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  Within You Without You -...

  Seth Rogovoy

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  How did the most reluctant member of the Fab Four put his mark on all of their music? This book helps listeners hear how George Harrison shaped the sound of The Beatles and how he carried that sound forward into his solo career 
   
   
   
  Within You Without You is a highly personal exploration of George Harrison's essential contributions to the Beatles and his solo work, as well as his significant role as a Western proponent of Indian music and beliefs. Through close examination of his guitar playing in the Fab Four and his songwriting both in and out of the Beatles, author Seth Rogovoy demystifies the enigma of this most reluctant of rock stars. 
   
   
   
  Drawing upon the insights of the author—a rock critic and historian of over forty years standing—as well as those of expert observers, including Beatles filmmaker Michael Lindsay-Hogg and English rock singer-songwriters Robyn Hitchcock and John Wesley Harding, among others, this book extensively examines George Harrison's contributions to the musical world. Within You Without You will forever change the way listeners hear the music of the Beatles and view Harrison's role in the group, as well as enhancing appreciation of Harrison as a cultural figure above and beyond his work as a musician.

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  Sounds of Other Shores - The...

  Andrew J. Eisenberg

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  Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

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  The Things I Came Here With - A...

  Chris MacDonald

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  “Does it hurt?” When you’re a tattoo artist, that’s the most universal question. For Chris MacDonald, the answer is simple: hurts less than a broken heart. Those words are painted above the entrance to his shop, Under My Thumb Tattoos, as a reminder.
  		 
  Chris and his brothers were as wild as the wind, in their house among the fields of Alliston, Ontario, when their parents divorced. Shell-shocked, they were uprooted and brought to Toronto by their dad. Their mother’s mental illness worsened in the aftermath, and she disappeared. As a teenager, Chris left home and found himself immersed in the city’s underbelly, a world where drugs, skateboarding, and punk rock reigned. Between the youth shelters, suicidal thoughts, and haunted apartments, a light shined: and it was art.
  		 
  He eventually found himself following the path of his brother, Rob, and pursuing life as a tattooist. Then, at the height of a destructive summer, everything changed: he met Megan, the girl who would become his rock of ages.
  		 
  This remarkable memoir examines what tattooing means to MacDonald and traces the connection his artistic motives have to both his family and childhood. The Things I Came Here With is about how crucial our past is to understanding our future, but it’s also a love letter to his daughter about the importance of expression, life’s uncertainty, and beauty.

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  Rudra Stotram by Roushan kumar...

  Roushan

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  This Rudra stotram is written by Roushan kumar also known as R.K Prasad. You can explore more about Roushan kumar(R.K Prasad) at https://roushankumarbiography.blogspot.com/. Writer Roushan kumar(R.K Prasad) is also called as "Shivbhakt" among his readers. Other works of Roushan kumar includes, 'we, our universe and the time', 'Astronomology', 'Ramayan Mahakavya' and 'अंजनेयेक्कीसा'(a hymn of praise dedicated to lord Hanuman). Roushan kumar(R.K Prasad) has also scripted and designed games like POKE game(https://roushan-1.itch.io/poke-game), VIDYA game(https://roushan-1.itch.io/vidya) and CANDELA game(https://roushan-1.itch.io/candela). You may gather more information about these games on itch.io platform. Roushan kumar, also known as R.K Prasad is a multitalented writer and personality. Roushan kumar(R.K Prasad) was born on October 16, 2005 in the patna district of Bihar, India. His father's name is Shri Vidya Prasad who works in a Customs department and his mother, Shrimati Neelam Devi is a simple housewife. Apart from this, Roushan kumar(R.K Prasad) also has an elder brother named Shri Deepak Prasad. Roushan kumar(R.K Prasad) has completed his primary education from Ashiyana Residential Moral School(ARMS), Ashiyana Nagar, Patna. Later, he completed his senior secondary school education from the St. Dominic savio's high school. at Digha, Patna. However, there is limited information regarding his higher education. Roushan kumar(R.K Prasad) exhibited a profound and inquisitive mindset from childhood. His early years were marked by deep curiosity, intellectual sharpness, and a natural inclination toward philosophical and scientific thought. From a young age, he was deeply interested in understanding the mysteries of the universe, time, and human existence. He constantly sought answers beyond conventional knowledge.

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  Psalms of My People - A Story of...

  Lenny Duncan

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  If you want to understand the Black experience in the US, you must understand hip-hop, and Psalms of My People is your guide. 
   
  Treating hip-hop like sacred scripture, lenny duncan traces its history—the artists, their lyrics, and the cultural context—to reveal its role as a conduit to tell the modern story of Black liberation in this country, following the bloody trail from the end of the Civil Rights Era through the day George Floyd was sacrificed on the streets of america.  
   
  “duncan weaves together hip-hop, scripture, history, and their own experiences with soft tenderness and sharp critique. It’s both delicious and, at times, bitter; full of the contradictions we see reflected in all sacred texts and pregnant with possibilities for transformation.”—Elle Dowd, pastor, activist, and author of Baptized in Tear Gas: From White Moderate to Abolitionist

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  Here - Where the Black Designers...

  Cheryl D. Holmes-Miller, Crystal...

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  Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her  
  decades of scholarship and advocacy, and as a touchstone and conscience for the  
  design profession. In HERE: Where the Black Designers Are, Holmes-Miller  
  documents the history of—and answers to—the question she has been asking for  
  decades: “Where are the Black designers?”  
  Holmes-Miller explores this essential question through the lens of her own  
  development as a designer and leader, beginning with her own family and its rich  
  multiethnic history. She narrates her experiences as a design student at Rhode  
  Island School of Design (RISD), Maryland Institute College of Art (MICA), and Pratt  
  Institute, leading up to her oft-cited Pratt thesis examining barriers to success for  
  Black designers. Holmes-Miller describes the work of her eponymous studio for  
  noted clients that included NASA, Time Inc., and the nascent Black Entertainment  
  Television (BET), as well as the story of her later critiques of the industry in Print 
  magazine and other design publications. Holmes-Miller also recounts the parallel  
  history of collective efforts by fellow scholars and advocates over the past fifty  
  years to identify and celebrate Black designers. 
  HERE is part memoir, part historical investigation, and an urgent call for justice  
  and recognition for Black designers. 
  “This book is representative of the shoulders on which we, as Black graphic  
  designers, stand. These are the legacies we are fighting to uphold and the torches  
  we must continue to carry. The journey of the Black designer has not been easy. It  
  isn’t easy. And while we may be left out of history books, this is a reminder that we  
  are here. Always have been. Always will be.”—Tré Seals, Vocal Type

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