Editorial: Ethos Books
Phedra is a poetry collection of re-interpreted mythology – with an emphasis on female identity – which delves into the juxtaposition of idolatry and banality. I heard her name and that was all I needed I heard her name and rivers formed
In 1971, in the wake of George Jackson's killing by San Quentin prison guards, a poem entitled "Enemy of the Sun" was found among ninety-nine books in the revolutionary's cell. The handwritten poem came to be circulated in Black Panther newspapers under Jackson's name, assumed to be a vestige of his more than a decade long incarceration. But Jackson never wrote the poem; it was authored by the Palestinian poet Sameeh Al-Qassem and had been included in an anthology of the same title a year before Jackson's death.Originally published by Drum & Spear, the publishing arm of the Student Nonviolent Coordinating Committee, Enemy of the Sun: Poetry of Palestinian Resistance links twelve poets working in a poetics of refusal and of hope.In each poem is a whole life—joy, love, beauty, rage, sorrow, suffering—and in each life is a record of resistance: the traces of a people who refuse to leave their homeland, who time and again alchemize grief into principled struggle. In the intertwined histories of this book, and in the unyielding political edge of the poems themselves, is a long story of solidarity between oppressed peoples: from Palestine to South Africa to Algeria to Vietnam to the United States.Ver libro
This Poem is Titled 'Beauty of the Human Form. :: It is a poem about the never ending fascination of People with the Human body. Some might say, its in our DNA. That maybe so. The Greeks knew how to display it, as both eroticism and as an Art form. Showing both sexes in the 'Perfect' perfection of Beauty! Unfortunately; the human form, especially the female human form has been in the last few decades since the new renaissance or as we call the sexual revolution or as is now the 'free society'. Denigrated to an object not of art but purely of desire, or descended into the more pornographic exploitive realms of decor art. *NO A.I. has been used in the creation of this Poem. * As for all his poems & s/stories.* *Just the purity of thought of the Author. ***** Please leave your Review/feedback, many thanks. ***** To see more Poems by the same Author please click the Link HERE: https://www.amazon.com/-/e/B00SG40RM8 To contact the Author: Please add me Mike Miko on Facebook & then message me, thanks. https://www.facebook.com/wild.poetry.webs I will then contact the Author your behalf. Instagram: wild_poetrys / wild.poetry.webs Please Like :) FB: https://www.facebook.com/New.Poets.Corner Website: www.wild-poetry.com Twitter: miko_1_dollar ~Ver libro
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. In the vast landmass of North America lie huge bodies of water that are called lakes but act as inland seas, vital waterways of communication and commerce. Around these agéd waters some of its greatest poets have waxed lyrically on both the times and everything around them.Ver libro
Henrik Ibsen's Ghosts is a powerful and provocative drama that dares to confront the hidden truths lurking beneath respectable society. First published in 1881, this groundbreaking play shocked audiences of its time with its fearless exploration of morality, duty, hypocrisy, and the haunting consequences of past actions. Today, it remains one of Ibsen's most compelling and widely studied works. Set in a remote Norwegian town, Ghosts centers on Mrs. Helene Alving, a widow preparing to open an orphanage in memory of her late husband, Captain Alving. To the outside world, the Captain was a pillar of the community—honorable, charitable, and morally upright. But beneath this carefully maintained façade lies a far darker truth. As the story unfolds over the course of a single day, long-buried secrets begin to surface, threatening to shatter the lives of everyone involved. Mrs. Alving has spent years protecting her son, Oswald, from the corruption and moral decay she associates with his father. Having sent him away to Paris to shield him from his father's influence, she hopes he will live a life free from the "ghosts" of the past. However, Oswald returns home carrying burdens of his own—both emotional and physical. His struggles reveal the devastating consequences of inherited guilt and societal repression. The play also features Pastor Manders, a well-meaning but rigid clergyman who represents the moral authority of society. Through his interactions with Mrs. Alving, Ibsen exposes the suffocating power of social expectations and the destructive force of blind adherence to tradition. Manders' concern for appearances over truth becomes a sharp critique of institutions that prioritize reputation above genuine compassion. Another key figure, Engstrand, a cunning and opportunistic carpenter, and his daughter Regina, who works in Mrs. Alving's household, further complicate the web of secrets. As relationships unravel and hidden connections are revealed, Ibsen masterfully builds tension toward a tragic and unforgettable conclusion. The title Ghosts operates on multiple levels. The "ghosts" are not literal spirits, but rather the lingering presence of past sins, outdated beliefs, and inherited ideologies that continue to shape the present. Ibsen suggests that individuals are haunted not only by personal mistakes but also by societal conventions that persist unquestioned across generations. These invisible forces exert a powerful influence, trapping characters in cycles of suffering and denial. At its core, Ghosts is a searing examination of truth versus illusion. Ibsen challenges the notion that maintaining appearances is more important than confronting reality. The play boldly addresses controversial themes such as venereal disease, illegitimacy, euthanasia, and the oppression of women—topics considered scandalous at the time of its release. Yet its enduring relevance lies in its exploration of universal human struggles: the tension between duty and freedom, love and responsibility, truth and comfort. Written in Ibsen's signature realist style, Ghosts strips away romanticism to reveal the stark complexities of human relationships. Its tightly constructed dialogue and psychological depth create a gripping drama that forces readers and audiences alike to question their own beliefs about morality, family, and societal norms. More than a century after its debut, Ghosts remains a timeless masterpiece—an unflinching portrayal of how the past shapes the present, and a profound reminder that the truths we avoid often return to confront us in the most devastating ways.Ver libro
Brought to by Altrusian Grace Media and narrated by Matthew Schmitz. In addition to the normal narration, this version includes an "Ambient" version with peaceful meditative music. Gitanjali is a collection of poems by the Bengali poet Rabindranath Tagore. Tagore received the Nobel Prize for Literature in 1913, for its English translation, Song Offerings, making him the first non-European and the first Asian & the only Indian to receive this honour. It is part of the UNESCO Collection of Representative Works. The poems express devotion to God and love, and were influential in the West and widely translated. It features an introduction by poet W.B. Yeats.Ver libro
Vera; or, The Nihilists is a play by Oscar Wilde. It is a melodramatic tragedy set in Russia and is loosely based on the story of Vera Zasulich. It was the first play that Wilde wrote. It was produced in the United Kingdom in 1880, and in New York in 1882, but it was not a success and folded in both cities. It is nowadays rarely revived. (Summary by Wikipedia)Cast:Peter Sabouroff/Baron Raff: Algy PugVera Sabouroff: Arielle LipshawMichael: Robin KingGeneral Kotemkin: Alan MapstoneSergeant/Professor Marfa: KristingjSoldier/Aide-de-Camp: GracePrisoner/Colonel of the Guard: Amanda FridayDmitri/Page/President of the Nihilists: Elizabeth KlettAlexis Ivanacievitch: Alex LauConspirator/Marquis de Poivrard: Charlotte DuckettConspirator: Julia NiedermaierIvan the Czar: Martin GeesonPrince Paul Maraloffski: John TrevithickPrince Petrovitch: balaNarrator: AvailleAudio edited by: Arielle LipshawVer libro
