Outros livros que poderiam interessá-lo

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  Recessional - The Death of Free...

  David Mamet

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  NEW YORK TIMES BESTSELLER! 
  “Savagery appeased can only grow. Once you give in to it, it must escalate, like a fire searching for air.” 
  The man who won the Pulitzer Prize for GLENGARRY GLEN ROSS, who wrote the classic films THE VERDICT and WAG THE DOG sounds his alarm about the Visigoths at our gates. 
  In RECESSIONAL he calls out, skewers, mocks, and, most importantly, dissects the virus of conformity which is now an existential threat to the West. 
  A broad-ranging journey through history, the Bible, and literature, RECESSIONAL examines how politics and cultural attitudes about rebellion have shifted in the United States in the last generation. By screaming down freedom of thought and expression, Mamet explains, we kill invention and democracy – the foundations of security and growth. 
  A wickedly funny, wistful and wry appeal to the free-thinking citizen, RECESSIONAL is a vital warning that if we don’t confront the cultural thuggery now, the commissars and their dupes will transform the Land of the Free into the dictatorship at which they aim.

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  Japanese Woodcut - Traditional...

  Carol Wilhide Justin

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  Japanese Woodcut is a complete guide to the art and practice of 'mokuhanga'. It explains the delicate lines, luminous colour and intriguing compositions that first influenced the Impressionists in the nineteenth century, and presents this rich art form as a compelling and diverse technique for the printmaker of today. With over 400 illustrations, this book is a beautiful companion for everyone interested in exploring and understanding the great possibilities of this enduring technique.
  This book explains the technique which is now acclaimed and practised widely in the West. Its popular success is partly because the process is entirely non-toxic and environmentally friendly, but also because it allies the certainties of woodcut with the nuance of watercolour. In so doing, it has opened up a whole new landscape for contemporary printmakers.
  As well as explaining the full process from design to cut, it pays particular attention to printing and different methods of achieving specific effects for the more advanced, including printing larger woodblocks. The final chapter features a range of prints from leading practitioners and celebrates the success of this unique art form.

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  Our Vampires Ourselves

  Nina Auerbach

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  Nina Auerbach shows how every age embraces the vampire it needs, and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history.“[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit.”—Eric Korn, Times Literary Supplement”This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death.”—Wendy Doniger, The Nation”A vigorous, witty look at the undead as cultural icons.”—Kirkus Review”In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. ’What vampires are in any given generation,’ she writes, ’is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.’...Her book really takes off.”—Maureen Duffy, New York Times Book Review

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  Predator - A Memoir a Movie an...

  Ander Monson

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  In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream, white, male American culture. Between scenes, Monson delves deeply into his adolescence in Michigan's Upper Peninsula and Riyadh, his role as a father and the loss of his own mother, and his friendships with men bound by the troubled camaraderie depicted in action and sci-fi blockbusters. Along with excursions into the conflicted pleasures of cosplay and first-person shooters, he imagines himself beside the poet and memoirist Paul Monette, who wrote the novelization of the movie while his partner was dying of AIDS. 
   
   
   
  A sincere and playful book that lovingly dissects the film, Predator also offers questions and critiques of masculinity, fandom, and their interrelation with acts of mass violence. In a stirring reversal, one chapter exposes Monson through the Predator's heat-seeking vision, asking him, "What do you know about the workings of the hidden world?" As Monson brings us into the brilliant depths of the film and its universe, the hunt begins.

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  The Actor's Mindset - Acting as...

  Craig Archibald, Constance Wu

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  The Actor's Mindset: Acting as a Craft, Discipline, and Business uniquely prepares actors to live full, successful lives as performing artists. While most acting books focus on either the art or the business of entertainment, Archibald looks at the entire picture of what it means to be an actor, focusing on the foundations of both the artist and the entrepreneur to guarantee a complete and fully functioning approach to a career. 
   
   
   
  The Actor's Mindset is divided into three distinct parts: "The Craft," "The Discipline," and "The Business." 
   
   
   
  Archibald's unique experience as both an actor and a coach gives him an unparalleled perspective on the current industry landscape. While classic method texts still circulate, and there are actors who have written books that address craft, none have Archibald's depth of knowledge and experience in coaching, nor approach the art from a professional standpoint instead of solely an instructional one. The success of Craig's approach is exemplified by the success of his clients, a roster that includes Constance Wu, John Slattery, and two-time Academy Award nominee Dan Futterman.

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  Out of Character: From Abigail’s...

  Alison Steadman

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  A Waterstones Best Book of 2024 
  'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey: it's a tribute to her range that there's something here to interest everybody' Telegraph 
  The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey star. 
  Candice Marie in Nuts in May. Beverly in Abigail’s Party. Mrs Bennet in Pride and Prejudice. Betty in Fat Friends. Sue in Here We Go and Pamela in Gavin & Stacey – we can all name a beloved, iconic character brought to life by the magnificent Alison Steadman. 
  Growing up in post-war, working-class Liverpool, the young Alison – ever the entertainer – would address the world from the stage of her bedroom window, until she got a taste for performing in front of an actual audience at her progressive 1960s drama school. By the time she left, her mind was made up: she was going to be an actress! If only she could conquer the onstage giggling … 
  Always pushing boundaries – reclining naked on a sofa in her first role, embracing groundbreaking female characters from day one – Alison has deservedly found acclaim and recognition, succeeding in her TV and theatre career while juggling family life – a difficult feat for any working mother, but particularly for an actress in the twentieth century. 
  From the nervy Mrs Bennet to the robo-dancing Pam-el-aah, Alison has proved herself again and again to be a comedy genius. Here, with her distinctive warmth and humour, she vividly recalls all the must-read moments of a life spent in and out of character. 
  Alison Steadman's Out of Character is a top-notch autobiography that delves into her life in the world of television and theatre. It's a non-fiction masterpiece that showcases her journey from a young girl in Liverpool to a famous actress. 
  For fans of Judi Dench (Shakespeare), Vanessa Feltz (Vanessa Bares All), Miranda Hart (I Haven’t Been Entirely Honest with You), Jenny Eclair (Jokes, Jokes, Jokes), and Alan Bennett (Keeping On Keeping On). 
  HarperCollins 2024

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