Outros livros que poderiam interessá-lo

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  All the Years Combine - The...

  Ray Robertson

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  A Grateful Dead concert, Ray Robertson argues, is life. 
   
   
   
  Like life, it can be alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. Although the Grateful Dead stopped the day Jerry Garcia's heart did, what the band left behind is the next best thing to being there in the third row, courtesy of the group's unorthodox decision to record all of their concerts. Meaning that it's possible to follow the band's evolution (and devolution) through their shows, from the R&B-based garage band at the beginning, to the jazz-rock conjurers at their creative peak, to the lumbering monolith of their decline. 
   
   
   
  In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant—and what they continue to mean.

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  Ilya Repin - The Russian Soul on...

  Grigori Sternine, Jelena Kirillina

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  Ilya Repin was the most gifted of the group known in Russia as "The Itinerants". When only twelve years old, he joined Ivan Bounakov's studio to learn the icon-painter's craft. Religious representations always remained of great importance for him. From 1864 to 1873 Repin studied at the Academy of the Arts in Saint Petersburg under Kramskoï. Repin also studied in Paris for two years, where he was strongly influenced by outdoor painting without, becoming an Impressionist, a style that he judged too distant from reality. Taken with French pictorial culture, he worked to understand its role in the evolution of contemporary art. Most of Repin's powerful work deals with the social dilemmas of Russian life in the nineteenth century. He established his reputation in 1873 with the celebrated picture Barge Haulers on the Volga, symbol of the oppressed Russian people pulling their chains. This struggle against the autocracy inspired many works. He also painted Russia's official history in such works as Ivan the Terrible Meditating at the Deathbed of his Son Ivan. Seen as one of the masters of realist painting, he devoted himself to portraying the lives of his contemporaries: the most renowned Russian writers, artists, and intellectuals; peasants at work; the faithful in procession; and revolutionaries on the barricades. He understood the pains of the people perfectly, as well as the needs and the joys of ordinary lives. Kramskoï said on this subject: "Repin has a gift for showing the peasant as he is. I know many painters who show the moujik, and they do it well, but none can do so with as much talent as Repin."Repin's works, which depart from the academic constraints of their predecessors, are both delicate and powerful. He achieved a superior mastery of skill, and found new accents to transcribe the many-coloured and brilliant vibrations he sensed in the ordinary world around him.

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  Classic Interview with Music...

  Frank Zappa

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  Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American composer, songwriter, guitarist, conductor, actor, satirist, filmmaker, and activist. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he additionally produced nearly all the 60-plus albums he released with his band the Mothers of Invention and as a solo artist. His discography is characterized by nonconformity, improvisation, sonic experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. The following recording is from a 1990 interview.

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  As the Stage Turned - A Front...

  Jeannie Emser Schultz

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  Sammy Davis, Jr. opened it. Luther Vandross closed it. During the 19 years in between, a who’s who of the world’s top entertainers and speakers performed on the novel revolving stage of the Front Row Theatre, from Liberace to Alice Cooper, Jay Leno to Jerry Seinfeld, Marlene Dietrich to Dolly Parton, Presidents Ford and Carter and culinary grand dame Julia Child. Many were unknown opening acts, like Whitney Houston. Another, the legendary Roy Orbison, would unknowingly perform the final concert of his life there. 
  Cleveland Landmarks Press’ newest release, As the Stage Turned: A Front Row Theatre Memoir, captures the dynamic energy that sprung from one of the most unique entertainment venues in the country – a theater-in-the-round located in the sleepy suburb of Highland Heights, just outside of Cleveland. 
  Jeannie Emser Schultz, the venue’s longtime former director of marketing and publicity, has written a memoir capturing the star power and draw of the Front Row. It’s an homage to seemingly everything related to show business and the cultural significance of that famed theater that drew the biggest and brightest stars of its day. 
  For instance, where else would you learn that several days into Sammy Davis’s opening run at the Front Row in 1974, he received a phone call threatening his life? Or that the only way Frank Sinatra would agree to perform there was if he and his entire entourage could rent out the Shaker Heights home of Larry Dolin, the founder and president of the Front Row? Or that comedian Bob Newhart always kept a nude picture on his dressing room table of Anthony Newley looking backwards through his legs (Newhart told Emser Schultz it was one of the funniest pictures he ever saw)? 
  Emser Schultz’s narrative takes readers on a detailed and behind-the-scenes firsthand journey of the almost 20-year history of what was considered one of America’s most significant entertainment venues. Revisit your own fond memories of a lost Cleveland classic.

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  Diaries 1969–1979 - The Python...

  Michael Palin

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  The amazingly insightful, funny and brilliant record of Michael Palin's prime years as a member of the famed comedic group, Monty Python. “Charming and at times revelatory . . . A voice of (relative) sanity in the eye of a comedic storm, Palin paints so vivid a picture that the reader becomes a Python by proxy.” —The New York Times Book ReviewMichael Palin has kept a diary since newly married in the late 1960s, when he was beginning to make a name for himself as a TV scriptwriter, and Monty Python was just around the corner.This volume of his diaries reveals how Python emerged and triumphed, how he, John Cleese, Graham Chapman, the two Terrys—Jones and Gilliam—and Eric Idle came together and changed the face of British comedy. But this is only part of Palin’s story. Here, too, is his growing family, his home in a north London Victorian terrace, his solo effort as an actor, and his writing endeavors (often in partnership with Terry Jones) that produce Ripping Yarns and even a pantomime.Meanwhile Monty Python refuses to go away: his account of the making of both The Holy Grail and the Life of Brian movies are page-turners, and the sometimes extraordinary goings-on of the many powerful personalities who coalesced to form the Python team makes for funny and riveting reading.A perceptive and funny chronicle, the diaries are a rich portrait of a fascinating period.“It is terrifically good: funny, astute, and wonderfully written.” —The Boston Globe

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  Human Is the New Vinyl - Why...

  Micah Voraritskul

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  Human Is the New Vinyl traces the arc from the printing press to generative AI and reveals how each wave of innovation reshapes what we create, how we connect, and what we decide is worth keeping. 
  When music went digital, everyone thought vinyl was gone for good. But people brought it back because they wanted something real — the texture, the ritual, the imperfection, the presence. Human creativity is having its vinyl moment right now. 
  As AI floods writing, music, art, voice acting, and education, the line between real and synthetic is blurring fast. This book explores what we gain from new tools, but also what we stand to lose if we let "easy" replace what makes us human. 
  With stories, cultural insight, and sharp reflection, Human Is the New Vinyl makes the case that the human voice — with all its texture, imperfection, and spirit — is still the most powerful force we have. 
  Narrated by the author, this audiobook is itself a statement about choosing human over artificial. 
  For creators, educators, technologists, and anyone asking: What do we stand to lose in the age of machine-made everything? 
  If you're still listening — this is for you. You're not alone. This is the sound of something real, rising again.

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