Otros libros que te pueden interesar

• 

  The Meeting - Seventeen Series...

  A.D. Starrling

  • 0
  • 0
  • 0

  Discover the origins of the incredible friendship that defines Hunted…  
     
  On a hot summer’s day in Boston, US Marine turned Homicide Detective Reid Halsey finds himself in the middle of a deadly shootout with a murder suspect.  
     
  When Lucas Soul, a seemingly innocent victim, rises from the dead moments after a fatal gunshot wound to the head, Reid comes to the shocking realization that the world he believes in may very well be a carefully fabricated lie masking an unearthly reality.The Meeting is a short story set in AD Starrling's bestselling supernatural thriller series Seventeen. If you like high-octane adventures that combine science and fantasy, then you'll love the world of Seventeen. Get this thrilling short story and continue the epic series today!  
     
  Visit Shop AD Starrling to get digitally signed books and discounted bundles!

  Ver libro

• 

  Honest Work - A Good Women Story

  Halle Hill

  • 0
  • 0
  • 0

  Maudette works at the state fair. She hates her job, she hates what her mother does for a living, she hates the people in her town, especially one of her mother’s clients, a local deacon. Working the tilt-a-whirl one day, she begins to consider revengeHonest Work is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

  Ver libro

• 

  Ara's Prelude - Companion Tales...

  D. August Baertlein

  • 0
  • 0
  • 0

  Far north in the Atlantic Ocean, where islands are small, rocky, and infested with sheep and humans, live the Selkies—a race of seal/human shapeshifters of unearthly beauty. 
  The five short stories in Ara's Prelude recount the early lives of characters from the novel ARA’s SONG. You’ll meet Princess Ara as a seal pup and young Seamus defending his dreams of becoming a fisherman. Seamus’s folks struggle to protect him from those vicious Selkies, while Ara’s father warns of dangerous humans like that boy she finds so fascinating. And then there’s Oluva, the psychic shopkeeper who knows more about Selkies than she lets on. 
  Chronologically, these are the first events in THE SELKIE CHRONICLES, but each book stands alone. 
  Selkies are beguiling and real. Come see for yourself.

  Ver libro

• 

  The Reincarnations

  Nathan Elias

  • 0
  • 0
  • 0

  These loosely connected stories are laced with the familiar and the uncanny, the real and the surreal, the ordinary and the fabulistic. A documentary filmmaker refuses to give up on finding his daughter who mysteriously disappears by the river. A small-time real estate agent recovers from a brief psychotic episode upon discovering his fiancée's affair. An actress struggles to grasp reality when the recordings of lucid dreams are used in movies instead of live performances. An eccentric teenager recounts his first romance from beyond the grave. 
   
   
   
  Spanning the boundaries of literary and speculative fiction, The Reincarnations revolves around multiple forms of Zenlike rebirth. Equal parts raw emotion and wild imagination, Nathan Elias's debut story collection ushers in an electrifying yet tender new voice in fiction.

  Ver libro

• 

  Cain - From their pens to your...

  Alexander Kuprin

  • 0
  • 0
  • 0

  Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. 
  At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. 
  Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’.  Leaving the military he left for Kiev to work for local newspapers.  He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev.  
  In the years that followed further controversial works and acclaim followed.  His comments on the regime meant he was also put under secret police surveillance.   
  As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health.  
  The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants.  As Civil War raged he took his family to Helsinki and then on to Paris. 
  Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise.   
  In May 1937, the Kuprin’s returned to Moscow.  He now saw his work published but wrote almost nothing new.  In 1938 his health rapidly deteriorated.  Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus.  
  Alexander Kuprin died on 25th August 1938.

  Ver libro

• 

  Notes from Underground

  Fyodor Dostoyevsky

  • 0
  • 0
  • 0

  Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession".The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.

  Ver libro