Outros livros que poderiam interessá-lo

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  Apocalypse Television - How The...

  David Craig, Robert Iger

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  On November 20, 1983, a three-hour made-for-TV movie, The Day After, premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. 
   
   
   
  The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message. 
   
   
   
  Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

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  The Alchemist

  Ben Jonson

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  An outbreak of plague in London forces a gentleman, Lovewit, to flee temporarily to the country, leaving his house under the sole charge of his butler, Jeremy. Jeremy uses the opportunity given to him to use the house as the headquarters for fraudulent acts. He transforms himself into 'Captain Face', and enlists the aid of Subtle, a fellow conman and Dol Common, a prostitute.    In The Alchemist, Jonson unashamedly satirizes the follies, vanities and vices of mankind, most notably greed-induced credulity. People of all social classes are subject to Jonson's ruthless, satirical wit. He mocks human weakness and gullibility to advertising and to "miracle cures" with the character of Sir Epicure Mammon, who dreams of drinking the elixir of youth and enjoying fantastic sexual conquests. The Alchemist focuses on what happens when one human being seeks advantage over another. In a big city like London, this process of advantage-seeking is rife. The trio of con-artists - Subtle, Face and Dol - are self-deluding small-timers, ultimately undone by the same human weaknesses they exploit in their victims.

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  Hot Textiles - Inspiration and...

  Kim Thittichai

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  An inspirational and practical guide to the potential of heat tools for textile artists. Soldering irons, heat guns and household irons can add texture and variety to textile work – whether it's hand embroidery, machine embroidery, quilting or felting.
  Stunning work can be produced with a variety of materials: hot and cold foiling; painted and plain Bondaweb (fusible webbing) on wood, paper, fabric and pelmet Vilene; making beads from synthetic fabrics, Tyvek and Kunin felt; melting and distorting plastic bags and cellophane; working in three dimensions; and embossing powders.
  
  With step-by-step instructions, full health and safety advice and stunning photography, this is an important book for all textile artists. Following on the bestselling Fusing Fabric and Surfaces for Stitch, it demonstrates the latest techniques wanted by all those involved in textiles.
  Back in paperback for 2018. 

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  Black Queer & Untold - A New...

  Jon Key

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  A look at the many Black and Queer contributions to Design and Art 
    
  Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: 
    
  What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer? A Queer graphic designer? Someone from the South? Could his identity be communicated through a poster or a book? How could identity be archived in a design canon that has consistently erased contributions by designers who were not white, straight, and male? 
    
  In Black, Queer & Untold, acclaimed designer and artist Jon Key answers these questions and manifests the book he and so many others wish they had when they were coming up. He pays tribute to the incredible designers, artists, and people who came before and provides them an enduring, reverential stage—and in so doing, gifts us a book that takes its place among the creative arts canon. 

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  Redeeming Vision - A Christian...

  Elissa Yukiko Weichbrodt

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  Christianity Today 2024 Award of Merit (Culture and the Arts) 
   
  The Gospel Coalition 2023 Book Award (Arts & Culture) 
   
  We are formed by the images we view. From classical art to advertisements and from news photos to social media, the images we look at mold our ideas of race, gender, and class. They shape how we love God and our neighbor. 
   
  This practical guide helps us look closely at and understand how a wide variety of images make meaning as aesthetic and cultural objects. Elissa Yukiko Weichbrodt teaches us how to learn from art rather than critique it and how to respond to images in Christian ways, allowing them to positively transform us and how we love. 
   
  The book includes twenty-three images, most in full color, that range from classical European paintings to Central African sculpture, from Chinese ink painting to political propaganda, and from stark anthropological photographs to unconventional installations.

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  Kanem-Bornu - The...

  Rolf Hedger

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  Before the rise of the mighty Kanem-Bornu dynasty, the vast expanse of the Sahel was home to diverse tribes and scattered settlements that laid the groundwork for what would become one of the Sahara’s longest-lasting empires. In this early era, communities thrived in a challenging environment where survival hinged on adaptability and a profound connection with the land. The region, bridging the fertile savannahs and the arid expanse of the desert, nurtured a mosaic of cultures that developed sophisticated social structures long before centralized power emerged. 
  The early inhabitants relied on oral traditions to pass down stories of heroic ancestors, migrations, and the intimate bond they shared with nature. These narratives, rich in symbolism and local lore, served as the cultural bedrock for later generations. They recounted times of plentiful harvests and the strategic use of scarce water resources, highlighting the ingenuity and resilience of communities that innovated in agriculture and irrigation. Such stories not only preserved the memory of a once-abundant land but also inspired the collaborative spirit that would be essential for forming larger political entities.  
  Over time, as environmental challenges and the need for security intensified, these small communities began to coalesce into broader tribal alliances. The bonds formed through intermarriage, trade, and mutual defense gradually paved the way for the emergence of rudimentary governance structures. Early leaders, often revered for their wisdom and ability to resolve conflicts, began to assert influence over wider territories, laying the foundational framework for centralized authority. These leaders capitalized on the established trade networks that crisscrossed the region, facilitating the exchange of goods, ideas, and technologies that further solidified communal bonds.

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