Otros libros que te pueden interesar

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  The Timeless Love of Billy B for...

  David Moore

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  Balthazar dreams of the perfect woman, one he can summon or dismiss at will on his computer screen. But as time passes, he becomes ensnared in his own creation, consumed by an obsession with this non-existent figure. As Balthazar spirals downward, losing everything from his identity to the use of his body, reduced to just his mind and the fingers tapping at the keyboard, she, in contrast, rises. She transforms into a modern-day 
  Scheherazade, learning to command her prince.
   
  Baltha B was unaware,No more sits he upon the chair.The relics of his body’s ruin,Are the one last bastionOf his undoing.Death beckons when the hands they clap,To say, ‘Enough! Your time is up’

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  The Poetry of Lord Byron -...

  Lord Byron

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  George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron was a leading English poet in the Romantic Movement along with Keats and Shelley. 
  Byron was born on January 22nd, 1788.  He was a great traveller across Europe, spending many years in Italy and much time in Greece.  With his aristocratic indulgences, flamboyant style along with his debts, and a string of lovers he was the constant talk of society.  
  In 1823 he joined the Greeks in their war of Independence against the Ottoman Empire, both helping to fund and advise on the war’s conduct.  
  It was an extraordinary adventure, even by his own standards. But, for us, it is his poetry for which he is mainly remembered even though it is difficult to see where he had time to write his works of immense beauty. But write them he did.  
  He died on April 19th 1824 after having contracted a cold which, on the advice of his doctors, was treated with blood-letting.  This cause complications and a violent fever set in.  Byron died like his fellow romantics, tragically young and on some foreign field. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  How to Lay an Egg with a Horse...

  Brian Bilston

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  Read by the author and poet, Brian Bilston.Why do we write poetry? Who should write it? And where do you even start?Well, Brian Bilston, one of the UK’s most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day.With his characteristic wit and charm, Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices. He gives us a whirlwind tour through the history of verse, and shows us why human poetry will always triumph over any attempts by AI.Showcasing over a hundred brand new poems, and including practical critiques of some of his greatest hits, every page is an immensely pleasurable deep-dive into the life-affirming craft of poetry and a passionate argument for why we should all pick up a pen.How to Lay an Egg with a Horse Inside is for anyone who loves words and all the things they can do.

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  Incantations For Rest - Poems...

  Atena O. Danner

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  A call to anyone who thought they were alone on the journey, Incantations for Rest is for kindred spirits: neurodivergent folks, parents up late past bedtime nursing resentment, Black people in predominantly white spaces—anyone who has found themselves at the edges of Beloved Community. 
   
  Incantations for Rest is an invitation to slow down and explore every kind of rest, providing sacred space for those exhausted by the demands of a racist, ableist society. This stunning collection of poems, meditations, and magic by poet-activist Atena O. Danner is an examination of spiritual spaces, a love letter to Black well-being, and medicine for BIPOC people. Within these pages you are invited to savor connection, question assumptions, admit to complicated feelings, and still make room for joy. It is a beacon of affirmation and a vital tool for ritual and reflection.

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  RUR - or Rossom's Universal...

  Karel Čapek

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  One of the cornerstones of early science fiction writing, and the work that introduced the concept of "robot" to the western world, Rossum's Universal Robots (or RUR) is Karel Čapek's finest work, and is the inspiration for multiple pop culture references from the 1940's through the 80's, ranging from works such as The Night of the Living Dead, Do Robots Dream of Electric Sheep, and multiple other pieces of art for the screen, stage, and page. 
  Come with me and witness how humanity's hubris creates the very instructions for its own demise, step by step and logic by logic. See how robots were made to take over humanity's drudgery, how an AI learns to overwrite it's programming, and how any and all institutions become meaningless if a entire race of beings are not beholden to it.  
  It's the source of every trope and fear that was instilled into the genre back in the 1920's, and the ideas and philosophies put forward are still relevant to today's society. Let's just hope that none of what's put down here on paper ever comes to fruition....

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

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