Otros libros que te pueden interesar

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  A Classic Interview with Opera...

  Maria Callas

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  Maria Callas, born Maria Anna Cecilia Sophia Kalogeropoulos (December 2, 1923 to September 16, 1977) was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. Many critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further to the works of Verdi, Pucciniand Wagner. Her musical and dramatic talents led to her being hailed as La Divina ("The Divine One"). The following recordings are from 1959 and 1962 TV interviews.

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  The Art of Rome - Masterpieces...

  Rogan Fish

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  The art of ancient Rome was shaped by a blend of cultural influences, evolving through a combination of native traditions and foreign influences, most notably from the Etruscans and Greeks. Early Roman art was heavily influenced by the Etruscans, who occupied central Italy before the rise of Rome. Etruscan art was characterized by its religious themes, vibrant frescoes, and elaborate tomb paintings, which had a significant impact on the early Roman artistic style. These early Roman artists often adopted Etruscan methods but began incorporating their own innovations, creating a distinctive blend of the two cultures. 
  Greek art also played a crucial role in the development of Roman art. As Rome expanded and conquered Greece, it absorbed many aspects of Greek culture, including their artistic styles. Greek sculptural ideals of beauty, proportion, and harmony were emulated by Roman artists. However, while Greek art favored idealized forms and perfection, Roman art took a more realistic approach, focusing on depicting individuals as they truly appeared. Roman portraiture, for example, was known for its attention to detail, capturing the wrinkles, facial expressions, and other characteristics that defined a person’s likeness. This move toward realism was a major shift from the idealized forms of Greek art, and it became a hallmark of Roman artistry. 
  In the early stages of Roman art, the primary medium was sculpture, often used to commemorate important figures or events. The Romans developed a talent for creating lifelike statues and busts, which were displayed in homes and public spaces to honor ancestors and gods. These sculptures, often made from marble or bronze, served as a means of preserving the memory of individuals or celebrating military victories.

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  Shadows of Love Shadows of...

  William T. Vollmann

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  In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing. 
   
   
   
  The celebrated author of over twenty-five books (among them the National Book Award–winning novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann's career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist’s deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. 
   
   
   
  In Shadows of Love, Shadows of Loneliness, a series of essays  commissioned especially for this book lays out Vollmann's views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.

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  It Can’t Rain All the Time - The...

  Alisha Mughal

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  A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity
  		 
  Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.”
  		 
  In It Can’t Rain All the Time, Alisha Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable.
  		 
  Through her memories of seeking solace in the film during her own grieving period, Alisha brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.
  		 
  About the Pop Classics Series
  		 
  Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

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  The Afterburn of Dreams - Spoken...

  Ashley Capes

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  Spoken word poetry from Australian poet Ashley Capes - commissioned and recorded during the early stages of the pandemic. Poems are drawn from Ashley's collections, released in various forms over the last 15 or so years. 
  Words, voice - Ashley Capes 
  Piano - Sean Foran 
  Drums - John Parker 
  Acoustic Bass - Samuel Vincent 
  I find myself deeply indebted to everyone who helped, from offering moral or studio support, and of course, the musicians who helped and inspired me, thank you! 
  Ashley

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  Screams & Nightmares - The Films...

  Brian J. Robb

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  “From the seminal Last House on the Left to Scream 2 . . . Robb’s concoction is entertaining and informative about a recognized cinematic auteur.” —Booklist   Writer, producer, and director Wes Craven has successfully tapped into the horror vein for over forty years, serving up scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably Nightmare on Elm Street, which spawned a series of sequels and made Craven (and his creation, Freddy Kruger) an international sensation. He then created a second indelible series in the horror movie trope with Scream. In Screams & Nightmares, Brian J. Robb examines Craven’s entire career, from his low-budget beginnings to his most recent box office hits, from the banned thriller The Last House on the Left and the cult classic The Hills Have Eyes to the outrageous Shocker and The People Under the Stairs. Through exclusive interviews with Craven, Robb provides in-depth accounts of the making of each of the films—including the final installments of the Scream series—Craven’s foray into writing novels, and his numerous television projects.  “Dripping with fascinating details . . . this is a treat.” —The Washington Post  “A remarkably addictive and easy-to-read guide to Craven’s work, piling in juicy snippets and lesser-known background . . . a comprehensive picture of Craven and his output.” —Sci-Fi Bulletin  “Definitive . . . info-packed and exceptionally well written . . . there is no writer better qualified to chronicle the life and work of a remarkable talent.” —The Dark Side

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