey about a Lost Boy who would never grow up. Samantha Eggar's ideal Mrs. Darling whose secret kiss no one can get, Linda Henning's Tinker Bell and her naughty fairy language, and Louis Nye as the perfect pencil-pusher Mr. Darling and his alter ego, Captain Hook, are all true to the author's intent.  
  STARRING: RODDY McDOWALL as James Barrie, SAMANTHA EGGAR as Mrs. Darling and Wendy, LOUIS NYE as Captain Hook and Mr. Darling, LINDA HENNING as Tinker Bell and Jane, WILLIAM WINDOM as Mr. Smee as The Never Bird, MARTY MAGUIRE as Slightly Soiled and Starkey, ADAM PETERSON as The Lost Boy, WHITNEY DICKINSON as Michael, IAN DICKINSON as John; with CART's Announcer, JOHN HARLAN; AND, PEGGY WEBBER as Peter Pan.

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  The Slaves of Solitude (stage...

  Patrick Hamilton

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  1943, Henley-on-Thames. Miss Roach is forced by the war to flee London for the Rosamund Tea Rooms boarding house, a place as grey and lonely as its residents. From the safety of these new quarters, her war effort now consists of a thousand petty humiliations, of which the most burdensome is sharing her daily life with the unbearable Mr Thwaites.
  But a breath of fresh air arrives in the form of a handsome American lieutenant and things start to look distinctly brighter. Until a new boarder moves into the room next to Miss Roach's – outwardly friendly, she soon starts upsetting the precarious balance in the house.
  Nicholas Wright's play The Slaves of Solitude weaves a fascinating blend of dark hilarity and melancholy from Patrick Hamilton's much-loved story about an improbable heroine in wartime Britain. The play premiered at Hampstead Theatre, London, in October 2017.
  'Brilliantly transformed for the stage by Nicholas Wright… although there is some wonderful sly comedy from the start, [the play's] strength is in a humane, rueful, oddly hopeful understanding of loneliness and of the way we try to make real connections… no character is all bad, nor all good; even the most minor of them, in fleetingly sketched moments, reveal both their handicap and their hope. It's lovely' - TheatreCat
  '[A] witty, evocative, gnarly human drama… the home front is a hotbed here as people who look like heroes or villains reveal themselves to be more complex while they make their small but crucial claims for territory… wonderful' - The Times
  'Nicholas Wright's adaptation captures the familiar emotional notes of Hamilton's fiction, the pervading loneliness, the melancholy, the use of booze as a crutch and a shield' - The Stage

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