Outros livros que poderiam interessá-lo

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  Lifescapes - A Biographer's...

  Thomas Nelson

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  "A lyrical, radiant memoir." —Kirkus Reviews, Starred Review 
  Ann Wroe, obituaries editor for The Economist, reflects on the art and impossibility of capturing life on the page. Through her experiences and through people she has known, studied, or merely glimpsed in windows, she movingly explores what makes a life and how that life lingers after in this breathtaking combination of poetry, memoir, and observation. 
  'What is life?' asked the poet Shelley, and he could not come up with an answer. Scientists, too, for all their understanding of how life manifests, thrives and evolves, have still not answered that fundamental question. Yet biographers and obituarists continue to corral lives in a few columns, or a few hundred pages, aware all the time how fleeting and elusive their subject is. 
  In this dazzlingly original blend of poetry, biography, observation, and memoir, Wroe explores the experience of trying to capture the essence of a person. Animated by her rare imagination, eye for the telling detail, and the wit, beauty and clarity of her writing, Lifescapes is a luminous, deeply personal answer to Shelley's question.

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  In His Steps (version 2 Dramatic...

  Charles Monroe Sheldon

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  After a strange event at the Raymond First Church, Reverend Henry Maxwell asks his congregation a startling question: Will they pledge to try and do only what Jesus would for an entire year? Even more important, however is the question: Who will follow through the whole way? - Summary by Adele de Pignerolles

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  Poetry of Life Love and Loss -...

  Carol Lynn Caswell

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  A unique collection of diverse poems written over a lifetime by the author.

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  When the Heart Breaks - A...

  David Whyte

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  The Courage to Embrace the Gifts and Losses in LifeIf you never knew disappointment, would you ever grow? If you had never felt loss, could you have compassion for another? Without real heartache, would you ever know the greatness of love? On When the Heart Breaks, David Whyte invites you to join him in an investigation of a question that rests at the center of human experience. With a poet’s insight into the landscape of the soul, he offers a deeply moving exploration of how we experience beauty and loss—and how with resilience and time we can rise again each time we are broken. “There is no path we can walk that will not take us through some form of heartbreak,” David Whyte tells us. “And to accept that truth is to give a merciful gift to ourselves.” So often our hearts break because the love we offer—whether to a partner, a friend, a child, our work, or a place—is not returned to us in the same way. Yet if we retreat from the experience of unrequited love, we miss the opportunity to discover the countless invisible ways that the world offers us its love in return, often unlooked for and unrecognized. Being fully open to both joy and sadness, says David Whyte, helps us to develop a more beautiful mind—a mind that embraces the hidden riches of life. We learn to apprentice ourselves to the great and small difficulties that test the edges of our identity and lead us into greater and greater understanding. With words to inspire laughter, courage, and deep reflection, David Whyte invites you to join him in the great conversation that takes us into the exquisite vulnerability of the unknown—the way a heartbreak can make us more humble, more aware, and expand our ability to love.

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  Conjure Volume 1 - Dark Poetry

  Rena Aliston

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  Conjure Volume 1 explores the allure of love tainted by darkness—relationships that straddle the line between pleasure and pain. Passion and enmity collide in this dark poetry collection, blurring the line between devotion and despair.

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

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