Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Selected Poems - cover

Selected Poems

Emily Dickinson

Publisher: Open Road Media

  • 1
  • 1
  • 0

Summary

A collection of poems by “one of America’s greatest and most original poets of all time” (Poetry Foundation).   One of the nineteenth century’s leading poets, Emily Dickinson wrote nearly 1,800 poems during her lifetime, though only a handful were published. This collection includes some of Dickinson’s best-known works, reflecting her thoughts on nature, life, death, the mind, and the spirit.   “Emily Dickinson is one of our most original writers, a force destined to endure in American letters. . . . Without elaborate philosophy, yet with irresistible ways of expression, Emily Dickinson’s poems have true lyric appeal, because they make abstractions, such as love, hope, loneliness, death, and immortality, seem near and intimate and faithful.” —The Atlantic   “Emily Dickinson did not leave any poetics or treatise to explain her life’s work, so we can come to her poetry with minds and hearts open, and unearth whatever it is we need to find. Her oeuvre is a large one and most of her work was done in secret—she didn’t share most of what she wrote. Ten or so poems were published in her lifetime, mostly without her consent. She often included poems with letters but, after her death, the poet’s sister Vinnie was surprised to find almost eighteen hundred individual poems in Dickinson’s bedroom, some of them bound into booklets by the poet.” —Publishers Weekly   “Dickinson found love, spiritual quickening and immortality, all on her own terms.” —The Guardian
Available since: 04/07/2020.
Print length: 351 pages.

Other books that might interest you

  • Snakebit - cover

    Snakebit

    David Marshall Grant

    • 0
    • 0
    • 0
    Jennifer and Jonathan, a showbiz couple, leave their ailing daughter in New York City to come to Hollywood, so Jonathan can audition for a film. And when Jennifer stays with her old friend Michael, a dancer turned social worker, past sins shed new light on the present in the age of AIDS.   
     
    This play is part of L.A. Theatre Works’ “Chicago Theaters on the Air” series, produced in conjunction with Remains Theatre.  
     
    Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in February 1993. 
     
    Theatrical Direction by Campbell Scott 
    Directed for Radio by Mary McAuliffe 
    Producing Director: Susan Albert Loewenberg 
     
    An L.A. Theatre Works full-cast recording, starring: 
     
    Talia Balsam as Jennifer 
    John Benjamin Hickey as Michael 
    Harry Hutchinson as the Man 
    D.W. Moffett as Jonathan 
     
    Radio Producer: Robert Newhouse 
    Recording Engineer: Larry Rock 
    Production Stager Manager: Jan Watson 
    Live Sound Effects: Kim Soren Watson
    Show book
  • Mamiaith - cover

    Mamiaith

    Ness Owen

    • 0
    • 0
    • 0
    Ness Owen lives on Ynys Môn off the North Wales coast. This is her first collection, and is partly bilingual. The poems journey widely from family and motherhood, to politics, place and belonging: an underlying connection to the earth of Ness' home, that feeds a longing/desire/determination to write in the Mamiaith (Mothertongue) that she speaks, but did not learn to write fluently. The interplay of languages and the shifts of meaning from one to the other feed the musicality of the poems.
    Most of the poems were written in English, five have been additionally translated into Welsh (with help from Sian Northey) one was written in Welsh and translated into English by Ness.
    Show book
  • Variations in Verse - cover

    Variations in Verse

    Dorothy M. Mitchell

    • 0
    • 0
    • 0
    My writing enables me to reach beyond the limitations of my Multiple Sclerosis.  I have suffered this illness for over thirty years, having many relapses during that time.But when I write I am transported from the mundane into the realms of delight and wonder be it poetry or novel, I’m far too busy to be ill.Please read and enjoy!
    Show book
  • We Anchor in Hope (NHB Modern Plays) - cover

    We Anchor in Hope (NHB Modern...

    Anna Jordan

    • 0
    • 0
    • 0
    "This is a locals pub. And what's the problem with locals?
    They die."
    "Inconsiderate bastards."
    All over London public houses become private flats. Tomorrow The Anchor closes for good. It's the end of an era, but Kenny and the gang are going out with a bang. There's a blow-up sheep, karaoke and a lot of Campari. There's secrets and grudges and forgotten dreams. As the front doors are locked and the bar is drunk dry, there's a lot more to lose than just a pub.
    Anna Jordan's play We Anchor in Hope was premiered at The Bunker, London, in September 2019.
    Show book
  • Time For My Generation To DIE - cover

    Time For My Generation To DIE

    E.D. Evans

    • 0
    • 0
    • 0
    Imagine finding a dusty, water-stained journal in an abandoned subway station before realizing it was written 20 years in the future. No robot maids or air cars, just capital L, “Life,” through X-ray specs, and don’t hold the band-aid ripping or bemused outrage. There are a thousand novels herein. (Buddy Woodward) Time for My Generation to DIE from poet and balladeer E.D. Evans takes no prisoners. Evans uses her sparkling, prickly verse to pluck out mournful, bleak, and violent tableaus. Each of her poems—Ballad or not—Is deserving of a hard-strummed guitar and some harmonica across the bridge. This is distilled country and southwestern, sans redemption, sans chaser.(Sean McCollum) Here we will find necessary truths—Honest evidence of a transformative journey, amusing and disturbing, disarming with a hip, wry wit of personal insight. A reminder of poetry as event, where you will find your lips mouthing the vowels. A nod, and a wink never too far behind, Evans’ artistry holds your hand through the odyssey and the rhyme.(Henry Long) Pssssst! Hey, You, Yes… YOUR Generation (whichever that may be). Are you looking for:Saccharin love sonnets? Maudlin two-line musings? Droning co-opted hip hop lyrics? - You won't find that here. Do you desire:Trite overbaked sentiment? Foolish masturbatory banter? Inscrutable word salad? - You won't find that here. What you WILL find here is an epitaph, of sorts, laced with:Dark humor, Snide observations, Stark realism, Morbid landscapes, Gamblers and junkies & Punks and thugs. An epitaph for MY forgotten generation - Generation Jones - who:Relish obscure banalities, Prefer pencil on paper, Revel in audacious irony and Eschews ‘the good old days’. It’s no longer time for any of these things.It’s simply:… Time for my Generation to Die. E.D. Evans is a lifelong poet. Having spent time in both London and New York during Punk’s original heyday in the late ‘70s and early ‘80s...
    Show book
  • Soup of Alphabets Volume 003 - cover

    Soup of Alphabets Volume 003

    Various Various

    • 0
    • 0
    • 0
    This third "stove-top" full of Alphabet Soups --again-- runs the fullest gamut! It ranges from country scenes (Alphabets of Fruits, Birds, Animals and "Country Scenes"), to just plain silliness (Absurd ABCs and Lear's Nonsense Alphabet #5), and finally, topical subjects (the Anti-Slavery Alphabet, the Alphabet of Celebrities --a list quite different when compared to our current crew-- and an Alphabet of Old Testament History). Have fun, and be sure to tune in for the fourth volume, which promises to break new ground in Alphabet Books! (Summary by Denny Sayers)
    Show book