Altri libri che potrebbero interessarti

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  Life at the Speed of Play -...

  Mark Pincus

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  With an introduction read by the author himself, Mark Pincus, and acclaimed narrator Fred Sanders, comes an unconventional, hands-on guide to turning ideas into products that matter—and that people love—from the legendary Silicon Valley pioneer, founder of Zynga, and creator of Stanford Graduate School of Business’s product management course. 
  Mark Pincus has been at the forefront of each iteration of the internet. He built the original app company ahead of the mobile app economy and sold virtual goods to the masses long before in-app purchase generated $85 billion on smartphones. As the founder of Zynga, he brought us FarmVille, CityVille, and Words with Friends, launching eight hit games and reaching more than a billion users in four years.  
  Pincus has turned hit-making into a repeatable system, birthing one of his favorite guiding principles that “all new fails”. Life at the Speed of Play is his framework for moving faster and massively increasing your odds of success. His insights and advice are essential in the new world of AI, where speed of testing and learning defines winners. 
  Bursting with wit, wisdom, and a core belief in tech’s endless capacity, each chapter of Life at the Speed of Play contains actionable takeaways based on Pincus’s unorthodox “Mark-isms” including “hire people with broken resumes,” “protect investors from themselves,” and, paradoxically, to “f*** scale” in favor of quality over quantity. 
  What They Don’t Teach You at Harvard Business School for the twenty-first century, here is the essential “bible” for entrepreneurs, product managers, innovators, and anyone who has an idea—digital or analog—that they dream of turning into a reality.

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  I Knew a Man Who Knew Brahms - A...

  Nancy Shear

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  Nancy Shear was only fifteen when she began sneaking into Philadelphia Orchestra concerts through the stage door, and seventeen when she was hired as a member of the orchestra's library staff to help prepare the music; one year later, she became Leopold Stokowski's musical assistant. Being young and female, she was a pioneer in both positions. 
   
   
   
  I Knew a Man Who Knew Brahms takes listeners into the homes, studios, and minds of legendary artists with whom Shear shared close personal relationships, including Stokowski, Mstislav Rostropovich, Eugene Ormandy, and others with the Philadelphia Orchestra. Many of these brilliant and talented artists were also outrageous, egocentric, and tyrannical. Throughout this book, Shear topples more than a few revered musicians from their podiums and their pedestals. 
   
   
   
  A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings listeners into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. You will never listen to music the same way again, after hearing Nancy Shear's story.

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  Mansa Musa and the Empire of...

  P. James Oliver

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  Oliver's well-researched biography of Mansa Musa reads like an exotic tale of gold, glory, and adventure. During his long reign as Mali's emperor, Mansa Musa led his empire into its Golden Age; presided over a spectacular, 60,000 person, 9,000 mile pilgrimage; founded a university in Timbuktu; and helped revolutionize architecture across the Sudan. Oliver does not allow Musa's story to get bogged down in detail by seamlessly weaving a lot of history into his narrative and by supplying curious readers with an extensive description. 
  Many of the African ancestors of today's African-Americans came from West Africa. From 700 -- 1600 A. D., one after the other, three great, black, commercial empires dominated West Africa. They were powerful, prosperous, complex, stable -- and large. At its height, the Empire of Mali was the size of all of Western Europe.

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  Ten Telecaster Tales - Liner...

  Rik Emmett

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  Ten Telecaster Tales remakes the idea of the “concept album.” It is music that arrives inside a book. It’s also, arguably, the most comprehensive attempt at liner notes in the history of electric instrumental fingerstyle guitar albums.
  		 
  In his latest offering, Rik Emmett delves into the creative process — the roots, influences, philosophy, and spirituality involved in writing and recording. Even the story behind these stories explores creativity. (Emmett dreamed of then commissioned a guitar — a one-of-a-kind Telecaster-style guitar — then wrote and recorded with and for it.)
  		 
  Playfully, beautifully, Ten Telecaster Tales lays bare an artistic journey in an act of discovery — that the storytelling inherent in writing good musical compositions translates into good storytelling about the process behind the songs, and how compositions turn into recordings. A generous amount of fairy-tale mythology is sprinkled throughout — despite the whole process being assimilated by digital technology. The notion of a “telecaster tale” implies something “vintage” at its heart, and it is humanity that glues the layers together.
  		 
  Principally, though, Ten Telecaster Tales is the next logical step for Emmett after publishing his memoir, Lay It On The Line. It represents the evolution of his life story into a combination of musical composition, guitar playing, and prose. After all, writing has always been the solid backbone and lifeline of his multi-faceted journey.

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  A Child’s Garden of Verses

  Robert Louis Stevenson

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  Step into the boundless imagination of childhood with A Child’s Garden of Verses by Robert Louis Stevenson — a timeless collection of poetry that captures the wonder, innocence, and curiosity of youth. 
  From the laughter of playtime to the quiet moments of reflection, these lyrical poems bring to life the beauty of simple pleasures — gardens blooming under the sun, adventures dreamt beneath the stars, and the tender bond between parent and child. Each verse invites listeners to rediscover the world through the eyes of a child, where every shadow holds a story and every breeze whispers of adventure. 
  Lovingly narrated by Julie Ann Marra, this classic collection remains one of Stevenson’s most beloved works — a heartfelt celebration of imagination, nostalgia, and the joys of growing up. Perfect for families, dreamers, and all who wish to remember the magic of childhood.

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  Bob Dylan's Highway 61 Revisited

  Mark Polizzotti

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  Highway 61 Revisited resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In ""Like a Rolling Stone,"" his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? a composite ""type""?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In ""Ballad of a Thin Man,"" the younger generation's confusion is thrown back in the Establishment's face, even as Dylan vents his disgust with the critics who labored to catalogue him. And in ""Desolation Row,"" he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humor, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length  and even the mournful sweetness of Bloomfield's flamenco-inspired fills.In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects Highway 61 is rock 'n' roll's answer to A Season in Hell.

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