Otros libros que te pueden interesar

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  Zadig

  Voltaire

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  Voltaire's 'Zadig' is a philosophical tale of a young Babylonian navigating a tumultuous life. Zadig's journey unfolds through love, betrayal, and unforeseen events, offering insightful reflections on fate and human resilience. Voltaire's wit and irony illuminate the narrative, questioning conventional wisdom and moral ambiguity. 'Zadig' stands as a timeless exploration of life's uncertainties and the pursuit of wisdom in the face of adversity. Read in English, unabridged.

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  Stratagems: A New Annotated...

  Quintus Curtius

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  Sextus Julius Frontinus (c. A.D. 35—103) was one of the most capable administrators in the Roman Empire’s long history.  During his distinguished career, he served at least six emperors in a variety of prestigious offices, including general, consul, governor, proconsul of Asia, and supervisor of aqueducts.  He may have been the longest-serving Roman governor of Britain, a position he held for five years.   
  Frontinus’s military handbook, Stratagems, was likely composed towards the end of the first century A.D.  Intended as a practical manual for military leaders, and drawing from the rich history of Greece and Rome, Stratagems offers a wealth of tactical ruses, ploys, and maneuvers that have been used to gain victory.  His focus is entirely practical:  what must a leader do to win?  Because Frontinus grasps the psychological and moral factors of conflict, his work retains a timeless importance that modern readers will find applicable to nearly every field of endeavor.  
  This new, annotated translation by Quintus Curtius returns to the original Latin text to present Frontinus in a contemporary idiom to a modern audience.  Containing an explanatory introduction, a discussion of the text, hundreds of footnotes, a bibliography, and an extensive index, this translation aims to assist a new generation of readers in rediscovering an essential classic of strategic thought.

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  Because It’s Just and Right -...

  Farley Weiss, Leonard Grunstein

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  In their new book, “Because It’s Just And Right: The Untold Back-Story of the US Recognition of Jerusalem as the Capital of Israel and Moving the US Embassy to Jerusalem", Leonard Grunstein and Farley Weiss share the riveting political drama of how the Jerusalem Embassy Act of 1995 was first promulgated by Senator Jon Kyl, negotiated and then passed, on a bipartisan basis, by an overwhelming majority of Congress. It also describes the arduous process for over two decades that led to its finally being implemented. The Bible, Jewish History, International and US Law, as well as legal precedents are brought to life in a way that is both enlightening and entertaining. 
  This book is a must read for anyone seeking to understand the significance of this historic event and it's impact on US-Israel relations. 
  David Friedman, US Ambassador to Israel from 2017-2021, also weighs in on the book, calling it “essential reading for a complete understanding of why Jerusalem is, and must always remain, the undivided, eternal capital of the Jewish State.” 
  Senator Joe Lieberman, one of the key players in enabling bipartisan support for the Act, noted: “In this book, Farley Weiss and Len Grunstein tell the dramatic story of how the United States Congress enacted legislation to move our Embassy in Israel to Jerusalem in 1995, and how twenty-three years later in 2018, it was finally moved there because, as the book’s title says, it was “Just and Right.” 
  Other testimonials include those by Governor Mike Huckabee and Professor Alan Dershowitz. Senator John Kyl provided a Foreword for the book.

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  China Suite and other Poems

  Gillian Bickley

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  People, art and life. A record of a particular space in time. Hong Kong, Beijing, Shanghai, Sukhothai, Honolulu, Mexico City, northernmost Scotland, Andorra. Intimates and strangers. A mother and son seen for some seconds on a bridge in Shanghai. The emotions flowing between performer and conductor throughout a concert. The interpretation one creative artist gives to that of another's work. Gillian Bickley values the records we all make: — the heritage we may or may not preserve, what we choose to reveal of our lives, the constant interpretative understanding of the personal as well as the historical past, and the sacredness of memory. Here we find observation and reflection – on current affairs as well as people and places – and also the frisson produced by five "skulls" in a window, a funeral owl caught in hire-car headlights, and the realization that classical stories are re-enacted in our own lives. 
   " … a collection refined by the sensitivity and spirit of a poet who observes with the wonder and clarity of someone who is at once an insider and outsider. In her works, we see that Bickley's poetry has the ability to provide both spontaneous, on-the-spot immediacy and lingering, contemplative power…. Every city may have its gaps, ambiguities and unknowabilities, and the poet's intimate and candid reflections in this collection have successfully uncovered some of them." – Hilary Chan Tsz-Shan, Reviews, Asian Cha, February 2010 (Issue 10). 
  "You are lucky to have this poetry in your hand." — Karmel Schreyer. 
  "The poems in CHINA SUITE are unpretentious, direct, and even raw, like gemstones freshly dug out of a quarry. The psychological boundaries drawn to separate cultures from cultures, clans from clans, and individual from individual are utterly destroyed. An unnoticed observer, she trespasses ethnic taboos and social no-nos, and writes down whatever she sees without getting caught—in a graceful way." — Elbert S. P. Lee

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  Why We Need to Be Wild - One...

  Jessica Carew Kraft

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  A bold examination of how Paleolithic wisdom could solve our 21st century problems 
   
  Jessica Carew Kraft, an urban wife and mom of two, was firmly rooted in the modern world, complete with a high-powered career in tech and the sneaking suspicion that her lifestyle was preventing her and her family from truly thriving.  
   
  Determined to find a better way, Jessica quit her job and set out to learn about “rewilding” from people who reject the comforts and convenience of civilization by using ancient tools and skills to survive. Along the way, she learned how to turn sticks into fire, stones into axes, and  
  bones into tools for harvesting wild food—and found an entire community walking the path back from our technologyfocused, anxiety-ridden way of life to a simpler, more human experience. 
   
  Weaving deep research and reportage with her own personal journey, Jessica tells the remarkable story of the potential benefits rewilding has for us and our planet and questions what it truly means to be a human in today’s world. Why We Need to Be Wild is a thought-provoking,  
  unforgettable narrative that illuminates how we survived in the past, how we live now, and how each of us can choose to thrive in the years ahead.

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  We Tell Ourselves Stories - Joan...

  Alissa Wilkinson

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  In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion's influence through the lens of American mythmaking. As a young girl, Didion was infatuated with John Wayne and his on-screen bravado, and was fascinated by her California pioneer ancestry and the infamous Donner Party. The mythos that preoccupied her early years continued to influence her work as a magazine writer and film critic in New York, offering glimmers of the many stories Didion told herself that would come to unravel over the course of her career. But out west, show business beckoned. 
   
   
   
  We Tell Ourselves Stories eloquently traces Didion's journey from New York to her arrival in Hollywood as a screenwriter at the twilight of the old studio system. She spent much of her adult life deeply embroiled in the glitz and glamour of the Los Angeles elite, where she acutely observed—and denounced—how the nation's fears and dreams were sensationalized on screen. Meanwhile, she paid the bills writing movie scripts like A Star Is Born, while her books propelled her to celestial heights of fame. 
   
   
   
  Peering through a scrim of celluloid, Wilkinson incisively dissects the cinematic motifs and machinations that informed Didion's writing—and how her writing, ultimately, demonstrated Hollywood's addictive grasp on the American imagination.

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