Outros livros que poderiam interessá-lo

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  Abbott and Costello: From New...

  Bud Abbott, Lou Costello

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  The boys discuss their families. Costello tells the story of The Grasshopper and The Bee. Lou Costello sings, Lend Me Your Ears.

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  William Faulkner in Hollywood -...

  Stefan Solomon

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  A scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screen­writing process (a craft he never favored or admired), he offers insights into Faulkner’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast “hack writer” but always both at once. Solomon’s study shows that Faulkner’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.

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  Pablo Picasso - The Famous...

  Kelly Mass

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  Picasso’s work is famous. His art is intricate yet bizarre. Many people have stood still over the wonders and simplicity of cubism and surrealism and have either been disgusted or amazed by it. 
  Picasso’s personal life was filled with struggles, but some of those were likely self-imposed. From records, we learn that he had multiple marriages, stepfamilies, and was extremely abusive in several of his relationships, dominating the women he slept with in kinky, sadistic ways. His children weren’t any better off, creating substance abuse and suicidal headlines. 
  Despite of the dysfunctionality in his personal and family life, his artwork reflected something new and fresh. His concepts of color, contrast, and composition have inspired many. And in a variety of paintings, an underlying rebel message against totalitarian regimes and the cruelty of warfare can be seen. Having lived through many of the horrors of the Spanish war, as well as other 20th-century conflicts, the painter showed both style and morale in his works and has left a legacy that can be studied by the masses. 
  Learn more about Pablo Picasso now! Get the book!

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  Never Be Alone Again - How...

  Lina Abascal

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  Whether you called it electro, indie dance, or were too busy scouring the internet for MP3s to care about a genre name, Never Be Alone Again: How Bloghouse United the Internet and the Dancefloor connects the disparate parts of an under-documented era in the first book focused on the musical and cultural phenomenon called bloghouse.For a brief period in the mid-2000s, a network of independent music bloggers and fans merged the digital and physical worlds in a never-before-seen way. Their punk-inspired DIY ethos elevated noname DJs, music producers, and parties to a level of international success that was quickly eclipsed by corporatized EDM and the music festival boom. But before that, for a moment, there was bloghouse.Never Be Alone Again: How Bloghouse United the Internet and the Dancefloor chronicles the rise of the DJ-slash-It Girl, roaming party photography, illegal Mp3 file sharing, canonical scene reports of bloghouse capitals Los Angeles and Paris, the overlooked impact of suburban Latino communities on nightlife, Kanye West's contribution to the movement, and the slow death of the blog itself.

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  The Story of Men’s Underwear

  Shaun Cole

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  Men’s fashion, particularly the trends involving undergarments, was once reserved for the elite; today it has become democratised, clear proof of social progress. The aestheticism of the body so highly valued by the Greeks seems to have regained a prominent place in the masculine world. Mirroring the evolution of society’s values, the history of underwear also highlights the continuous, dancing exchange that exists between women’s styles and men’s fashion. Undergarments are concealed, flaunted, stretched or shortened, establishing a game between yesterday’s illicit and today’s chic and thereby denouncing the sense of disgrace that these simple pieces of clothing used to betray.
  In this work, Shaun Cole endeavours to re-establish for the first time, through well-researched socio-economic analysis, the importance of men’s underwear in the history of costume from ancient times to today. A reflection of technological progress, this study is full of surprises and powerful reflections on man’s relationship with his body.

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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