Altri libri che potrebbero interessarti

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  Life Is - Forty poems of freedom...

  Tom Stodulka

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  In his fourth publication, Tom Stodulka AM brings to you Life Is...: Forty poems of freedom, fortitude and friendship to give the reader moments of reflection and gratitude; for you to fill in the space of what Life Is....

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  Lacunae - New Poems

  Scott Cairns

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   This is a book to savor slowly and return to often." —Malcolm Guite, author of Sounding the Seasons and other collections
  New poetry from Scott Cairns on containing the uncontainable
  
  Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our "glimpsing an indeterminate, inexhaustible enormity within a discrete space." This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable. As Orthodox hymnography avers, she is more spacious than the heavens. So, too, the poet suggests, in its own, modest way, the poem might give birth to more, and more, and yet more than even the poet supposes.

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  More Songs the Radio Won’t Play...

  Stan Rogal

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  Lyrical poetry inspired by popular songs, Rogal sweeps the reader through the journey of creation.
  		 
  In More Songs the Radio Won’t Play, Stan Rogal takes formerly “popular” tunes (from various genres) and transforms them. Self-referentiality; mashups of the erudite and profane; allusions to other arts and sciences; the insertion and bending of biographical and historical facts; problematic snippets of philosophy and literary theory, quotes, and bastardizations; deploying non- or a-political language to challenge notions of how a poem should work; sampling; and off-kilter humour work together to update Rogal’s playlist for a present-day audience.
  		 
  While his poems unavoidably serve to comment on the world today, Rogal resists a central message. The true emphasis of this collection is on the process of creation. It’s not the destination but the journey that is of significance. Not mere cover versions, not exactly parodies (though parodic), these poems are redactions, mutations, Frankenstein’s monsters … they resemble the original — somewhat — yet are also grossly different.

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  The Poetry of Elizabeth Siddal -...

  Anonimo

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  Elizabeth Eleanor Siddall was born on the 25th July, 1829 in London into a working-class family where she received an ‘ordinary education’.   
  Whilst accounts differ, it is clear that she met the Pre-Raphaelite painter William Deverell whilst working in a millinery shop and he asked her to model for him, describing her as "magnificently tall, with a lovely figure, and a face of the most delicate and finished modelling ... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster."  She personified female beauty for the Pre-Raphaelite Brotherhood and her face became well known in Victorian Britain, gracing many famous paintings such as John Everett Millais's Ophelia, where she is portrayed drowned, floating in a pond. From the experience she also caught pneumonia.  
  Although Siddal (she later changed the spelling of her name) endured a toxic and probably controlling relationship with Dante Gabriel Rossetti, who wouldn’t allow her to model for anyone but himself, she made great strides under his tuition and in her endeavours as an artist.  She was the only woman to exhibit with the Pre-Raphaelites in 1857 where she sold one of her paintings to an American collector. 
  She created many paintings, often inspired by Medieval themes, but her output of poetry was scant despite the positive reception to her verse.  Their motifs were sad and often tragic, dwelling on lost or doomed love.  As well they suggest a strong connection with nature and often plead with God with a haunting yet evocative simplicity. 
  Allied to this was a laudanum addiction which may have contributed to a still-born birth in 1861 and from which she never fully recovered.   
  Elizabeth Siddal committed suicide by an overdose, whilst pregnant, on the 11th February 1862.  She was 32.

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  Cinema of the Present

  Lisa Robertson

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  What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating colour? Would the seams afford a new sensibility around the pronoun ‘you’? Would the precise words of philosophy, fashion, books, architecture and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?
     
  These and other questions are answered in the new long poem from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley + Maxwell.
     
  Praise for Lisa Robertson:
     
  'Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields languageexpertly, even beautifully.' —The New York Times

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  The Tempest | Shakespeare for...

  Jeanette Vigon

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  Ever dreamed of a world where spells alter reality and islands hide secrets waiting to be unveiled? Jeanette Vigon's "Tempest" turns that dream into a thrilling reality for children, reimagining Shakespeare's masterpiece with a twist that's as enchanting as it is accessible. 
  This enchanting tale simplifies the complex original, making it accessible and relatable for young readers. Dive into a world where magical elements, profound themes of power struggles, redemption, and forgiveness come to life through simplified language and reimagined scenes. Designed to introduce the essence of Shakespeare's work to children, "Tempest" weaves a story of mystery, love, and the quest for justice on an enchanted island, promising to ignite a passion for literature in young hearts.Tailored for Young Readers: Simplified language and scenes make Shakespeare's profound tale accessible and engaging for children.Educational and Entertaining: Introduces classic literature themes in a manner that's understandable and relatable to young audiences.Enriching Visuals and Narratives: Reimagined content that respects the essence of the original work, designed to captivate and educate. 
  Let "Tempest" be the key that unlocks the door to the vast and wondrous realm of literature for your children, fostering an early love for reading and the classics.

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