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  This Might Not Be It

  Sophia Chetin-Leuner

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  'You care a lot, that's nice. It shows your age.'
  Jay's new. He's just started as a temp in NHS Child and Adolescent Mental Health Services. He arrives with little more than a fledgling desk plant and well-meaning plans to change the broken system. Angela's been working here for over thirty years and nothing seems to faze her – except Jay.
  Exhausted and worn down by archaic protocol, Jay starts bending the rules in a desperate attempt to help their patients. But when professional boundaries are crossed and trust is shattered, he discovers the harsh reality of what's truly at stake.
  Sophia Chetin-Leuner's play This Might Not Be It is a candid portrayal of human lives at the mercy of our crumbling NHS. The play was longlisted for the Verity Bargate Award and shortlisted for the Women's Prize for Playwriting. It was premiered at the Bush Theatre, London, in 2023, directed by Ed Madden and produced by Broccoli Arts and Jessie Anand Productions.

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  The Rime of the Ancient Mariner

  Samuel Taylor Coleridge

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  "The Rime of the Ancient Mariner" is a narrative poem written by Samuel Taylor Coleridge. It was first published in 1798 as part of Coleridge's collection of poems titled "Lyrical Ballads," which he co-authored with William Wordsworth. The poem is one of the most famous works in English literature and is known for its vivid imagery, supernatural elements, and exploration of themes such as guilt, redemption, and the natural world.

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  Pyth in love - A poem in form of...

  Lee Slonimsky

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  In the poems, Pythagoras is always searching for meaning in patterns—in the caws of crows, the flight of geese—but he is also visited by the random.  “But then, without a sign, the crow departs; this randomness of fate gives him a chill./He sees the beauty of wings merged with night …”  Was it a random coincidence that I was at the same time writing a book set on an estate with Italianate gardens?  Inspired by Lee, I created a poet named Zalman Bronsky who wandered through the Italian gardens composing sonnets, which Lee graciously agreed to write.  Immersed in researching the Italian gardens, we traveled to Rome and Sorrento in the summer of 2004.  While walking in the Roman Forum Lee discovered a bust of Pythagoras and was inspired to write “Counting Toward the End,” in which “Pythagoras divides the summer dawn/into the cosmos, multiplies by breeze/and quality of drifting yellow light/to calculate how many roses  thrive/within the boundary of circling sight.”  His calculation conflicts with what he sees and yet his “faith in truth of math endures despite/this failure.”

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  Life expectancy begins to fall

  Tom Sastry

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  Is your retirement plan dying in the climate wars? Are you getting on with things in the meantime? In Life expectancy begins to fall, Tom Sastry asks how we normalise an apocalypse, taking us on a tour of bad coping strategies, unwelcome epiphanies, and striking reminders of what we still have.
  Part-elegy and part-satire, these poems do not show you what to do in a crisis, nor do they promote the cliches of positive thinking that tell you how to be a good worker, an effective activist or a spiritual person. Instead, quietly and persuasively, Sastry develops a subtle meditation on hope. The poetry shows us as we mostly are, lost in the enormity of it all and busy with other things. Explore a world where 'pessimism is complicated by love' and optimism is found hiding in moments where 'nothing happens, in the most lavish way'.

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  The Poetry of Elizabeth Siddal -...

  Anónimo

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  Elizabeth Eleanor Siddall was born on the 25th July, 1829 in London into a working-class family where she received an ‘ordinary education’.   
  Whilst accounts differ, it is clear that she met the Pre-Raphaelite painter William Deverell whilst working in a millinery shop and he asked her to model for him, describing her as "magnificently tall, with a lovely figure, and a face of the most delicate and finished modelling ... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster."  She personified female beauty for the Pre-Raphaelite Brotherhood and her face became well known in Victorian Britain, gracing many famous paintings such as John Everett Millais's Ophelia, where she is portrayed drowned, floating in a pond. From the experience she also caught pneumonia.  
  Although Siddal (she later changed the spelling of her name) endured a toxic and probably controlling relationship with Dante Gabriel Rossetti, who wouldn’t allow her to model for anyone but himself, she made great strides under his tuition and in her endeavours as an artist.  She was the only woman to exhibit with the Pre-Raphaelites in 1857 where she sold one of her paintings to an American collector. 
  She created many paintings, often inspired by Medieval themes, but her output of poetry was scant despite the positive reception to her verse.  Their motifs were sad and often tragic, dwelling on lost or doomed love.  As well they suggest a strong connection with nature and often plead with God with a haunting yet evocative simplicity. 
  Allied to this was a laudanum addiction which may have contributed to a still-born birth in 1861 and from which she never fully recovered.   
  Elizabeth Siddal committed suicide by an overdose, whilst pregnant, on the 11th February 1862.  She was 32.

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  Good Grief

  Brianna Pastor

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  “Brianna Pastor is by far one of my favorite new writers. Good Grief is a powerful testament that shows how hard the past can be and that overcoming it is possible. If you want to feel seen and deeply moved, read Good Grief. Brianna Pastor has unparalleled talent, let the power of her writing guide you to a better life.”—yung pueblo, #1 New York Times bestselling author 
  An expanded edition with over forty brand-new poems of the bestselling poetry collection Good Grief by Brianna Pastor 
  When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, “Yes. Me too.” For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety, and depression, this collection will help you find hope on the other side. 
  we don’t know how long our pain will last. we assume that because it hurts now, it is probably going to hurt tomorrow. it may even hurt the next day. perhaps it will get worse. but we sleep, and you see, and we do this marvelous thing in our sleep—we mend. And tomorrow is not always what we thought it would be.—from Good Grief

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