Outros livros que poderiam interessá-lo

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  We Oughta Know - How Céline...

  Andrea Warner

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  A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever
  		 
  Fully revised and updated, with a foreword by Vivek Shraya
  		 
  “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara 
  		 
  In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.
  		 
  With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.

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  Agile Project Management for...

  Daniel Garfield

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  Are you a novice project manager eager to enhance your project delivery process and achieve remarkable results? Look no further! "Agile Project Management for Beginners" is your comprehensive and accessible guide to embracing Agile methodologies and transforming your project management approach. 
  In today's fast-paced and dynamic business world, traditional project management practices often struggle to keep up with evolving project requirements and customer expectations. Agile Project Management, with its adaptive and iterative approach, has emerged as a game-changer, enabling teams to deliver value faster, stay responsive to change, and foster a collaborative work environment. 
  This step-by-step guide is tailor-made for project managers like you who are new to the Agile world. It demystifies the concept of Agile Project Management and equips you with the essential knowledge and tools to implement Agile practices successfully. Whether you work in software development, marketing, construction, or any other field, this book will empower you to drive success in your projects. 
  Packed with real-life success stories and insightful examples, this book is the ultimate companion for novice project managers seeking to embark on their Agile journey. Each chapter offers clear explanations, actionable takeaways, and practical advice to ensure that you can seamlessly adopt Agile Project Management principles and elevate your project outcomes. 
  Whether you lead a small team or a large organization, "Agile Project Management for Beginners" will empower you to harness the power of Agile methodologies, increase project flexibility, improve team collaboration, and delight your stakeholders with outstanding results. Embark on your Agile transformation today and embrace a more efficient and rewarding approach to project management. 
   

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  Famous Artists - Art Movements...

  Kelly Mass

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  This book includes several books about the following topics: 
  Age of Enlightenment - Finally… finally, humanity began to wake up. Finally, they decided to take science, knowledge, politics, development, multiple angles and perspectives, and the details of our everyday lives a bit more seriously. For centuries, raw and primal urges and principles had taken hold of conquerors, officials, and governments. 
  Renaissance - When we think of the Renaissance, we often think of paintings. And indeed, many painters and sculptors were part of the artistic transformation the Renaissance caused. But there was more. The Renaissance basically formed a period of collective enlightenment and freedoms that put an end to certain tyrannies and false notions from the Middle Ages. 
  Claude Monet - Claude Monet has been the icon for the impressionist movement. Painting vague strokes of color and contrast, water, and flowers were typical. Other aspects of the art weren’t as clear but were just as important, nonetheless. 
  Pablo Picasso - Picasso’s work is famous. His art is intricate yet bizarre. Many people have stood still over the wonders and simplicity of cubism and surrealism and have either been disgusted or amazed by it. 
  Vincent van Gogh - Vincent van Gogh is undoubtedly one of the most influential painters of the end of the 19th century. His style was unique in that he used all types of colors in a painting that didn’t show those colors in reality and somehow, he still made it work and look like an actual shape.  
  Michelangelo Buonarotti - Michelangelo had a vision, a dream, and the talent to carry out those imaginations. His life, in our perspective, is a compilation of great works of art, architecture, sculptures, paintings, and intricate movements, contrast, colors, and anatomy of the human body.

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  Britannia Rules the Stage: The...

  Philip Palette

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  The British Invasion of musical theater in the 1980s was a transformative moment in the genre's history. Shows like "Cats," "Phantom of the Opera," and "Les Misérables" were unprecedented hits and helped to bring musical theater to a broader audience than ever before. This book will examine the lasting impact of the British Invasion and consider what we can learn from this period of innovation and success.

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  The Who's The Who Sell Out

  John Dougan

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  Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Who’s catalog, has been embraced by a growing number of fans who regard it as the band’s best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the band’s expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the clichéd mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece.

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  Ad Reinhardt

  Robert Storr

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  How can we interpret the work of contemporary artists? Focal Points is a new book series of essays, articles and reviews by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr’s illuminating insights into an artist’s practice and way of thinking across recent decades. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art. This second volume considers the work of American abstract painter Ad Reinhardt (1913–1967). Active in New York for over three decades, Reinhardt was part of the group of artists who became known as Abstract Expressionists, and he made work that would prove influential to the younger generation of Minimal and Conceptual artists. He believed in a philosophy of what he called ‘art-as-art’ and used his writing and satirical cartoons to advocate for abstract art. As he famously wrote in 1962: ‘Art is art-as-art and everything else is everything else.’ In this volume, Storr discusses Reinhardt’s painting, his comics, and his slide lecture series or ‘non-happenings, ’ as the artist called them.

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