Editorial: Babelcube
A pope who cannot die; a female pathologist with a morbid fascination for a dead youth; an ancient Teutonic goddess; furies, chimeras, henchmen of death and Death himself - all of these await the reader in this collection of sinister tales.
“Bamm Bahadar” by Gurbakhsh Singh Preetlari is a heartfelt collection of six stories that explore love, honesty, compassion, and human values. The title story, Bamm Bahadar, tells the touching bond between an elephant and its owner. Other stories highlight the struggles of honest individuals, the harmony between communities, selfless help offered by strangers, and the warmth of family, especially the love and kindness of the author’s grandmother. Each story reflects deep emotions and life lessons, making it a meaningful read for all ages.Ver libro
“Enthralling . . . Boyne’s novel can stand comparison with William Golding’s Rites of Passage . . . Mutiny is storytelling at its most accomplished.” —The Independent (UK) Internationally bestselling author John Boyne has been praised as “one of the best and original of the new generation of Irish writers” by the Irish Examiner. With Mutiny, he’s created an eye-opening story of life—and death—at sea. Fourteen-year-old pickpocket John Jacob Turnstile has just been caught red-handed and is on his way to prison when an offer is put to him—a ship has been refitted over the last few months and is about to set sail with an important mission. The boy who was expected to serve as the captain’s personal valet has been injured and a replacement must be found immediately. Given the choice of prison or a life at sea, John soon finds himself on board, meeting the captain, just as the ship sets sail. The ship is the Bounty, the captain is William Bligh, and their destination is Tahiti. Their journey, however, will become one of the most infamous in naval history. Mutiny is the first novel to explore all the events relating to the Bounty’s voyage, from the long passage across the ocean to their adventures on the island of Tahiti and the subsequent forty-eight-day expedition toward Timor. This vivid retelling of the notorious mutiny is packed with humor, violence, and historical detail, while presenting an intriguingly different portrait of Captain Bligh and Mr. Christian than has ever been presented before. “The writing grows into a mesmerizing tour-de-force . . . this is a remarkable and compelling piece of storytelling.” —The Irish TimesVer libro
Deborah Eisenberg is nearly unmatched in her mastery of the short-story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes "intense, abundant human lives" in which "everything that happens is out there waiting for you to come to it."Ver libro
Powerful, off-beat stories about women living in the shadow of the now-frozen, now-thawing war in Ukraine Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets's captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women's Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony.Ver libro
A suspect suicide note. A dinghy washed up on the rocky Maine coast. An angry man determined to send his dead wife a message. When Ann Kinnear travels to an isolated island in Blue Hill Bay to convey that message, will she discover the private truth behind the public story of a death on the water? Men's evil manners live in brass; their virtues We write in water. —William Shakespeare, "Henry VIII" An Ann Kinnear Suspense Short from Matty Dalrymple, author of the Ann Kinnear Suspense Novels and the Lizzy Ballard Thrillers.Ver libro
Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution. Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it. Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words. All too often the talents of women have been scorned, mocked and laughed at. In reality that was more usually by those who’s own talents were hardly fit to even grace their shadows. But society in general still connived and set women to one side in almost everything that men considered their rightful territory. And literature was one such territory. Remarkably resilient as well as talented these women strove to be published, to show themselves as equals. The results more often than not proved that they were. Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves. But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and the Women authors whose time has now come again.Ver libro
