Otros libros que te pueden interesar

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  The World Turned Upside Down -...

  Michael S. Heiser

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  What could the supernatural world of Stranger Things have in common with the Bible? The paranormal television series Stranger Things taps into the mysterious elements that have fueled spiritual questions for millennia. The otherworldly manifestations in Hawkins, Indiana offer compelling portrayals of important spiritual truths--and many of these truths are echoed in the supernatural worldview of the Bible.  For Michael Heiser, Stranger Things is the perfect marriage of his interest in popular culture and the paranormal. In The Unseen Realm, he opened the eyes of thousands, helping readers understand the supernatural worldview of the Bible. Now he turns his attention to the worldwide television phenomenon, exploring how Stranger Things relates to Christian theology and the Christian life.  In The World Turned Upside Down, Heiser draws on this supernatural worldview to help us think about the story of Jesus and discover glimpses of the gospel in the Upside Down. He argues that this celebrated series helps us understand the gospel in unique and overlooked ways. The spiritual questions and crises raised by Stranger Things are addressed the same way they are in the gospel, with mystery and transcendent power.

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  Kate Bush's Hounds Of Love

  Leah Kardos

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  Hounds Of Love invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, ‘Running Up That Hill (A Deal with God)’, ‘Cloudbusting’, ‘Hounds of Love’ and ‘The Big Sky’, some of the best-loved and most enduring compositions in Bush’s catalogue. On side B, a hallucinatory seven-part song cycle called The Ninth Wave broke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death experience. Poised and accessible, yet still experimental and complex, with Hounds Of Love Bush mastered the art of her studio-based songcraft, finally achieving full control of her creative process. When it came out in 1985, she was only 27 years old.This book charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener’s point of view, drawing attention to the art and craft of Bush’s songwriting, production and sound design. It considers the vast impact and influence that Hounds Of Love has had on music cultures and creative practices through the years, underlining the artist’s importance as a barrier-smashing, template-defying, business-smart, record-breaking, never-compromising role model for artists everywhere.

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  Bruce Springsteen's Born in the USA

  Geoffrey Himes

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  When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, ""one, two, one, two, three, four,"" followed by the droning synth chords of ""Born in the U.S.A."" Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line (""Born down in a dead man's town"") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, ""Nowhere to run. Nowhere to go."" It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength—building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff—it was clear that the singer was ready to make a stand.

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  Extra Salty: Jennifer's Body

  Fredrick Blichert

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  Megan Fox, a diabolic indie rock band, toxic friendship, fluid sexuality, feminist reckoning, and a literal man-eater in the body of a high school cheerleader: Jennifer’s Body has it all 
   
  Featuring an original interview with director Karyn Kusama 
   
  What would be an easy sell in 2021 ― women at the helm (screenwriter Diablo Cody, director Karyn Kusama), a bankable cast (Megan Fox, Amanda Seyfried), and a deceptively complex skewering of gender politics ― was a box office flop in 2009. In Extra Salty, Frederick Blichert flips the script on how Jennifer’s Body was labeled a failure to celebrate all that is scrumptious (as Jennifer would say) about it: supernatural horror, dark comedy, queer love, and a nuanced handling of gendered violence. The movie could have been to the aughts what Heathers was to the eighties, and it’s finally getting its due ― whether in the flood of tenth-anniversary praise, the parade of Jennifer Halloween costumes, or Halsey’s nod to it (“Killing Boys”) on her platinum-selling album. 
   
  With insight into the genre’s cinematic tropes, our current cultural reckoning with misogyny, and an original interview with director Karyn Kusama, Extra Salty solidifies the status of Jennifer’s Body as a cult classic.

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  In Her Own Words - The Political...

  Davis Truman

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  This book delves into Kamala Harris's powerful and nuanced speeches and offers an in-depth analysis of her use of language. A meticulous examination reveals how Harris's choice of words and pronouns, such as "we" and "I," is deliberately crafted to connect with her audience, balance personal authority with collective identity, and foster a sense of unity and shared purpose. 
  Kamala Harris presents herself as relatable and empathetic, aligning her experiences and emotions with her audience. Highlighting the importance of careful attention to language, this book underscores how understanding and analyzing the use of pronouns and vocabulary in political speeches can enhance our appreciation of rhetorical strategies. It also serves as a guide to utilizing these techniques effectively and safeguarding ourselves from manipulation, providing valuable insights into the art of persuasion and the intricate craft of political communication.

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  Backstage Pass - A Business Book...

  Harvey Lee

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  It started with Sex, Drugs and Rock and Roll and finished in a well-cut suit. 
  Ask anyone with a dream: The road to success can be akin to riding shotgun on the Highway to Hell, as Harvey Lee, rebel turned Vice President of Product Marketing will testify... 
  From modest beginnings in Northern England, to the promised land of the USA, Harvey recalls how he was forced to grab life by the horns, and embarked on a 40-year white-knuckle ride through the business world, establishing himself as an MBA-level trained and renowned product marketer. 
  But it wasn't always smooth sailing. Harvey shares how he survived and thrived in the cut-throat music industry before joining the corporate world and launching the original Xbox. 
  Part business book, part personal memoir, Backstage Pass is packed with hilarious tales spanning music, videogame, and technology industries. But behind the humour lay stories of grit and determination that'll leave you invigorated, inspired, and equipped to embark on an adventure of your own making.  
  Regardless of your past, present, or future aspirations, this tale of personal growth, born from a passion for music, will strike a chord with anyone pursuing a dream and leave you shouting, "Encore!"

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